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“... however, is not forgotten, and when a new collection of her stories is published Eliot writes to Richard Aldington asking him to order a review copy: ‘I think her inflated reputation ought to be dealt with.’ There is now a peculiar tone in letters to Murry, one or two of which are almost like love letters: Thanks, dear John, for your adorable ...”

“... his status as an aristocrat while identifying wholly with it as a poet. In his introduction to the Faber Book of Modern American Verse W.H. Auden pointed out that ‘every American poet feels that the whole responsibility ... has fallen upon his shoulders, that he is a literary aristocracy of one, whereas a British poet can take writing more for granted, and ...”

“... of Poetry, accepted five poems; in April 1915 two of her poems appeared in the Egoist, the paper Richard Aldington edited (‘I am so delighted to have them take me I shouldn’t mind if they charged me’); in August, HD invited her to come to London (she didn’t take up the invitation); and in October Alfred Kreymborg, the editor of Others, took five ...”

“... subject became, as he later recollected, ‘a completely instinctive obsessional thing’. In 1969 Faber published The Bog People, the English translation of a book by the Danish archaeologist P.V. Glob, which was full of striking black and white images of their strange, patient faces – ‘Donatello-like’, Bernard O’Donoghue once said – the beauty of ...”

“... sums of money, Purdy’s parents divorced, and his mother, Vera, began running a boarding house. Richard, his older brother, had a successful stint as an actor before alcoholism ended his career and forced him to return home. Snyder refers to him as ‘an aspiring actor and gay youth’ who felt stuck in a conservative Midwestern town, but there is no ...”

“... family and friends, we are told that the typescript was read by Frank Kermode, Stuart Hampshire, Richard Wollheim and Karl Miller, a formidable jury who, at the very least, seem likely to have ensured that a satisfactory account of the Encounter imbroglio would be given. Faced with such difficulties and such good fortune, Sutherland has coped very ...”

“... The Review ended in 1972, the New Review began in 1974. I had published a book of verse with Faber, The Visit, in 1970 and had come to see myself as a writer of poems, which I hadn’t really done up till then. So that’s the period which ends around 1972, when I began to dry up. The poems weren’t coming, or nothing good was coming, and it was all ...”