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“... and the intensity of this viewing-and-reviewing can be a bit wearing. (‘Enough with the blue-black curtain!’ is one of my margin notes in the chapter on still lifes.) Ditto all the rhetorical questions and Socratic teases: ‘Is it the case …’, ‘Can we agree …’ and so on. At the same time If These Apples Should Fall is a very generous ...”

“... Four: no longer buttoned up inside matching suits, but individually tailored in tasteful shades of black, brown, beige and grey, hair midway between moptop and Maharishi, out in the open air pretending to play and – maybe with a little help from a sneaky lunchtime joint – enjoying the pose. They only had to open their mouths to reveal their ...”

“... Cameron Crowe; it soon became notorious. Crowe’s scene-setting picture of Bowie at home featured black candles and doodled ballpoint stars meant to ward off evil influences. Bowie revealed an enthusiasm for Aleister Crowley’s system of ceremonial magick that seemed to go beyond the standard, kitschy rock star flirtation with the ‘dark side’ into a ...”

“... is sound, movement. She moves towards me, speaking. The memory ends.This memory exists now in black and white, because when I was older I saw Bankswood pictures: this photograph or similar ones, perhaps taken that day, perhaps weeks earlier, or weeks later. In the 1950s photographs often didn’t come out at all, or were so fuzzy that they were thrown ...”

“... I envisaged the lake dam breaking and engulfing the whole village. The lake itself is always black and sinister, the farther cliff falling sheer into the water. It was once more exotically planted than with the pines that grow here now, as the Edwardian botanist Reginald Farrer used to sow the seeds he brought home from the Orient by firing them across ...”

“... is factual; the biographical asides surrounding that drunken social outcast, the Australian poet Christopher Brennan (whom J.C. Squire believed to be an invention of David Peterley’s, and who is now recognised as Australia’s first poet of international significance) may be checked against a long manuscript in the Mitchell Library at Sydney – by Richard ...”

“... being the eating of clay, something that Davenport did as a child, when his black nurse decided he needed ‘a bait’ of it: Everybody in South Carolina knew that blacks, for reasons unknown, fancied clay … The eating took place in a bedroom, for the galvanised bucket of clay was kept under the bed, for the cool. It was blue clay from ...”

“... in many novelists today, particularly younger ones, who recognise the current literary value of a black world view but themselves possess cheerful, even sunny temperaments. They turn out The Good Companions in reverse, well aware that their escapist world will seem as convincing to today’s readers as Priestley’s did to subscribers in the Thirties. The ...”

“... the moderation of Isaac Watts and Thomas Hardy as at least as interesting as the wildness of Christopher Smart and W.B. Yeats. I’m not sure how moderate Hardy was – an amiable re-opening of this question was the subject of the postcard from Stanford – but Watts does sound like the unanxious Calvinist, the man who has made his peace with the ...”

“... drawing on a mixture of styles. Vanessa Brunning’s ‘The Face of the Horned Magdalene’ is a black comedy about furious turn-over in an old people’s home. Leonard Deane-King combines Science Fiction and fairy-tale in ‘Good Intentions’ – a story which will appeal to admirers of Spielberg’s E.T. – when Chaz and Len find a friendly Martian in ...”

“... indulged ‘the family talent for doing nothing much’ until at the end of the war he joined the Black and Tans and went to Ireland where he was seduced by a sergeant, who gave him a make-up box and encouraged him to paint his face. He became a practising homosexual, and developed a dislike of the Protestant Church that culminated in his becoming a Roman ...”

“... the mind to move between hand and whole body so suggestively. His Composition of 1932, in oily black African wonderstone, is just as weird, just as unprecedented – it makes even Arp’s mingling of animal and vegetable look half-hearted. The Moore room starts from the assumption, which is surely right, that artists who matter were not greatly affected by ...”

“... emotionally as well as intellectually. Who would not sympathise with the long-serving priest Christopher Trychay, trying amid the upheavals of four reigns to hang on to his parishioners, his income, his integrity and his vestments? The people of Morebath do not seem to have been eager for reform, or change of any kind. In Duffy’s view, the reign of ...”

“... In​ 2000 Christopher Sansom took a year off from his job as a solicitor to write a novel: it had occurred to him that the dissolution of the monasteries might make a good backdrop to a murder mystery. He finished it, sent it off and returned from holiday expecting a stack of rejections. ‘To my delight,’ he told the Guardian in 2010, ‘my email was hot with people wanting more ...”

“... enticement and resistance, openness and enclosure ... a mesmerising presence’, according to Christopher Woodward (writing in John Soane, Architect, the lavish catalogue of the recent Royal Academy exhibition of Soane’s work). More mundanely, it is regularly identified as the source of one of the most familiar (and also much vandalised) symbols of ...”