Dun and Gum
Nicholas Jose: Murray Bail, 16 July 1998
“... any remaining dun-coloured realism to a few pockets.’ ‘Dun-coloured realism’ derives from Patrick White’s contemptuous description of the local literary scene as he found it on his return from Europe in 1948. White – the only antipodean to join Proust and Kafka, Michel Tournier and Thomas Bernhard on Bail’s shelf of severe masters – is the big ... ”