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From the Other Side

David Drew, 18 July 1985

... Federal Republic for a summer holiday in 1961, he visited Bayreuth and became friends with Wieland Wagner. He and his wife were still there on 13 August, when Germany awoke to find that the Eastern sector of Berlin had been blocked off by a wall. Concluding that the risk of never recovering the manuscripts upon which the Complete Edition relied was less than ...

Meltdown

Anthony Thwaite, 26 October 1989

Bitter Fame: A Life of Sylvia Plath 
by Anne Stevenson.
Viking, 413 pp., £15.95, October 1989, 0 670 81854 2
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... to acknowledge her contribution to the biographical material in the last four chapters.’ Linda Wagner-Martin’s 1988 biography* reveals typographically, to anyone who examines it closely, that many passages were rewritten at a late proof stage, presumably under duress. Earlier attempts to write about Plath were either soured by authorial complaints ...

Between centuries

Frank Kermode, 11 January 1990

In the Nineties 
by John Stokes.
Harvester, 199 pp., £17.50, September 1989, 0 7450 0604 3
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Olivia Shakespear and W.B. Yeats 
by John Harwood.
Macmillan, 218 pp., £35, January 1990, 0 333 42518 9
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Letters to the New Island 
by W.B. Yeats, edited by George Bornstein and Hugh Witemeyer.
Macmillan, 200 pp., £45, November 1989, 0 333 43878 7
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The Letters of Ezra Pound to Margaret Anderson: The ‘Little Review’ Correspondence 
edited by Thomas Scott, Melvin Friedman and Jackson Bryer.
Faber, 368 pp., £30, July 1989, 0 571 14099 8
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Ezra Pound and Margaret Cravens: A Tragic Friendship, 1910-1912 
edited by Omar Pound and Robert Spoo.
Duke, 181 pp., £20.75, January 1989, 0 8223 0862 2
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Postcards from the End of the World: An Investigation into the Mind of Fin-de-Siècle Vienna 
by Larry Wolff.
Collins, 275 pp., £15, January 1990, 0 00 215171 5
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Rites of Spring: The Great War and the Birth of the Modern Age 
by Modris Eksteins.
Bantam, 396 pp., £14.95, September 1989, 0 593 01862 1
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Esprit de Corps: The Art of the Parisian Avant-Garde and the First World War, 1916-1925 
by Kenneth Silver.
Thames and Hudson, 506 pp., £32, October 1989, 0 500 23567 8
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... they thought to displace. Interest in the English 1890s has naturally been growing of late. Richard Ellmann’s biography looked forward, emphasising the importance of Wilde as the martyred prophet of a new dispensation. Others have preferred to look back, finding in the poetry of the period a dilute version of the Symbolism of the Eighties. But John ...

Dear Sphinx

Penelope Fitzgerald, 1 December 1983

The Little Ottleys 
by Ada Leverson and Sally Beauman.
Virago, 543 pp., £3.95, November 1982, 0 86068 300 1
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The Constant Nymph 
by Margaret Kennedy and Anita Brookner.
Virago, 326 pp., £3.50, August 1983, 0 86068 354 0
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The Constant Novelist: A Study of Margaret Kennedy 1896-1967 
by Violet Powell.
Heinemann, 219 pp., £10.95, June 1983, 0 434 59951 4
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... worries unduly about this. There were many Sphinxes about in the Nineties. One of them appeared to Richard le Gallienne as he sat in a restaurant eating whitebait, others to Gustave Moreau and to Khnopff. Nor would I agree with Sally Beauman that the tone of the Sphinx’s novels is ‘unmistakably descended from Jane Austen’. It seems to me much more nearly ...

A horn-player greets his fate

John Kerrigan, 1 September 1983

Horn 
by Barry Tuckwell.
Macdonald, 202 pp., £10.95, April 1983, 0 356 09096 5
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... the instrument underwent can be seen by comparing Berlioz’s Treatise on Instrumentation with Richard Strauss’s revision of it. In 1842, Berlioz writes warmly but warily about an instrument which, for him, is charming but limited and a little unpredictable: Strauss, by contrast, writes prose poetry. The son of a horn-player, and only too familiar, one ...

At MoMA

Hal Foster: Bruce Nauman, 20 December 2018

... more of an activity and less of a product,’ a shift that aligned him with contemporaries such as Richard Serra and Eva Hesse as well as choreographers like Yvonne Rainer and Trisha Brown, who refreshed dance with everyday gestures and basic tasks. At the same time, as Anne Wagner has argued, Nauman held on to historical ...

Like a Carp on a Lawn

Graham Robb: Marie D’Agoult, 7 June 2001

The Life of Marie d'Agoult, Alias Daniel Stern 
by Phyllis Stock-Morton.
Johns Hopkins, 291 pp., £33, July 2000, 0 8018 6313 9
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Marie d’Agoult: The Rebel Countess 
by Richard Bolster.
Yale, 288 pp., £16.95, September 2000, 0 300 08246 0
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... failed’, says Phyllis Stock-Morton, by ‘becoming the permanent muse of a great composer’ (Wagner). Marie d’Agoult is also known as ‘Daniel Stern’, the name under which she published a vivid and well-documented Histoire de la Révolution de 1848 (1850-53). Until the fall of the Second Empire, it was one of the very few books published in France ...

Agringado

Joan Acocella, 14 December 1995

Flamenco Deep Song 
by Timothy Mitchell.
Yale, 232 pp., £18.95, January 1995, 0 300 06001 7
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¡Tango! The Dance, the Song, the Story 
by Simon Collier, Artemis Cooper, María Susana Azzi and Richard Martin.
Thames and Hudson, 208 pp., £24.95, October 1995, 0 500 01671 2
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Rumba: Dance and Social Change in Contemporary Cuba 
by Yvonne Daniel.
Open University, 196 pp., £27.50, August 1995, 0 253 31605 7
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... an easy mark for Timothy Mitchell, but there are more striking examples. In his essay in ¡Tango! Richard Martin quotes the American writer Waldo Frank describing tango in 1917: The body of tango is an embryon. That is why il stirs so larvally, why it repeats the ethnic stages of the past – Spanish, Indian, Negro – from which Argentina must emerge. That ...

The Only Alphabet

August Kleinzahler: Ashbery’s Early Life, 21 September 2017

The Songs We Know Best: John Ashbery’s Early Life 
by Karin Roffman.
Farrar, Straus, 316 pp., £25.50, June 2017, 978 0 374 29384 0
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... to the family farm, where there were no books and few children to play with. His younger brother, Richard, was a chip off the old block – ‘exuberant, outdoorsy, athletic’, everything John was not – and his father’s favourite. Richard died of leukaemia shortly before John turned 13 in 1940. A shadow descended on ...

Look at me

Raymond Fancher, 28 June 1990

Rebel with a Cause 
by H.J. Eysenck.
W.H. Allen, 310 pp., £14.95, March 1990, 1 85227 162 0
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... sensibility seems even to have influenced his tastes in Classical music: ‘I prefer Puccini to Wagner, Mozart to Bach, Richard Strauss’s Don Quixote to anything by Brahms, except his violin concerto, Beethoven to any of the moderns, Vivaldi to Schoenberg.’ Described this way, his preferences sound like the ...

Frank knew best

Martin Pawley, 7 April 1994

Frank Lloyd Wright. The Lost Years, 1910-1922: A Study of Influences 
by Anthony Alofsin.
Chicago, 456 pp., £43.95, March 1994, 0 226 01366 9
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... the art world of the late German and Austro-Hungarian Empires. That the work of Olbrich, Hoffmann, Wagner and Plecnik overwhelmed Wright on his European visit is not at all unlikely, in view of its grand urban context, its lavishness and its cost. Alofsin further argues that Wright transported Secessionist detailing and imagery back to the United States with ...

Set on Being Singular

Nick Richardson: Schoenberg, 20 October 2011

Arnold Schoenberg 
by Bojan Bujic.
Phaidon, 240 pp., £15, 0 7148 4614 7
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... conservative, more in line with the contrapuntal style of Brahms than the harmonic invention of Wagner. His first string quartet, performed by the Wiener Tonkünstlerverein thanks to Zemlinsky, who was on the committee, was well received: one influential critic, excited by his untutored flair, called him a ‘new Mozart’. In 1898, he converted to ...

tarry easty

Roy Foster: Joyce in Trieste, 30 November 2000

The Years of Bloom: James Joyce in Trieste 1904-20 
by John McCourt.
Lilliput, 306 pp., £25, June 2000, 1 901866 45 9
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... of a great seaport. Previous literary exiles had included Stendhal, Charles Lever and Richard Burton. In addition, Trieste had its own literary world: Futurism flourished there, Marinetti visited frequently and contributed to local papers, and Joyce’s pupil and friend Ettore Schmitz would later – encouraged by his teacher – become famous as ...

On the imagining of conspiracy

Christopher Hitchens, 7 November 1991

Harlot’s Ghost 
by Norman Mailer.
Joseph, 1122 pp., £15.99, October 1991, 0 7181 2934 2
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A Very Thin Line: The Iran-Contra Affairs 
by Theodore Draper.
Hill and Wang, 690 pp., $27.95, June 1991, 0 8090 9613 7
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... down in the light of broad day. His assassin was murdered on camera while in maximum security. Richard Nixon’s intimates fed high-denomination dollar bills into a shredder in order to disguise their provenance in the empire of – Howard Hughes? Marilyn Monroe fucked both Kennedy brothers before taking her own life, if she did indeed take it. Frank ...

1685

Denis Arnold, 19 September 1985

Interpreting Bach’s ‘Well-Tempered Clavier’: A Performer’s Discourse of Method 
by Ralph Kirkpatrick.
Yale, 132 pp., £14.95, January 1985, 0 300 03058 4
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Bach, Handel, Scarlatti: Tercentenary Essays 
edited by Peter Williams.
Cambridge, 363 pp., £27.50, April 1985, 0 521 25217 2
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Handel: The Man and his Music 
by Jonathan Keates.
Gollancz, 346 pp., £12.95, February 1985, 0 575 03573 0
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Sensibility and English Song: Critical Studies of the Early 20th Century: Vols I and II 
by Stephen Banfield.
Cambridge, 619 pp., £27.50, April 1985, 0 521 23085 3
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... composers are usually more in need than great ones. A Beethoven-Jahr does no one much good; a Wagner-Jahr no good to anyone. But, surprisingly, all three of ‘85 could do with some decent celebrations. Scarlatti is the most neglected. How many of us know even a dozen of his sonatas? Yet the pianist (I do not presume to advise the harpsichordist) will ...

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