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In Bexhill

Peter Campbell: Unpopular Culture, 5 June 2008

... tight-lipped woman who, accompanied/By all she knows of love on leather leash’), Tony Harrison (‘In each of our Blackpool photos from those years/and, I’ll bet, in every family’s South Pier snap’) and Philip Larkin (‘We passed them, grinning and pomaded, girls/In parodies of fashion, heels and veils’) hit the same sweetly rasping note ...

Dome Laureate

Dennis O’Driscoll: Simon Armitage, 27 April 2000

Killing Time 
by Simon Armitage.
Faber, 52 pp., £6.99, December 1999, 0 571 20360 4
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Short and Sweet: 101 Very Short Poems 
edited by Simon Armitage.
Faber, 112 pp., £4.99, October 1999, 9780571200016
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... rather than reporting from them, distinguishes his work from that of his fellow Yorkshireman, Tony Harrison. He offers a vivid and witty eyewitness account of the solar eclipse, as seen through his protective glasses, but handles the more tragic stories of 1999 with protective layers of metaphor. In the case of the high school shootings in Colorado, for ...

At Tate Britain

T.J. Clark: Paul Nash , 2 February 2017

... Field’ (1939) It could have survived perfectly well. Perhaps it did, in John Nash’s (Paul’s younger brother) re-doings of Constable country, or Stanley Spencer’s topographies of Cookham. Landscape painting had always been, essentially and productively, nostalgic: the cult of ruins had mutated, on the whole without pain, into a ...

Rain, Blow, Rustle

Nick Richardson: John Cage, 19 August 2010

No Such Thing As Silence: John Cage’s 4'33" 
by Kyle Gann.
Yale, 255 pp., £16.99, April 2010, 978 0 300 13699 9
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... barn-like structure, set – in 1952 at least – in several acres of woodland. Water Music by John Cage, a Californian composer whose recent work had been feted in New York, opened the programme and baffled its audience. It involved Tudor performing various actions at seemingly random intervals: blowing a duck-call, tuning a radio, shuffling and dealing ...

Diary

Patricia Lockwood: Insane after coronavirus?, 16 July 2020

... My story​ will be that John Harvard gave it to me. ‘Who’s that?’ I asked, pointing at a bronze bust in the reading room where I had arrived to give my lecture, and was told that it was the university’s founder, John Harvard ...

Gossip in Gilt

James Wood: John Updike’s Licks of Love, 19 April 2001

Licks of Love: Short Stories and a Sequel, ‘Rabbit Remembered’ 
by John Updike.
Hamish Hamilton, 368 pp., £16.99, March 2001, 9780241141298
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... It seems to be easier for John Updike to stifle a yawn than to refrain from writing a book. It is generally thought niggardly or envious to complain about a writer’s abundance (a book a year, roughly, in Updike’s case). Most novelists, it is said, would pant to exhibit such a fault. Or the case is made that it is otiose to complain about the mediocre books when there are so many fine ones; the odd truancy in a record of such inspired application is inevitable, the waterfall has its chilly underside and so on ...

Social Arrangements

John Bayley, 30 December 1982

The Penguin Book of Contemporary British Poetry 
edited by Blake Morrison and Andrew Motion.
Penguin, 208 pp., £1.95, October 1982, 0 14 042283 8
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The Rattle Bag 
edited by Seamus Heaney and Ted Hughes.
Faber, 498 pp., £10, October 1982, 0 571 11966 2
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... the point about ‘Blackberrying’ remains the blackberries – ‘They accommodate themselves to my milkbottle, flattening their sides’ – the high green meadows and the blue-green bellies of the flies. Plath’s poem, like a superior terror movie, pointed all its verbal skills towards panic and emptiness, but what endures today is the art-work, the ...

Besieged by Female Writers

John Pemble: Trollope’s Late Style, 3 November 2016

Anthony Trollope’s Late Style: Victorian Liberalism and Literary Form 
by Frederik Van Dam.
Edinburgh, 180 pp., £70, January 2016, 978 0 7486 9955 1
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... his own sexuality, dating from his childhood. He wrote in his autobiography of ‘the disgrace of my schooldays [that] has clung to me all through life’ and linked it to his failure to earn the credentials of masculinity: ‘Of the cricket ground or racket court I was allowed to know nothing. And yet I longed for these ...

Short Cuts

Daniel Soar: Julian Assange, 18 February 2016

... to the Man. There’s comradeship between celebrity dissidents. Sometimes this is practical: Sarah Harrison, Assange’s right-hand woman, flew to Sheremetyevo airport to help navigate Edward Snowden safely and legally into Moscow and get him a residency permit after his leaks broke in the summer of 2013. Sometimes it’s more nebulous: outlaws bond, as we ...

At the Whitechapel

Peter Campbell: ‘Faces in the Crowd: Picturing Modern Life from Manet to Today’, 6 January 2005

... have felt they were able, or not able, to do.In an essay in the exhibition catalogue, Charles Harrison describes one kind of artistic inhibition with reference to Mark Rothko. In 1958 Rothko explained that although he belonged ‘to a generation that was preoccupied with the human figure’, and although it was something he studied, he found ‘with the ...

On Richard Hollis

Christopher Turner: Richard Hollis, 24 May 2018

... as well as religion, to the slums. The distinctive Art Nouveau structure was designed by Charles Harrison Townsend, and is dominated by a squat, Romanesque arch, placed, rather eccentrically, off-centre to make way for a modest door that used to lead to the upper galleries. It is clad in glazed terracotta bricks, and the roofline is capped by two book-ending ...

Finishing Touches

Susannah Clapp, 20 December 1984

Charlotte Mew and her Friends 
by Penelope Fitzgerald.
Collins, 240 pp., £12.95, July 1984, 0 00 217008 6
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The Collected Letters of Katherine Mansfield. Vol. I: 1903-17 
edited by Vincent O’Sullivan and Margaret Scott.
Oxford, 376 pp., £15, September 1984, 0 19 812613 1
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... speaks of an exile from childhood in a manner which recalls these siblings: Why did They bring me here to make me Not quite bad and not quite good? Penelope Fitzgerald sees it more straightforwardly as a statement of Mew’s own feelings of peculiarity as a child, and certainly before she was out of her teens she had ...

Fenmen

Ronald Hutton, 5 August 1982

Fenland Riots and the English Revolution 
by Keith Lindley.
Heinemann, 259 pp., £16.50, March 1982, 0 435 32535 3
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Commonwealth to Protectorate 
by Austin Woolrych.
Oxford, 433 pp., £22.50, March 1982, 0 19 822659 4
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... the promoters of the works included the King and courtiers, but also a local entrepreneur, Sir John Monson, while the largest scheme of all was undertaken by the Earl of Bedford, one of the leaders of the political group self-consciously opposed to other royal policies. Thus the tension appears to have arisen not from a division between court and country ...

Colloquially Speaking

Patrick McGuinness: Poetry from Britain and Ireland after 1945, 1 April 1999

The Penguin Book of Poetry from Britain and Ireland since 1945 
edited by Simon Armitage and Robert Crawford.
Viking, 480 pp., £10.99, September 1998, 0 670 86829 9
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The Firebox: Poetry from Britain and Ireland after 1945 
edited by Sean O’Brien.
Picador, 534 pp., £16.99, October 1998, 0 330 36918 0
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... for instance, Burns Singer, one of the most original poets of the Fifties, or David Wright and John Heath-Stubbs. All three were friends of Graham, and their inclusion might have helped the Forties and Fifties out of their New Apocalypse v. Movement stand-off. Hamish Henderson, whose 1948 Elegies for the Dead in Cyrenaica (reprinted by Polygon in ...

Diary

Karl Miller: Sponsored by the Arts Council, 24 January 1985

... this stuff of his would never do. Well, I don’t doubt he will do fine as Poet Laureate. Tony Harrison would do fine, too, in this dodgy capacity, which need not, perhaps, be thought altogether obsolete, and comic. Both poets, in their own inward and intractable way, are patriots – and hardly less so than ...

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