Damsons and Custard
Paul Laity: Documentary cinema’s unsung poet, 3 March 2005
“... about the machine age and its dehumanising effects, which owed something to his parents’ William Morris-inspired guild socialism. He couldn’t sell enough paintings to live, however, and found working at the Film Unit, mostly under the Brazilian Alberto Cavalcanti, to be ‘exhilarating stuff’: he had, according to Noxon, an ‘insatiable appetite for new ... ”