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“... tyrant posing for writers as frequently as Napoleon sat for painters: all laurels and a branch of green olive. Per festeggiare il suvenire d’un grand uomo, as Beethoven wrote – but then he erased it. This pièce de resistance (not by Beethoven precisely) is called ‘My Twenty Hours with Graham Greene in Havana’. In it Garcia Marquez gleefully tells us ...”

“... with painful photographs of urban poverty in Wales, Newcastle, Coatbridge, Limehouse, Bethnal Green, Stepney, Poplar, St Pancras and Durham (there’s not a single photograph of Wigan): to counteract Orwell’s odd views. Before The Road to Wigan Pier was published, Orwell was in Spain, on the second of his journeys of ‘political’ enlightenment. There ...”

“... in the 1790s to seize Haiti were eventually sent packing by malaria and yellow fever, and General Henry Clinton’s ‘southern strategy’ in the War of American Independence met with disaster: two-thirds of the British forces in the Carolinas were laid low by the ‘fevers and agues’ – malaria and yellow fever in particular – transmitted by ...”

“... still road-dazed and masato-dizzy, to a stall of native crafts: bracelets, necklaces, bright green miniature parrots. Farne opted for a bracelet made from coffee beans. I chose a parrot whistle. Later we were told that these goods were mass-produced elsewhere and delivered to all the settlements. Now Lucho’s companion, Beliza, travelling with her ...”

“... or Young Girls Dancing (as Clark prefers to call it), of 1925. Art historians like Christopher Green have tried to distance Picasso from the rightist nexus of Mediterraneanism by pointing out that he embraced the primitive in a way that would have been anathema to George and other advocates of Latinity. But the Mediterranean had its own primitive side. It ...”

“... that could be illustrations for an 18th-century georgic poem on the subject. At Englefield Green near Egham, where his son had a villa, he made landscapes of the family amusing themselves in their garden and entertaining their guests, in idealised images of Georgian middle-class domesticity and sociability. Many of these images are much more complex ...”

“... book?’). Chris tries her best with Charlotte Stant and Maggie Verver, but chirruping about Henry James novels isn’t really what she’s all about. ‘The Dumb Cunt’ is more her style, ‘a factory of emotions’; her passion has sent her back into adolescence, ‘hunched up in a leather jacket’, listening to the Ramones. She’s creeped out ...”

“... home is one of the places they are least interested in – but this needn’t be a tragedy. Henry James saw Stevenson as ‘the writer who has most cherished the idea of a certain free exposure’, adding that, ‘to his view the normal child is the child who absents himself from the family circle.’ Stevenson’s most valued version of the normal is ...”

“... Stead seems to have been misremembering or paraphrasing a line of Virginia Woolf’s about Henry James) grew out of D.T. Max’s post-mortem profile of Wallace for the New Yorker, and is very much the version of his life as seen from Times Square. ‘Every story has a beginning and this is David Wallace’s’ is Max’s first sentence. It’s a funny ...”

“... to be tested. Even before Allende had taken the oath of office in 1970, death squads paid for by Henry Kissinger had embarked on a campaign of murder and destabilisation, and had shot down the chief of the Chilean General Staff, René Schneider, in the street, for nothing more than his legalistic opposition to a coup. There was an initial revulsion at ...”

“... her sunk eyes a stagnant tearStole forth, unsettled by the shock;But oft the woods renewed their green,Ere the tired head of Scotland’s QueenReposed upon the block!Even poor Swinburne had a try. His ‘Adieux à Marie Stuart’ is not as bad as Brodsky’s poem, but it definitely comes second:But surely though it die or live,    Your face was worthAll ...”

“... eyes, grey-blue legs and feet. Most of him is black, except the base of the enormous bill is green and yellow and he has a bright gold bib and bunches of red feathers on his stomach and under his tail.’ Lota owned the apartment in Rio and, as Bishop wrote to a friend from Petropolis, forty or fifty miles from Rio, ‘lots of land here and is in the ...”

“... the book is constructed in a series of emotional confrontations, the chapters being given (as in Henry James’s ‘dramatic’ novel, The Awkward Age) the names of the leading actors in each, and the ‘awkward age’ being in this case nearer 67 than 17. The plot concerns retirement and homecoming, ending and reconciliation, and the Welsh setting as Amis ...”

“... 1910 and located two-thirds of the way between Brondesbury and Kilburn Station and Willesden Green Station on the Metropolitan Line. This was one of several neighbourhoods in North-West London to which prospering Jews tended to migrate from East London in the 1920s and 1930s, the most notorious being Golders ...”

“... endorsement from the Australian Bicentennial Authority, and does not carry the ABA’s ubiquitous green and gold logo; the historians were, in fact, refused support from that source. They were attempting a generally progressive and innovative, open kind of history, social-democratic in general intent, however the writers’ positions might vary from ...”