At Tate Britain
Julian Bell: John Everett Millais, 15 November 2007
“... from the 1848 Pre-Raphaelite Brotherhood to the 1880s ascendancy of Leighton, Watts and Burne-Jones – a massive insular detour? Wasn’t Millais, as the Royal Academy’s most popular hit producer, the epitome of an age of evasive imperial complacency? Mainstream art history places him as a stumbling-block on the path to a British Modernism, berating ... ”