At the British Museum
Peter Campbell: Samuel Palmer’s dream landscapes, 17 November 2005
“... such as John Minton who absorbed most from these works, and visionaries of a different sort – Cecil Collins, for example – who were able to go on tapping an analogous vein. Palmer’s gift to posterity was a kind of dream landscape, best seen in the early night scenes. It finds echoes in English romantic painting of the 1930s, 1940s and 1950s, but ... ”