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“... for him to abandon the conviction that he could not remarry and to choose his secretary, Valerie Fletcher, as a wife instead of her? Crawford wisely leaves things open while quoting long stretches of Eliot’s letters as they stage (and stage-manage) various moments of near finality: letters reflecting on their parting in 1914, unengaged; letters on the ...”

“... in many of the events it became involved with over the last 50 years – the Profumo affair; the John Stonehouse mystery; Peter Wright; a score of famous spy cases; the Northern Ireland conflict; the miners’ strikes; the Gibraltar shootings; the Lockerbie bombing; ‘Room 101’; the thrilling escape of the defector Oleg Gordievsky; the killing of WPC ...”

“... scattered collections – made by Marion Scott, the Gurney family, Ivor’s Gloucester friend John Haines, Vaughan Williams and others – into a central archive. The process continued after Finzi’s death in 1956. Neither Gurney nor Scott had bothered much about dates and the habit of confusion grew by amalgamation. Blunden, returning manuscripts ...”

“... call to record racist or racially dubious songs. Even the reserved and refined Negro bandleader Fletcher Henderson, a college graduate, recorded his own arrangement of ‘Underneath the Harlem Moon’ (1932). Its opening choruses, before the band enters, consist of full-throttle solos by his star sidemen, Coleman Hawkins on tenor sax and Rex Stewart on ...”

“... called the ‘hermeneutical Mafia’.) Even the literary texts they take here – various works by John Ashbery, Shelley, Wordsworth and Maurice Blanchot – get so thoroughly devoured that they lose any intrinsic interest they might have had for him (which isn’t much); and while he probably won’t understand most of the book if he does attempt to read ...”

“... 19th century when that conception returned as part of general education. The discussions by J.M. Fletcher and J.A. Weisheipl on the arts curriculum and 13th and 14th-century science are especially illuminating. Relatively speaking, Oxford was an instant success. By the time of the Black Death she was the most favoured and the most intellectually ...”

“... because he has run out of animal comparisons. It took a while for this manner to change. King John, a bit later, has some intensities of a sort not to be found in its predecessors, but it remembers the old redundancies. Here Salisbury is protesting against the King’s decision to be crowned a second time: Therefore, to be possess’d with double ...”

“... be considered a discovery of the 1990s. The first big show of his work I saw was in 1996; in 1999, John Ashbery published a book-length poem entitled Girls on the Run, the cover of which bore an arresting Darger watercolour showing some of the Vivian Girls in panic-stricken flight. The ‘literariness’ and epic ‘virtual world’ quality of Darger’s work ...”

“... also produced the first of the notorious Nobel injustices: Charles Best did not get the Prize; John Macleod, who was off fishing in Scotland during the crucial experiments, did.) Or penicillin. Anne Miller, the first patient to be saved by the antibiotic, died on 27 May this year at the age of 90. Her hospital chart from 1942, showing the dramatic break in ...”

“... built up a first-rate record collection, mainly of blacks (including Ellington, Louis Armstrong, Fletcher Henderson, Art Tatum, Coleman Hawkins and Cab Calloway). Unlike his friend Léger, who merely adapted ethnological textbook drawings for his ‘primitive’ stage designs, Brancusi had finally internalised it all, had become an African, if you will, at ...”

“... outside her marriage; no evidence, either, that Eliot, until his second marriage, to Valerie Fletcher in 1957, when he was 68 and she 30, ever in his life had sexual relations with anyone other than Vivienne. Seymour-Jones wants desperately to prove that Eliot was homosexual before the marriage and that in large part the marriage failed because of his ...”

“... When​ T.S. Eliot asked John Hayward in February 1938 to act as his literary executor (‘in case some unexpected calamity cuts me down like a flower’), he told him to prevent publication of his literary remains – including ‘any letters at all of any intimacy to anybody’. ‘In fact,’ he added, ‘I have a mania for posthumous privacy ...”

“... states such as Ukraine have no choice but to submit to the nearest great power, has run its course.John Mearsheimer’s argument of recent weeks that what we are seeing played out is ‘not imperialism [but] great-power politics’ will strike many as a distinction without a difference. Imperial history has far more to teach us than our decaying Atlantic ...”