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“... Irish nationalist with socialist leanings, close to Fenianism and even closer to the position of Michael Davitt’. In Inventing Ireland, Kiberd writes: ‘Yet into his own exile Joyce took with him the ancient Gaelic notion that only in literature can the consciousness of the people be glimpsed.’ Again, there is no footnote. Joyce, he writes, ‘attempted ...”

“... Is there anything stranger than a pop star out of time? Before Elvis Presley, before Michael Jackson, there was Al Jolson – ‘the most popular entertainer of the first half of the 20th century,’ as Michael Rogin describes him. Eyes wide and mouth agape, arms outstretched and face painted black, Jolson concludes his performance in The Jazz Singer (1927) down on one knee, serenading the delighted actress who plays his mother in a voice as strong and piercing as a foghorn ...”

“... to Evelyn Waugh but to Rebecca West and Arnold Bennett – the young and the old alike – H.G. Wells, Elizabeth Bowen, Olivia Manning, Anthony Powell. In his time Gerhardie was at least as potent a literary influence in England as Hemingway, and more pervasive, more part of the new metropolitan air that English authors breathed: they absorbed him as ...”

“... Peregrine, head of the ‘secret’ service, on his victory over democracy, the Bishop of Bath and Wells is there, ‘looking years younger’. Being more of a Footite (roughly speaking again), I don’t believe in these bogey-men: their coven seems to be under the chairmanship of the very fat man who waters the workers’ beer. William Boyd brings us back to ...”

“... new religious context’. An example of the latter is ‘well-dressing’, the habit of decorating wells and springs with flowers or prayers tied to bushes – offerings that were once directed to water goddesses. But the boundaries of ‘pagan survival’ are blurred. Many things that were cited by folklorists a century ago as vestiges of prehistoric ...”

“... revealed that the Blair administration had exaggerated the threat posed by Saddam Hussein. Rachel Wells, the central character in Number 11 and the narrator of the first of its five overlapping stories, was ten when Kelly’s body was discovered. She was staying with her grandparents. ‘On television the reporter was talking in a portentous voice over ...”

“... defendant and Gaitskell as Treasury prosecutor. No one who has served in a Cabinet (including Mr Michael Heseltine today) would fail to recognise the reality of the problem and, given the political sensitivity of the National Health Service in the Labour Party (or of defence in the Conservative Party), its explosive potential. Bevan first fought a successful ...”

“... well as important work on particular phases or aspects of the Bard’s life by Honigmann, Stanley Wells and others, but Shakespeare: A Life can make some claim to be the first sustained scholarly attempt on its subject since the books written by Edgar Fripp and E.K. Chambers in the Twenties. Its very existence is the symptom of a quiet renaissance in a branch ...”

“... and oblique, and when passing under the shadow of some secondary passion. Joy, for instance, that wells up from constitutional sources, joy that is ebullient from youth to age, and cannot cease to sparkle, he yet exhibits, in the person of Matthew, the village schoolmaster, as touched and overgloomed by memories of sorrow.’ He felt obliged – an obligation ...”

“... Burnyeat and Jonathan Barnes in The Skeptical Tradition and elsewhere, as well as in papers by Michael Frede. But what is also needed is a more elementary account of Scepticism, a presentation of the Sceptics’ main approaches when undermining their opponents’ views and reaching their own position. This need is addressed by The Modes of Scepticism, a ...”

“... on it as he awaited the outcome of the power struggle – and the circumstances of their flight. Michael Black’s admirable little book in the Landmarks in World Literature series, analysing in close and illuminating detail the plan and growth of Sons and Lovers, and emphasising Frieda’s sense of the novel’s ‘form’, makes the proper companion piece ...”

“... I went to see London Contemporary Dance Theatre and Ballet Rambert at the Oxford Apollo and one of Michael Clark’s earliest forays at the Museum of Modern Art, barebottomed in Bodymap and long sleeves. There wasn’t much more than that going on in London but they did get Merce Cunningham at Sadler’s Wells every now and ...”

“... By​ the time his first opera, The Midsummer Marriage, had its premiere at Covent Garden in 1955, Michael Tippett was considered, alongside Benjamin Britten, the most significant and original British composer of his generation. Yet he was also the natural outsider in a scene that as well as Britten (born 1913), included William Walton (1902) and Lennox Berkeley (1903), with the reassuring presence of Ralph Vaughan Williams (1872) hovering over them all ...”

“... by Plato and Kant) but by superficial dreamers – people like Edward Bellamy, Henry George, H.G. Wells, Michael Harrington, Martin Luther King. These are the people who dangle carrots before democratic societies by suggesting concrete ways in which things might get better – become more democratic, fairer, more open, more ...”

“... Frederick, Prince of Wales, the artists Hogarth and Hayman, the designers Gravelot and George Michael Moser, the sculptor Louis-François Roubiliac and the composers Arne and Handel: ‘The brash light-heartedness, the unwillingness to follow rules, the energy, informality and experimentation that were intrinsic to Vauxhall are all typical of the English ...”