Search Results

“... that one stumbling-block for the Pre-Raphaelites was that they had before them, in the prose of Ruskin and the poetry of Keats and Tennyson, a visual world fully realised in words which suffocated their powers of invention. They could never achieve anything half as precise as Ruskin’s observation of how ivy grows or ...”

“... which idealises the hill farmer as the type of the sturdy Englishman, neither drudge nor parasite. Ruskin is drawn by what he sees as the acme of terrestrial beauty and ensconces himself above Coniston Water as a grumpy sage. With Canon Rawnsley of Wray near Windermere, and following Wordsworth’s lead, he resists the extension of the railway to ...”

“... he devoted a great deal of his later imaginative effort precisely to not sounding like he used to. John Bayley, an attentive but sceptical admirer, once shrewdly said of the early Hill manner: ‘The danger with this sort of poetry is that it is the kind that looks like poetry, which need not mean that it is not the real thing, but is bound to raise a certain ...”

“... matched Shakespeare and Shaw in popularity), discursive prose writers (Carlyle and Ruskin are the constant companions of the earnest seeker after light), and the great unclassifiable, John Bunyan. The composition of this canon changed somewhat as new names established themselves, though working-class reading ...”

“... finally turns into majolica. The ‘plodding, patient, self-denying and taciturn’ apprentice John Heathcoat conjures the lace-making machine out of years of application, and lives to profit from it though besieged on right and left by patent-infringers and Luddites. The main point of these stories is to show how widely distributed talent is – or ...”

“... No Tourists”, from their refusal to engage in conversation.’ In 1851 Mont Blanc suffered what Ruskin called a ‘cockney’ ascent – the expedition of the showman and Punch contributor, Albert Smith, whose supplies included sixty bottles of ordinary wine, six of Bordeaux, ten of Bourgogne, fifteen of St Jean and two of champagne. On reaching the ...”

“... the envy of Wordsworth, caused the heart of the young Jane Eyre to palpitate, drew encomiums from Ruskin and made Bewick so accessible to the Romantic sensibility. By the time of his death the Newcastle engraver had been typecast as a rude original and untutored rustic. The admiring condescension of the ornithologist James Audubon, who described Bewick as ...”

“... dazzled eyes to the wan, monochrome mock-up we call reality.’ Turner, and his great advocate Ruskin, would surely have sighed with impatience at these reactions. ‘Always remember,’ Turner advised a young painter, ‘you can never reach the brilliancy of nature’ – however monochrome, empty, nature seems to be. ‘There is no climate, no place, and ...”

“... The dominant ideas were principally extracted from the pontifical utterances of ‘sages’, in John Holloway’s expression, like Carlyle, Mill, Ruskin, Bagehot, Froude, Huxley, Morley, Arnold. The team-written Wellesley Index project went on from this quest to anatomise the élite Victorian mind at a lower ...”

“... sisters Stanley Baldwin and Kipling are, for most of the time, children, little seen or heard. Ruskin is a recurring nuisance. We sympathise with Georgiana Macdonald, an independent woman tied by an early marriage to the demanding, fickle, hypochondriac Edward Burne-Jones, who first took sick on their wedding night – the intended honeymoon was in ...”

“... practical of men, it seems. His wife, Esther, the tough one, had two goals, the art historian John Rewald wrote: ‘to make friends happy while at the same time running his life by any means she could think of’. Together she and Lucien produced the 30-plus books printed by the Eragny Press, the subject of the current exhibition at the Ashmolean (until ...”

“... book ‘more ponderous than its subject deserves’ unnecessary. Ashbee’s ideas were a legacy of Ruskin and Morris: the Ruskin who could write of a little girl he saw in ill-fitting hand-me-downs when he was lecturing in Oxford that ‘nothing spoken about art’ could be ‘of the least use’ to anyone in his ...”

“... scattered collections – made by Marion Scott, the Gurney family, Ivor’s Gloucester friend John Haines, Vaughan Williams and others – into a central archive. The process continued after Finzi’s death in 1956. Neither Gurney nor Scott had bothered much about dates and the habit of confusion grew by amalgamation. Blunden, returning manuscripts ...”

“... recollections. Today Samuel is best known for his work on popular memory and for History Workshop. John Merrick’s new selection of his essays aims to rectify that: it brings together a sample of Samuel’s historical studies, several of which are still thrilling to read, and most of which would have been difficult to get hold of without access to a good ...”

“... Astrampsychus, the next most frequently represented authors are, surprisingly to me, Southey and Ruskin, each of whom has earned 13 entries. These are extraordinarily revealing: both men seem to have put down their dreams straightforwardly and with the minimum of self-conscious fuss, while Ruskin is especially ...”