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“... art’. How did he do it? And why did the revival of the comedy of humours which lasted from Tom Jones to Thackeray’s Book of Snobs, and in which Gillray now seems a central force, shut down in the mid-Victorian years almost as unaccountably as it began? In his essay ‘On Modern Comedy’, Hazlitt offered a provisional explanation: comedy, he ...”

“... and yearning sense of what literature does for us. Strong and characteristic essays by Emrys Jones and Rachel Trickett draw clear critical lines around, respectively, Dryden as translator of Lucretius, and a Stiltrennung between descriptive modes in 18th-century prose and verse. Apt to the commemorative theme is a rather gentle, musing discussion by Mary ...”

“... had acquaintances in the literary world (her correspondents included H.G. Wells, Bryher, H.D. and John Cowper Powys), most of her life was lived in obscurity, and her friendships were mainly epistolary ones. Her aversion to having her picture taken and her reluctance to submit to interviews (she believed that readers should ‘keep their illusions’ about ...”

“... all clear about it. The Ossie who partied every night, snorted coke with Mick, Marianne and Brian Jones, made frocks for Faye Dunaway, Elizabeth Taylor, Sharon Tate, Brigitte Bardot and Liza Minnelli, slept with Celia Birtwell, David Hockney, Patrick Prockter, Wayne Sleep and assorted tall, thin models: was he the one who had a life? But the later ...”

“... with the gloss of apparent spontaneity. Working on this material with them was their producer, John Ammonds, the man who persuaded Morecambe to trust the camera, to play to it with his asides and use it as a mirror for his idiot grin. The other member of the team, their new writer Eddie Braben, was only rarely present. While Hills and Green had entered ...”

“... even if he didn’t point it out himself, that in this era it was still an affront to leave Tom Jones on your mother’s drawing-room table. To read Bohemia, then look again at Swallows and Amazons, might make for a sense of eerie discontinuity. Ransome’s first original fiction for children retains an air of complete mastery. The story, slight in itself ...”

“... forms, including a kind of nervous male bluster masquerading as chivalry. When Mervyn Griffith-Jones put his famous question to the Lady Chatterley trial jury about the reading-matter appropriate to wives and servants, he may have had in mind the criteria applied by a Sunday Times editor in 1949 to The Naked and the Dead. ‘No decent man could leave it ...”

“... pride in knowing that it had been the regiment of Robert Graves, Siegfried Sassoon and David Jones. They had no successors in my time. In Jamaica the officers lived a cheerfully philistine life, playing polo, attending cocktail parties and spending weekends on the beaches of the north coast. The other ranks took their pleasures where they could find ...”

“... them double agents, which had been MI5’s speciality in both world wars. Yet, according to Sir John Harding, governor of Cyprus in the 1950s: As far as ill-treatment, rough treatment on capture, I think that it is something which inevitably does happen. After all if you’ve got troops or police who are engaged in an anti-terrorist operation and they’ve ...”

“... this plump epistolary corpus are letters to or from women, in whose company, as Katherine Duncan-Jones has convincingly argued, Sidney seems always to have been most happy, productive and at ease. There are no surviving exchanges with his wife, Frances, or with his sister, Mary, and no letters relating to his time at Wilton House in Wiltshire, where his most ...”

“... of David Mellor’s bedroom attire came a drip-drip of inane yet telling details of purchases from John Lewis, which didn’t interrupt politics as usual so much as reconfigure it altogether. That Ed Miliband was revealed as the most frugal member of the cabinet, and his brother one of the most extravagant, spoke of something more important than their views on ...”

“... first feature, Pather Panchali (1955), is a masterpiece of non-Italian Italian Neorealism. So is John Cassavetes’s first movie, Shadows (1959), populated by underemployed jazz musicians and shot in and around Times Square. Neorealism was the inspiration for British ‘free cinema’ and kitchen-sink realism. Jean Rouch’s ethnographic features made in ...”

“... or rather J.J. Beegan did. When I turned to the Irish census records I could quite easily find John Beegan, who was born in 1868, the eldest child of John and Jane Beegan. In 1901 they were living together with the younger Beegans, Mary and Thomas, at 23 Dunlo Hill in Ballinasloe. On the census form, ...”

“... a range of examples from the writings of Patrick Kavanagh, Brian Friel, Tim Pat Coogan, Oliver St John Gogarty, Neil Jordan and Hugh Leonard. It’s a method that seems to be at once academically sound and, for those committed to a long weekend in England and Wales carrying only one bag and one book, perfect for a bit of one-way crack, or ‘entertaining ...”

“... Was Hugh MacDiarmid a great poet? Was he, as John MacQueen asserts in his Foreword to Catherine Kerrigan’s study, one of ‘the three greatest poets to use English in the 20th century’, the other two being Yeats and Eliot? One can understand MacQueen putting the matter that way, but perhaps it is not the most helpful way when the reputations of Eliot and Yeats are shaking down, in the ordinary process of time, following their immense acclaim ...”