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“... promising to correct it. Perhaps name changes are of more general interest. In Decline and Fall Peter Chetwynde started without a Best and Dr Benito, the press secretary in Scoop, was originally Bonham Carter Jackson. Brideshead is much altered. Charles Ryder began as Peter Fenwick and was then in Debrett, the second son ...”

“... why Lord and Lady Wilde paid those school fees. Merlin Holland’s essay on his grandfather in Peter Raby’s Cambridge Companion to Oscar Wilde illuminates these appropriations by charting a series of significant errors through multiple versions of Wilde’s history. Holland takes us back to one of the most familiar scenes from the life of Wilde: the bad ...”

“... refused to join in the struggle and struck up a conversation with another soldier who was calmly reading a book. He found he was talking to a fellow-Parisian. Guy-Bernard Delapierre, an Egyptologist. The two were shortly separated, but he was later handed a note from Delapierre giving him Delapierre’s address in Paris, and they were to become close friends ...”

“... apocalypses in the New Testament (and therefore not accepted as such by all Biblical scholars) is Peter’s vision in Acts. Falling into a trance on the roof of a house, Peter sees the sky open up and a great sheet being lowered down. In it are animals of every possible sort, ‘whatever walks or crawls or flies’. A voice ...”

“... from tabloid libraries: Freddie Mills posing in his trunks (low angle, hard shadows), the murdered Peter Arne (in a blizzard of newsprint dots), Charles Hawtrey having a very bad hair day after a house fire in Deal. Seabrook loves the reforgotten, the misrepresented. None of his heroes will be acknowledged in The Oxford Companion to English Literature ...”

“... the emissary of light who discovers the ancient darkness in himself – or in the less primitivist reading the novella also allows, discovers that within himself there is nothing at all, that he is entirely hollow, has no interior. His last words, ‘The horror! The horror!’ could refer to either condition, and to many other conditions as well. And if ...”

“... as in Eisenhower’s America, but dull nonetheless, not to mention smug. It is not surprising that Peter Hennessy should call his monumental history Having It So Good, nor that Dominic Sandbrook should call his equally monumental recent history of the late 1950s and early 1960s Never Had It So Good. This neatly illustrates the drawback of ...”

“... work by which he is – invisibly – best known to modern popular culture outside Russia, via the Peter Shaffer play it inspired, Amadeus, rendered onto the big screen by Miloš Forman. In Mikhailovskoye, as well as parts of Eugene Onegin, Pushkin wrote the historical drama Boris Godunov, finished the long poem The Gypsies, wrote the prologue to his first ...”

“... plays such a large part in Lynch’s scheme; and why the film’s great set piece involves Watts reading for a part in a film. The same sense of deception and truth preying on each other governs the photography (by Peter Deming). We see pieces of a world or a person, corners of rooms, gardens full of ferns, characters ...”

“... that knows it’s not a biography but a picture. It looks wonderful – the cinematographer is Peter Suschitzky – but this only makes it feel more like a movie. The voices are a clue as well. Michael Fassbender as Jung and Viggo Mortensen as Freud speak with flawless English accents, as does Sarah Gadon as Emma, Jung’s all too perfect wife. Knightley ...”

“... case, however fine Tamarisk Row and its successor are (and they are), it’s unlikely you’d be reading this essay. Murnane’s international reputation, which has grown to speculations of a Nobel, rests on his novels and stories of the 1980s and 1990s, especially his 1982 masterpiece, The Plains. These are the works that have drawn comparisons to Borges ...”

“... and more. In his preface he thanks Adorno, Henry Nash Smith, I.A. Richards, Talcott Parsons and Peter Laslett, among others. The standard caricature of the Cambridge-influenced criticism of the postwar years represents it as blunderingly empirical and cosily parochial: these stereotypes wilt and shrivel when confronted by Watt’s ambitious, analytical and ...”

“... fallen in love. The object of his love was the British Museum – or rather, the great circular reading room of the library (now renamed the British Library, stripped of all its grandeur and romance and moved to the Euston Road) that was then the hidden heart of the Museum. His favourite seat is said to have been number L13.This last detail is not in Robert ...”

“... companies. This heterogeneity is reflected in the variety of attitudes one finds when reading about the Underground, or when talking to people who use the escalators and to people who work with them. The ignorant but not unreasonably impatient public fails to see why heavy-duty escalators seem to behave less well than the household appliances they ...”

“... it, not for a new advance in painting, but by turning instead towards photography. Here his reading of Benjamin played a crucial role, but so did his growing recognition that photography presented a new challenge to the tradition of painting. Not only was it intrinsically realist: it had largely escaped the reach of the art market. Photographs could be ...”