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“... that is excessive and much that is reasonable in the early novels of the young American writer J. Robert Lennon. At 34, Lennon, already the author of four novels, plots his books with a rigour and restraint uncharacteristic of writers of his generation. Whereas his immediate contemporaries Dave Eggers, Colson Whitehead and Mark Danielewski all thrive on ...”

“... reports a fragment of the story of Francis Jansen, a Belgian photographer, friend and protégé of Robert Capa, who works for the Magnum agency, and has disappeared. A young man, our narrator, meets Jansen (‘when I was 19’) and offers to sort and catalogue his work. Jansen is friendly, but aloof, distracted, avoiding all his old friends, not answering the ...”

“... Fowler) and not for his work as a lexicographer. Fowler is the sacred text of the linguistically self-conscious. McMorris quotes a distinguished judge who ‘had been kept from his bed by it “to a very unusual hour”, adding that it brought “a terror to living and writing”’. A.J.P. Taylor read the whole thing at least once a year, and ranked it as ...”

“... In​ the 2014 independence referendum in Scotland, prudence, self-interest and the ministrations of Project Fear kept the Scottish electorate from succumbing to the over-optimistic prospectus presented by the SNP. Surely, David Cameron reckoned, the same formula would work again a mere two years later in the UK-wide Brexit referendum ...”

“... biographies of Keats appeared within a short time: W.J. Bate’s and Aileen Ward’s in 1963, Robert Gittings’s in 1968. Each is still very useful; all were admirable, if in different ways. W.J. Bate, who had been interested in Keats ever since he wrote his undergraduate thesis on the poet in 1939, paid special attention to Keats’s stylistic ...”

“... adversary and antithesis. As a follower of Booker T. Washington, Micheaux preached a gospel of self-help and individual responsibility. Between 1919 and 1940 (with one last epic, The Betrayal, in 1948), he wrote, directed, produced and distributed perhaps as many as forty feature films, exhibiting a tenacity unparalleled in American independent cinema. At ...”

“... the pulse of continuity in European literatures from Caxton and Boccaccio to Rilke, Valéry and Robert Lowell. For Carne-Ross, the continuities and echo-densities which relate Pindar to Ezra Pound, which make Leopardi stylise a scene in the exact light of Horace, which provide Ariosto and Gongora with stylistically diverse but equally dynamic relations to ...”

“... savoured of art or taste was excluded. In the studio which Coldstream shared with Graham Bell in Robert Street off the Hampstead Road ‘art’ had become a dirty word, though the depth of bitterness was reserved for the word ‘artistic’. Coldstream’s time at the GPO Film Unit was coming to an end, but his association with John Grierson had a lasting ...”

“... San Francisco, introduced by Helen Vendler. Vendler had already done an edition of Ashbery’s ‘Self-Portrait in a Convex Mirror’ for Arion, printed on roundel pages – wheels of paper 18” in diameter – with work by several artists, including Willem de Kooning and Jim Dine, as well as a selection of Wallace Stevens with a frontispiece by Jasper ...”

“... it ‘without irony’. As the exhibition demonstrates, it was impossible to invoke it without self-consciousness, but that is not the same thing. The cult of the cult of ruins continued to serve British artists well, especially the neo-Romantics of the 1930s and 1940s. Paul Nash’s abstracted megaliths, geometric forms set in the Wiltshire landscape, are ...”

“... to the United Nations, former director of Harvard’s Carr Centre for Human Rights Policy and self-described ‘genocide chick’, who advocated war in Libya and Syria, and argued for new ways to arm-twist US allies into providing more troops for Obama’s escalated but unsuccessful war in Afghanistan. This last argument wasn’t successful in ...”

“... book went to press too long ago for Obama to get a mention; Jeb Bush’s absurd claim to be a ‘self-made man’ – ‘few batted an eye at that description’ – is set up to be knocked down, however. In the second half of Outliers, Gladwell makes some bolder and not always so persuasive claims about broader ethnic contexts: Korean pilots are more likely ...”

“... its wealth; so he lavishes scruples on his readers. Heaney’s poetry is loaded with anxiety and self-tormented power. At times this is truly powerful, and at other times merely self-tormented. But this is nevertheless the grimace of a major poet.In much of his work, both in verse and prose, Heaney has struggled for a ...”

“... try to avoid deceiving ourselves’. He cites the conclusion of the editors of a symposium on self-deception, that though ‘it promotes short-run psychological health ... Long-run psychological health is thereby constrained.’ He seems unaware of the research which suggests that the mentally healthy are more likely to have a deficient perception of ...”

“... sight of something by the shore of the lake: turtles waddling in to end the story in the manner of Robert Lowell’s ‘Skunk Hour’ or Tobias Wolff’s ‘Poaching’: ‘They watch those turtles on their slow march and behold those ancient creatures, shell-backed and the colour of time, as they lower themselves, turtle upon turtle, disappearing into the ...”