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“... outward and visible behaviour, one can readily imagine the Francophile, post-Satiean, Virgil Thomson describing the Whitman number as hokum, albeit hokum of the highest quality (Puccini might maliciously and quite wrongly have been adduced in that context): but its technical mastery is a function of the same order of feeling and the same authenticity of ...”

“... restores the analysis of syntax to its rightful place in exegesis. Later chapters on Milton, Thomson, Clare and Wordsworth unfold an intriguing argument about the poetic effects of delaying a main verb: the pace at which readers are obliged to hurry through the ‘deferred syntax’ of Milton’s heroic sonnets is shown to reinforce the celebration of ...”

“... journal how dismayed he had been to see in the master’s library a copy of the quarto edition of David Hume’s Essays and Treatises on Several Subjects of 1758, handsomely bound in morocco leather. Boswell believed, Sher writes, that an ‘infidel’ writer such as Hume had no right to such marks of ‘politeness and respect’ from Christian ...”

“... for its innovations and its geniuses and scoff at it for thinking it invented human nature. (David Hume, late of that parish, invented human understanding, or a treatise of that name, and that’s quite different.) Meanwhile, we can love Glasgow for its rebel spirit and its demotic energy while noting the piousness of Bearsden and Milngavie. Scotland ...”

“... as it continued, albeit in diluted form, in the panegyrics of liberty by Akenside, Collins, Thomson and others. He includes Gray’s Elegy because of its compassion for the poor, but one might expect a radical poet to be a bit less dismayed at the fact that Cromwell was born. Paulin is more at home in the Romantic period: a particular interest of this ...”

“... life are tellingly invoked. Then there is an amazingly learned search for the sources of David’s Oath of the Horatii. The trail leads through Gluck, Garrick, the ballet-master Noverre, Lavoisier, Beaumarchais and (less of a displaced person now, than when Wind was writing in 1941) Salieri. It is nard to imagine a reader with any developed interest ...”

“... stars fall like the ruined typesetting of a printer into one tangled mass’. Professor William Thomson had explained it all. God, however, was eternal, and through Him we would – or could – partake in His immortality. The nibs of our pens might rust the ink might fade, and the paper might perish. More seriously, perhaps, what we had written might ...”

“... of the game (to be bent, broken and ignored) and the ferocity of the play remained the same. Roy Thomson, benign among proprietors, has come and gone, picking up a peerage in the process. So has Victor Matthews, moving from building-site to Fleet Street and out again in less than ten years. The free or cut-price offers of dictionaries and flower-pots in the ...”

“... those of 1945, 1964 and 1997; neither has found any inspiration in 1924 or 1929. Peter Clark and David Torrance both set out to reassert the political importance of the 1924 government and to restore the place of its senior figures in the history of the Labour Party. Both focus on high politics, and in particular the way the members of the first Labour ...”

“... so far rightwards that it isn’t really the same party any more. In that process of migration, David Blunkett was one of the key players. Blunkett is important not only because of how he behaved when in office – we’ll get to that in a moment – but also because of the journey he took to get there. A man who from 1980 to 1987 was the leader of the ...”

“... he was writing a history of theory, partly because the painters did not correspond to the theory. David Solkin’s Painting for Money returns the painters to the story. Hogarth is here as well as other anti-civic humanist painters, and there is even a spokesman for the opposition to Shaftesbury, Bernard Mandeville. But Mandeville is presented as an isolated ...”

“... We won’t find, for instance, Burns Singer, one of the most original poets of the Fifties, or David Wright and John Heath-Stubbs. All three were friends of Graham, and their inclusion might have helped the Forties and Fifties out of their New Apocalypse v. Movement stand-off. Hamish Henderson, whose 1948 Elegies for the Dead in Cyrenaica (reprinted by ...”

“... of literary allusion. What are we to make of this homo rusticus who quotes Dr Johnson, uses James Thomson as a model for his rural descriptions, praises Bacon and Locke, refers to the poetry of Thomas Gray, Allen Ramsay and Oliver Goldsmith, casually mentions that he does not need to read David Hume on miracles, and ...”

“... Lord Beaverbrook seemed to me an infinitely preferable version of the genus than, say, Lord Thomson, who originally regarded owning newspapers and radio stations as no different from owning profitable toothpaste factories or fast-food chains. Though he altered that view later, it was not in the direction of greater interference with editorial ...”

“... central themes (the business of books, and the Reformation), close to the publishers D.C. Thomson (the Beano, the Dandy, Scotland’s Sunday Post) and the Protestant Truth Society. The printer Richard Pynson worked from here; the black-letter colophon to his A ful deuout and gostely treatyse of the imytacion and folowynge the blessed lyfe of oure ...”