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Trollope’s Delight

Richard Altick, 3 May 1984

The Letters of Anthony Trollope 
edited by John Hall.
Stanford, 1082 pp., $87.50, July 1983, 0 8047 1076 7
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Anthony Trollope: Dream and Art 
by Andrew Wright.
Macmillan, 173 pp., £20, October 1983, 0 333 34593 2
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... produced the 47 novels. This solitary biographical datum contributes to the subtitle of Andrew Wright’s Anthony Trollope: Dream and Art, but in the nature of the case it cannot supply a sustained thesis. Happily, between the book’s introduction and epilogue it is almost completely lost sight of, so that Wright’s ...

At the Courtauld

Esther Chadwick: Jonathan Richardson, 10 September 2015

... Steele, Prior), aristocrats (the Marquess of Rockingham, Lady Mary Wortley Montagu) and doctors (Richard Mead, Sir Hans Sloane). But he turned down an offer to be the King’s Painter because he objected to ‘the slavery of court dependence’. His writings on art were read widely (his Essay on the Theory of Painting, published in 1715, was on Delacroix’s ...

I’m Getting Out of Here

Leo Robson: Percival Everett, 3 November 2022

Percival Everett by Virgil Russell 
by Percival Everett.
Influx, 271 pp., £9.99, September 2021, 978 1 910312 99 5
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Erasure 
by Percival Everett.
Faber, 294 pp., £8.99, August 2021, 978 0 571 37089 4
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The Trees 
by Percival Everett.
Influx, 334 pp., £9.99, March 2022, 978 1 914391 17 0
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... in the mid-century debate about the duties and burdens of African American writing initiated by Richard Wright’s Native Son (1940). In essays such as ‘Everybody’s Protest Novel’, ‘Alas, Poor Richard’ and ‘Many Thousands Gone’, James Baldwin rejected the role of ‘Negro writer’ and ...

Little England

Patrick Wright: The view through a bus window, 7 September 2006

Great British Bus Journeys: Travels through Unfamous Places 
by David McKie.
Atlantic, 359 pp., £16.99, March 2006, 1 84354 132 7
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... an Arriva bus and quits Leeds via Hunslet, which also appears more or less obliterated since Richard Hoggart, who described its working-class culture so memorably in The Uses of Literacy, grew up there. Next comes Woodlesford, where McKie gazes round for any trace of the rhubarb for which the place was once well known, and we chug onwards to ...

Is it even good?

Brandon Taylor: Two Years with Zola, 4 April 2024

... This isn’t new: there was a genre called Black Naturalism which encompassed such writers as Richard Wright, Ann Petry and Paul Laurence Dunbar. The Black Naturalists found naturalism a ready-made mode for representing life under white supremacy. For many Black Americans, there was always a boundary in sight, setting a limit on how prosperous they ...

Cubist Slugs

Patrick Wright: The Art of Camouflage, 23 June 2005

DPM: Disruptive Pattern Material; An Encyclopedia of Camouflage: Nature – Military – Culture 
DPM, 2 vols, 944 pp., £100, September 2004, 9780954340407Show More
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... generals are said to have been horrified when Sargent opened Thayer’s valise. According to Richard Murray of the Smithsonian American Art Museum, the prototype garment resembled an old hunting jacket, trailing strips of coloured cloth and daubed with patches of colour that reflected Thayer’s interest in harlequin costumes. It’s not clear whether ...

The Hadar Hominids

J.Z. Young, 21 May 1981

The Making of Mankind 
by Richard Leakey.
Joseph, 256 pp., £9.95, April 1981, 0 7181 1931 2
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Lucy: The Beginning of Humankind: The Dramatic Discovery Of Our Oldest Human Ancestor 
by Donald Johanson and Maitland Edey.
Granada, 409 pp., £9.95, April 1981, 0 246 11362 6
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... describe the results of recent excavations in which the authors have been major participants. Richard Leakey is, of course, the son of a famous father and mother. Of his many discoveries perhaps the most important is the skull cautiously named only by its museum number as KNMER 1470. Until recently it was believed to be the oldest known member of the ...

Why all the hoopla?

Hal Foster: Frank Gehry, 23 August 2001

Frank Gehry: The Art of Architecture 
edited by Jean-Louis Cohen et al.
Abrams, 500 pp., £55, May 2001, 0 8109 6929 7
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... at Harvard, in Paris, and with various firms, he opened his own office in 1962. Influenced by Richard Neutra, the Austrian emigré who also practised locally, Gehry gradually turned a Modernist idiom into a funky LA vernacular. He did so primarily in domestic architecture through an innovative use of cheap materials associated with commercial building ...

Constable’s Plenty

John Barrell, 15 August 1991

Constable 
by Leslie Parris and Ian Fleming-Williams.
Tate Gallery, 544 pp., £45, June 1991, 1 85437 071 5
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Romatic Ecology: Wordsworth and the Environmental Tradition 
by Jonathan Bate.
Routledge, 131 pp., £8.99, May 1991, 0 415 06116 4
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... eight years – George Stubbs in 1984; Manners and Morals: Hogarth and British Painting in 1987; Wright of Derby last year. None of these was quite as blandly factual as Constable, nor so studiously innocent of the desire to situate the objects on display within a context wider than the work of the artist himself. But together they produce the sense that a ...

Staggering on

Stephen Howe, 23 May 1996

The ‘New Statesman’: Portrait of a Political Weekly, 1913-31 
by Adrian Smith.
Cass, 340 pp., £30, February 1996, 0 7146 4645 8
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... In 1950 a venerable, once highly successful, long-ailing magazine quietly expired. Richard Usborne, the assistant editor in its dying days, later recalled an aficionado’s touching reaction. ‘When the Strand finally folded in 1950, my old sixth-form master wrote to me regretfully: “I loved the dear old Strand ...

Diary

Nick Laird: Ulster Revisited, 28 July 2011

... by loyalist terrorists, one of the workers, Walter Chapman, whispered to the sole Catholic, Richard Hughes, that he should stay silent. But one of the gunmen recognised Hughes and ordered him to ‘clear off down the road’. He did so and the gunmen opened fire, with armalites, SLRs, a 9mm pistol and an M1 carbine, on the remaining men. In less than a ...

Come and Stay

Arnold Rattenbury, 27 November 1997

England and the Octopus 
by Clough Williams-Ellis.
CPRE, 220 pp., £10.95, December 1996, 0 946044 50 3
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Clough Williams-Ellis: RIBA Drawings Monograph No 2 
by Richard Haslam.
Academy, 112 pp., £24.95, March 1996, 1 85490 430 2
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Clough Williams-Ellis: The Architect of Portmeirion 
by Jonah Jones.
Seren, 204 pp., £9.95, December 1996, 1 85411 166 3
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... with government – over minimum standards for all council housing. And although I see that both Richard Haslam and Jonah Jones credit him with authorship of the splendidly rude, punchy, near-libellous DIA Cautionary Guide to St Alban’s (1929), I am surprised that some credit doesn’t also go to what is surely the echo of that same ...

Ballooning

J.I.M. Stewart, 5 June 1986

The Unknown Conan Doyle: Letters to the Press 
by John Michael Gibson and Richard Lancelyn Green.
Secker, 377 pp., £15, March 1986, 0 436 13303 2
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... from his acceptance as genuine of absurd photographs faked by two enterprising small girls, Elsie Wright and Frances Griffiths. This final phase of eccentricity and sheer gullibility had succeeded upon a long lifetime’s interest in spiritualism and psychical research. In his later twenties Doyle was beginning to organise séances, and the first of these to ...

Skimming along

Ross McKibbin, 20 October 1994

The Major Effect 
edited by Anthony Seldon and Dennis Kavanagh.
Macmillan, 500 pp., £20, September 1994, 0 333 62273 1
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... to Mr Major. But this is not to deny the two meanings. When I watched him paying tribute to Billy Wright on an ITV programme, evoking (as, according to Richard Holt and Alan Tomlinson in their essay, he often does) the lost world of a handful of heroes – Wright himself, Nat ...

On holiday with Leonardo

Nicholas Penny, 21 December 1989

The New Museology 
edited by Peter Vergo.
Reaktion, 230 pp., £23, September 1989, 0 948462 04 3
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The Romantic Interior: The British Collector at Home 1750-1850 
by Clive Wainwright.
Yale, 314 pp., £35, November 1989, 0 300 04225 6
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Journal of the History of Collections, No 1 
edited by Oliver Impey and Arthur MacGregor.
Oxford, 230 pp., £23, June 1989, 0 00 954665 0
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... wore the same clothes is to deny the realities of a society structured around class.’ Philip Wright proposes that special reception areas should be attached to museums, where the categories of objects the museum contains (‘white man’s art’ and so on), the ‘jobs and personalities’ of their donors and the curricula vitae of the staff will be ...

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