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“... off a convincing snarl. Yet he is remembered for certain qualities which appreciate over time. Michael Wreszin’s biography succeeds in spite of its invocation of the conservative revolutionary. While a genuine radical like James Cameron could famously say of himself that he was ‘conservative about everything except politics’, and while it’s true ...”

“... engaging chapters in the book are those on Shakespeare, boy actors on the Elizabethan stage and Michael Jackson, all of whom confront us, in Garber’s view, with the radical undecidability that underlies our outrage for disorder. Michael Jackson ‘in performance erases and detraumatises not only the boundaries between ...”

“... and aching, Achak begins to imagine telling his life story to the boy, whose name he discovers is Michael. Achak’s father was a shopkeeper in Marial Bai, doing business with ‘Baggara and other Arab businessmen’ from the north as well as with local Dinka people. One night, Achak listens as his father tells Sadiq Aziz, his ‘favourite trading ...”

“... on that. Look, there are a lot of nice men out there, don’t let this thing spoil your life. Only white men are nice, she said. Or some of them. Not all that many, I said. I was walking on the slopes of Table Mountain that weekend when the call came through on my cell phone: there’d been another attempt to rape Jo. A neighbour phoned. An intruder had ...”

“... manufactured mythology even as it built itself on the ruins of the Communist counter-culture. Michael Denning, in his long interpretative history The Cultural Front, has questioned this disdain. His notion of the culture of the Popular Front embraces sturdy proletarian sagas like Mike Gold’s Jews without Money and Steinbeck’s The Grapes of Wrath ...”

“... like an unnatural intellectual Pasha visiting his Circassian Hareem’. Brooke, in a white shirt and white flannel trousers, took charge of a punting trip on the Cam. ‘Oh yes,’ he said later, ‘I did the fresh, boyish stunt, and it was a great success.’ James sent thanks to all concerned, ‘with a ...”

“... that the song means a great deal to his wife, Gretta, and longer still the essential truth, that Michael Furey, her dead first love, used to sing it to her. These layers of Gabriel’s unknowing are hardly different from our own (‘What about the song? Why does that make you cry?’ ‘And who was the person long ago?’), and at the end of the story, when ...”

“... been so. Woodward’s first Watergate article wasn’t about the scandal named after the huge, white, swirling 1960s complex beside the Potomac. It was about one of the building’s better-known residents, Martha Mitchell, wife of then US attorney general John Mitchell, soon to leave that post to become head of Nixon’s Committee to Re-Elect the ...”

“... for this was Protestant-ruled Northern Ireland in the 1950s, a place not altogether unlike the white-ruled South Africa evoked in the frank confessional of David Schalkwyk’s opening chapter. In the apartheid world, the young Schalkwyk ‘was defined legally, socially and … psychologically as a “master”’, even as the material realities of bondage ...”

“... Jeffrey Archer introduces a Labour MP who is likewise endangered by a young black girl ‘in a white leather mini skirt so short it might have been better described as a handkerchief’. But, unlike D.M. Thomas, both Raven and Archer are accomplished storytellers, keen on verisimilitude. Both are skilled in the use of stock characters, people who seem ...”

“... and Kegan Paul published The Victorian City: Images and Realities, edited by H.J. Dyos and Michael Wolff, a Wagnerian epic in which history went to town in exuberant, zestful and flamboyant fashion. Understandably, the two volumes won immediate and widespread acclaim as a tour de force of entrepreneurial inspiration and editorial skill: ‘a study in ...”

“... There is also one Michael Agnolo from Caravaggio who is doing marvellous things in Rome ... He thinks little of the works of other masters ... All works of art he believes to be ‘Bagatelli’, child’s play, whoever by, and whatever of, unless they are made from life, and that there is no better course than to follow Nature ...”

“... hundred thousand by the middle of the 16th century – and became wildly rich. This, in brief, is Michael Pye’s story of Antwerp’s ‘glory years’, a few fleeting decades when the city burned brightly as Europe’s most important commercial port.It had once been good to be a butcher. Now, it was better to be a merchant. Antwerp’s Beurs, which opened ...”

“... and accorded his copy of Alberto Sartoris’s important 1948 survey the rather surreal honour of a white fur binding. (Many years later he showed the well-used and grubby object to Sartoris, a distinguished Roman academic, who was predictably horrified by it.) Having been a bird-watching, un-academic schoolboy, Stirling now read voraciously and ...”

“... was something like Manager of Decommissioned Underground Material and I had gone to see him with Michael Morris, one of the directors of Artangel, a company that puts on art events in different media in unusual places. He was trying to get permission to use the runnels and platforms for The Vertical Line, a performance piece devised by John Berger. In Ways ...”