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Museums of Melancholy

Iain Sinclair: Silence on the Euston Road, 18 August 2005

... We stroll down empty Underground platforms, a cinema of exemplary objects and no script. J.G. Ballard, in an essay on the film director Michael Powell, suggested that drama in the ‘serious’ novel of the future would ‘migrate from the characters’ heads to the world around them’. No interior monologues, no social satire: absurd and cruel ...

All change. This train is cancelled

Iain Sinclair: The Dome, 13 May 1999

... landscape was so strange, so alienated, that you were practically deafened by the noise of J.G. Ballard licking his lips. All the old radicals were clawing their way out of the earth to get at it. Fiction was back on the menu. As in a Ballard novel, something like The Atrocity Exhibition, language itself begins to ...

Come hungry, leave edgy

Sukhdev Sandhu: Brick Lane, 9 October 2003

Brick Lane 
by Monica Ali.
Doubleday, 413 pp., £12.99, June 2003, 9780385604840
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... London Fields, or the inhabitants of Chelsea Marina being questioned about their portrayal by J.G. Ballard as psychosexually troubled paranoiacs. Is the public recognition of ethnic communities across the United Kingdom dependent on their valorisation by literary fiction? If so, I hope there are a few writers among the Iraqi Kurds – the new Bangladeshis ...

The Last London

Iain Sinclair, 30 March 2017

... his After London; or, Wild England (1885), through Ford and Lewis, to the drowned worlds of J.G. Ballard and Will Self, the dystopian multiverses of Michael Moorcock and China Miéville. Fredric Jameson, considering postmodernism, talks about the ‘hysterical sublime’: a sort of Gothic rapture in contemplation of lastness, the voluntary abdication of ...

It wasn’t a dream

Ned Beauman: Christopher Priest, 10 October 2013

The Adjacent 
by Christopher Priest.
Gollancz, 432 pp., £12.99, June 2013, 978 0 575 10536 2
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... place. And that develops sometimes into the sort of thrill you get from Kafka, Lovecraft, Borges, Ballard, Dick: when a story of the inexplicable in a contemporary setting infects the real world with a fever of the uncanny. It’s one of the most difficult literary effects to achieve, and Priest’s hit rate is patchy. He’s obsessed with doppelgängers ...

The Partisan

Jeremy Harding, 23 June 1994

The Search for Africa: A History in the Making 
by Basil Davidson.
Currey, 373 pp., £25, March 1994, 0 85255 719 1
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... collapse. His unwillingness to offer himself as a tour guide in a disaster theme park, as J.G. Ballard once conceived of Africa, has given rise to impatience. On publication, The Black Man’s Burden raised a murmur of rebuke and perplexity, which is perhaps why Davidson seeks to clarify his position in The Search for Africa, by means of an introductory ...

Into the Underworld

Iain Sinclair: The Hackney Underworld, 22 January 2015

... sprung up in Docklands, and downriver parts of London agreed to behave as if the fictions of J.G. Ballard were planning documents, the painter Gavin Jones, working covertly and alone, excavated a wartime bunker hidden beneath a grassy mound outside a block of council flats in Bow. He disguised the entrance with an upturned boat, ran out electrical cables and ...

We are our apps

Hal Foster: Visual Revolutions, 5 October 2023

Tricks of the Light: Essays on Art and Spectacle 
by Jonathan Crary.
Zone, 262 pp., £25, October, 978 1 942130 85 7
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... worlds’ leads Crary to turn to Thomas Pynchon, Philip K. Dick and J.G. Ballard.In 1982, Crary published a brilliant essay on horror movies, which he reads through Deleuze and Guattari (Anti-Oedipus appeared in English in 1977) and against Freud (psychoanalysis pervaded film theory in the 1970s and 1980s). ‘How often we still hear ...

Bile, Blood, Bilge, Mulch

Daniel Soar: What’s got into Martin Amis?, 4 January 2007

House of Meetings 
by Martin Amis.
Cape, 198 pp., £15.99, September 2006, 0 224 07609 4
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... fascinated by their power, and needs something of it. In 1973, when he was 23, Amis reviewed J.G. Ballard’s Crash for the Observer. It was, he wrote, ‘heavily flawed’, though he refused to be shocked by it. In 1996 he praisingly reviewed David Cronenberg’s film of Ballard’s book for the Independent on ...

Does one flare or cling?

Alice Spawls, 5 May 2016

‘Vogue’ 100: A Century of Style 
by Robin Muir.
National Portrait Gallery, 304 pp., £40, February 2016, 978 1 85514 561 0
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‘Vogue’ 100: A Century of Style 
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... frenzy of fashion editors waving their invitations, afraid, according to Brogue’s envoy, Bettina Ballard, ‘that someone might cheat them of their rights’. The romance of the New Look lay both in its strictures – the tightening of wartime dungarees and slacks to the line en huit and corolle; girdles and bustiers and envol drapings – and in the excess ...

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