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“... for instance, Burns Singer, one of the most original poets of the Fifties, or David Wright and John Heath-Stubbs. All three were friends of Graham, and their inclusion might have helped the Forties and Fifties out of their New Apocalypse v. Movement stand-off. Hamish Henderson, whose 1948 Elegies for the Dead in Cyrenaica (reprinted by Polygon in ...”

“... just as the events of Le Fanu’s Uncle Silas are cast in a perpetual autumnal haze (as Elizabeth Bowen noted), in defiance of the usual arrangement of the seasons. Anglo-Irish disdain for the tedious requirements of naturalism? Certainly a moral pattern takes precedence over verisimilitude, in Irish fiction of the last century, and it’s usually to do with ...”

“... is the occupation of the crème de la crème. Two of our three women, Liz Headleand and Alix Bowen, are superior trend-spotters, being earnestly concerned (like their creator) with making sense of the society in which they live. ‘What was going on, behind those closed curtains? Were people peacefully frying up potatoes, or were they hitting one another ...”

“... Voice any doubt except that. Below Karl Miller’s troubled conscience is an assurance worthy of John Knox, if rather more tolerant. His magazine reflects this – is, indeed, its embodiment. The LRB is the house magazine of the British intellectual élite. In the TLS they talk to the world. In the LRB they talk to each other. The dons let their hair ...”

“... But as Russell Banks points out in the preface to The Hurly Burly, Eudora Welty, Elizabeth Bowen, Robert Frost and Carl Sandburg had led a campaign on Coppard’s behalf. In the 1970s, he had another revival in the UK after a couple of his stories were adapted for television and Lessing put together a selection. But by the 1980s, in the Dirty Realist ...”

“... at home and abroad. Yet neither is considered to be a novelist in the sense that, say, Elizabeth Bowen is. Her novel of 1929, The Last September, is also a lament for a vanishing class, that of the highly privileged Anglo-Irish ascendancy. In describing the three novels of those two years in this way – as chronicles of disaster – we blur one of the ...”

“... of that state of mind was harshly illuminated by Caitlin Thomas, adopted daughter of Augustus John and wife of Dylan, in her autobiography, Leftover Life to Kill. She was no Mimi. As promiscuous, drunk and inclined to throw furniture as her husband, she was nevertheless unable to conceive of herself as anything other than the poet’s wife. Of her ...”

“... the response of one American visitor to a portrait of Edith Sitwell in the Tate. Elizabeth Bowen, herself an imposing physical presence, described Sitwell in real life as like ‘a high altar on the move’, and Virginia Woolf, on first encountering her in 1918, noted that she was ‘a very tall young woman, wearing a permanently startled ...”

“... evacuated to Hereford, Mother Ida ‘habitually woke up an asthmatic friend of mine, Mary Bowen, by laughingly placing a pillow over her face’. Not all nuns were bad news, though. ‘It’s the interface between nunliness and normality that convent girls remember vividly,’ Maxtone Graham writes,It’s the memory of a nun with her habit hitched up ...”

“... the difference between ‘beige’ and ‘bone’ at fifty yards that made her a natural diarist. John Updike said her ‘Talk of the Town’ pieces ‘helped put New York back into the New Yorker’. Her first column, in January 1954, was about a careless dry cleaner, and began the dispatches from ‘a rather long-winded lady’ whom the New Yorker heard ...”

“... follows a remarkable passage: ‘Among the neglected men I have found Robert Bage, Henry Brooke, John Bunyan, Geoffrey Chaucer, Thomas Delaney [sic], Emanuel Ford, William Godwin, Richard Graves, Robert Greene, Robert Henryson, Charles Johnstone, Charles Lever, M.G. Lewis, Thomas Lodge, Henry MacKenzie [sic], Thomas Malory, Charles Maturin, Walter ...”

“... Antrim (1901), a collection of slightly fey dialect poems, was much praised by the poet laureate, John Masefield, and set to music by the Irish composers Charles Villiers Stanford and Hamilton Harty. They were Edwardian popular songs of the sort that Bartell D’Arcy might have been asked to sing in ‘The Dead’, when he wasn’t having a go at ‘The Lass ...”

“... where the expressive word, spoken or written, still seemed paramount – beneficiaries of what John Bayley once called “the inevitable solace that right language brings”. We were all, in varying degrees, sociable yet solitary.’It was a bold assertion. She was not only young, and relatively unproven, but the wrong gender; she was pushed right up ...”

“... the zoo as a scene of novelistic action, the zoo as a place where a character in an Elizabeth Bowen novel recalls being given tea by an aunt, the zoo as the subject of a book issued in the same series with a book on aeroplanes by Christopher Caudwell, the zoo as a place where Stephen Spender thought it worth telling Geoffrey Grigson he had spent an ...”

“... making a patronising show of it, and stayed to tell a good story about Christopher Hill and John Sparrow, and of how he’d been the unwitting agent of a quarrel between them, while ignoring an ambitious and possessive American professor who kept yelling ‘Eye-zay-ah! Eye-zay-ah!’ from across the room. (‘Yes,’ he murmured at the conclusion of the ...”