D.H. Lawrence and Gilbert Noon
Michael Black, 4 October 1984
“... threatens to stifle for ever the essential life of the characters. Think, for instance, of Paul Morel, who is left at the end of Sons and Lovers totally bereft, but walking towards – well, what? Like Alvina Houghton in The Lost Girl, like Aaron Sisson, Gilbert Noon has to get right out and become ‘unEnglished’, as Lawrence puts it. So he is ... ”