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“... copies in Europe. The reception in Anglophone countries but especially in Germany has been much more critical. Yet from the first pages of this gigantic novel, Littell reproduces the Barbie tone: the phoney veneer of learning, the might-is-right fatalism, the assumption that all are equally guilty but only the defeated have to take the blame. Cheap ...”

“... again and again. ‘So go home, sit still and read the works!’ There’s clearly a lot more behind all this than intellectual snobbery and public nuisance. It could be significant that Gastrell was an Anglican clergyman, because sectarian iconoclasm seems to lurk somewhere in the story. It’s all about books and journeys, after all, and the Book ...”

“... other difficulties to contend with. Besides France, with which the Habsburgs were in a state of more or less constant conflict, Christendom itself was under sustained attack, both from without – the formidable Ottoman armies of another young prince, Sultan Suleiman, who styled himself Sahib-kiran or ‘world conqueror’ – and within, in the form of the ...”

“... pertaining to his subject is being withheld from him during research. When his subject is the more elusive half of a pair of lovers, the question immediately arises as to whether there can be a biography at all. I had to find an alternative method of research. Fortunately for me, from 1931, when Karen Blixen’s (alias Isak Dinesen’s) lover died in a ...”

“... Thanks to Michel Foucault and Discipline and Punish, history students now graduate knowing more about the history of the body than about the English Civil War or the Industrial Revolution. At the same time, everyone has their own idea about what body history should be about. It was Foucault’s view that power always expresses itself by way of the body: his history was (at least in its inception) a corporal politics, intended to reconfigure our understanding of power ...”

“... father that ‘the mistake she probably made was getting married in the first place.’ Dolly sees more of what’s going on than anyone else, though she has learned to keep her own counsel. The Reid family troubles are acted out on a very public stage, with servants and neighbours and colleagues throwing themselves into the fray. The merchant Kuriatin ...”

“... games, on Facebook, roaming the streets in protest or for kicks, the undead hordes have never been more prevalent. They’re a relatively new phenomenon, as monsters in Western horror go, lacking the canonical pedigree of werewolves or vampires. But the plague spreads quickly. The zombie as it emerged in 20th-century American popular culture, though nominally ...”

“... sense from the point of view of publicity and sales – Eggers’s name sells books, and selling more books raises awareness of and more funds for the causes that matter most to Achak – but it also inspires unease: Achak may benefit from the text, but he doesn’t own it; he has become a character in a fictionalised ...”

“... showed how a word that originally referred to profitable agrarian innovation took on a more general meaning as a progressive slogan for beneficial change of any kind. ‘Improvement’ was the application of reason and ingenuity to the task of increasing a country’s wealth and the happiness of its inhabitants. It could take many different ...”

“... Thomas Grant’s​ Court Number One tells the stories of 11 prominent trials heard in Court One of the Old Bailey between 1907, when it opened, and 2003. His aim is to use these stories as illustrations of ‘British sensibilities and preoccupations over the last hundred years … Through the criminal trials … there can be traced at least one version of the history of social and moral change over the last century ...”

“... struck by Waterhouse’s concern with the pedigrees of the painters he discussed, men like Thomas Jones, Richard Wilson and Sawrey Gilpin, all of whom are adjudged to be of ‘good family’, and Sir James Thornhill, who came from ‘good Dorset stock’, a phrase more at home in a book on country cooking than in a ...”

“... and protected; his greatest ‘labour’ is the burden of carrying his own fool’s bauble. In Thomas Nashe’s comedy Summer’s Last Will and Testament (1592), the fool, Will Summers, trips lightly onstage, half-dressed and unburdened by any of the things regular courtiers have to worry about: ‘without money, without garters, without girdle, without a ...”

“... of birds in Britain in a single calendar year. I never got anywhere close. There were so many more birds that I hadn’t seen than I had. I often tried to turn common birds into uncommon birds. Those house sparrows that haunted the privet hedge by the road: surely one of them was a tree sparrow? In my head there was also a list of ‘magic’ birds, birds ...”

“... of 1695 was to prove the decisive engagement in the Nine Years’ War. It was a huge battle, more than 100,000 on each side. William of Orange was in personal command of the allied forces and was making headway against the French, but he had run out of cash to pay the siege workers. A delegation from the fledgling bank zoomed across the Channel to begin ...”

“... at difficult times, enjoin himself in his journal to ‘Be Gray.’ In literary history Gray is more often an object of curiosity than of admiration. He is known for having not just one of his poems but his poetic language held up to the light by Wordsworth, as an example of all that was merely poeticised. In a letter to his friend Richard West, Gray ...”