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Adam Begley, 15 September 1988

Elephant, and Other Stories 
by Raymond Carver.
Collins Harvill, 124 pp., £9.95, August 1988, 0 00 271912 6
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The Tidewater Tales 
by John Barth.
Methuen, 655 pp., £12.95, August 1988, 0 413 18770 5
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... to night. The walls were so thin I could hear her munching ice cubes all day. She had to use a walker to get around, but that still didn’t stop her. I’d hear that walker scrape, scrape against the floor from morning to night. That and her icebox door closing ... I had to get out of there. Scrape, scrape. I couldn’t ...

Who were they?

Sanjay Subrahmanyam: ‘Thuggee’, 3 December 2009

Stranglers and Bandits: A Historical Anthology of ‘Thuggee’ 
edited by Kim Wagner.
Oxford, 318 pp., £22.99, January 2009, 978 0 19 569815 2
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... and was met by a near unanimous lack of critical acclaim. The screenplay was based on a novel by John Masters (1914-83), who had served in the British army in India before and during the Second World War. Masters’s family had had a relationship with India stretching back five generations; I have been told by elderly Indian army officers who served with him ...

Snouty

John Bayley, 4 June 1987

The Faber Book of Diaries 
edited by Simon Brett.
Faber, 498 pp., £12.95, March 1987, 0 571 13806 3
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A Lasting Relationship: Parents and Children over Three Centuries 
by Linda Pollock.
Fourth Estate, 319 pp., £14.95, April 1987, 0 947795 25 1
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... Dorothy Wordsworth makes it clear whose eyes her own journal is for, after William and his brother John had left her in Trasmere, and set off to walk into Yorkshire, ‘cold pork in their pockets’: ‘I resolved to write a journal of the time till W and J return, and I set about keeping my resolve, because I will not quarrel with myself, and because I shall ...

Short Cuts

Amia Srinivasan: Andrea Dworkin’s Conviction, 6 October 2022

... for our time is a conviction that Parmar clearly shares. Her previous documentaries include Alice Walker: Beauty in Truth (2014) and Warrior Marks (1993), based on a book she co-authored with Walker about female genital mutilation. My Name Is Andrea is a synthesis of original archival material of Dworkin, mostly from her ...

At the Hayward

Hal Foster: Ed Ruscha, 19 November 2009

... this passage. ‘In the early 1950s,’ he once remarked, ‘I was awakened by the photographs of Walker Evans and the movies of John Ford, especially Grapes of Wrath, where the poor “Okies” (mostly farmers whose land dried up) go to California with mattresses on their cars rather than stay in Oklahoma and ...

Downhill Racer

John Sutherland, 16 August 1990

Lying together 
by D.M. Thomas.
Gollancz, 255 pp., £13.95, June 1990, 0 575 04802 6
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The Neon Bible 
by John Kennedy Toole.
Viking, 162 pp., £12.99, March 1990, 0 670 82908 0
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Solomon Gursky was here 
by Mordecai Richler.
Chatto, 576 pp., £13.95, June 1990, 0 394 53995 8
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Death of the Soap Queen 
by Peter Prince.
Bloomsbury, 277 pp., £13.99, April 1990, 0 7475 0611 6
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... a powerful comic novelist. Kington Aimes must look to his laurels. The circumstances surrounding John Kennedy Toole’s fictions are as pure American Gothic as even Flannery O’Connor could devise. Without any of his friends suspecting he had authorial ambitions, Toole wrote A Confederacy of Dunces in the early Sixties, while doing his national service in ...

Feigning a Relish

Nicholas Penny: One Tate or Two, 15 October 1998

The Tate: A History 
by Frances Spalding.
Tate Gallery, 308 pp., £25, April 1998, 1 85437 231 9
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... hall. Spalding observes, justly, that by insisting on the intervention of the American architect John Russell Pope in 1929 the sponsor, Lord Duveen of Millbank, was promoting, against the inclinations of British curators and civil servants, the ‘latest American style’, the style of the new sculpture gallery in the Metropolitan Museum in New York. Pope ...

Burning Witches

Michael Rogin, 4 September 1997

Raymond Chandler: A Biography 
by Tom Hiney.
Chatto, 310 pp., £16.99, May 1997, 0 7011 6310 0
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Raymond Chandler Speaking 
edited by Dorothy Gardiner and Kathrine Sorley Walker.
California, 288 pp., £10.95, May 1997, 0 520 20835 8
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... With the introduction of the private detective film four years later, the other noir founders, John Huston and Humphrey Bogart, shifted audience identification from hunted to hunter. Dashiell Hammett’s Sam Spade in The Maltese Falcon made Bogart a star, although the refugee Peter Lorre provides the film’s only moment of genuine fright Wilder, the ...

A Common Playhouse

Charles Nicholl: The Globe Theatre, 8 January 2015

Shakespeare and the Countess: The Battle That Gave Birth to the Globe 
by Chris Laoutaris.
Fig Tree, 528 pp., £20, April 2015, 978 1 905490 96 7
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... said to have ‘secret passages towards the water’. Shakespeare bought it for £140 from Henry Walker, ‘citizen and minstrel of London’. The deed of sale is dated 10 March 1613: he put down £80 and the following day signed a mortgage agreement with Walker for the remaining £60. Whether Shakespeare ever lived in ...

At the National Gallery of Scotland

Peter Campbell: Joan Eardley, 13 December 2007

... for the cinema, can also be seen in photographs taken by Eardley herself and by her friend Audrey Walker. The photographs give the look of one corner of postwar Britain in documentary black and white. Eardley’s paintings give it in colour; bright patches of clothing show up against dark, chalk-scrawled walls. The turn of a head, the angle of a leg, or the ...

What the Dickens

F.S. Schwarzbach, 5 April 1990

The Letters of Charles Dickens. Vol. VI: 1850-1852 
edited by Graham Storey, Kathleen Tillotson and Nina Burgis.
Oxford, 909 pp., £80, June 1988, 0 19 812617 4
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... first, Dora, dying suddenly at the age of eight months. Only a fortnight before that his father, John Dickens, had died after enduring a horrifying surgical operation (while his son looked on) without the benefit of anesthesia. His wife suffered for some time from a ‘nervous’ condition, perhaps post-natal depression, or perhaps simply exhaustion. In 1851 ...

Loose Woven

Peter Howarth: Edward Thomas’s contingencies, 4 August 2005

Collected Poems 
by Edward Thomas, edited by R. George Thomas.
Faber, 264 pp., £12.99, October 2004, 0 571 22260 9
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... their work, especially when it manifested itself as self-conscious ordinariness in poets such as John Masefield and Wilfred Gibson. Thomas felt that trying to be down to earth was part of the same problem; instead he wanted a poetry whose interplay of self-expression and common forms would always make it mean more than the writer could choose or control ...

Nae new ideas, nae worries!

Jonathan Coe: Alasdair Gray, 20 November 2008

Old Men in Love: John Tunnock’s Posthumous Papers 
by Alasdair Gray.
Bloomsbury, 311 pp., £20, October 2007, 978 0 7475 9353 9
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Alasdair Gray: A Secretary’s Biography 
by Rodge Glass.
Bloomsbury, 341 pp., £25, September 2008, 978 0 7475 9015 6
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... made a decent living writing plays for BBC television and radio. (The first, The Fall of Kelvin Walker, starred Corin Redgrave, bizarrely feminised by Glass as ‘Corinne’ in his text and ‘Connie’ in his index.) In this way, Gray began slowly to build up a reputation in his home country, while the leaking of fragments of Lanark to literary magazines ...

At the Photographers’ Gallery

Brian Dillon: Chris Killip, 1 December 2022

... On a trip to New York in 1969, Killip was diverted for a second time, by the work of Bill Brandt, Walker Evans, August Sander and Paul Strand.He returned home, worked in his parents’ pub and began documenting a place that was still, via Dublin and Liverpool, a popular holiday destination. There are no tourists in Killip’s early images, no sign of the ...

At the Whitechapel

Peter Campbell: ‘Faces in the Crowd: Picturing Modern Life from Manet to Today’, 6 January 2005

... in themselves. The show is visually disjunctive but intellectually suggestive.For example, both Walker Evans’s 1938-41 photographs of subway riders and Käthe Kollwitz’s Prisoners, an etching made thirty years earlier, have their place in an iconography of suppressed individuality. In both cases the faces seem to look inward – painfully (in the case ...

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