Search Results

“... return. At the Royal Academy, Majesty is a three-metre-high photograph of a tree overpainted in white gouache: she meticulously traced round each branch and twig. As a subject, it has its origin in Dean’s practice of collecting old postcards from flea markets around the world: in Japan once, she says, she kept inexplicably coming across images of the ...”

“... theories of natural law’, as Honour observes, but it cannot be considered so congenial to white philanthropists’ conviction of their superiority. Brotherhood – fraternité, – soon became an explosive word. Art and literature in the last decades of the 18th century and the first of the 19th – the first part of the period that Honour explores ...”

“... than Rwanda had been because it was closer, there were more pictures, and the victims were white. Frustrated at the Serbian massacres of Bosnians in UN ‘safe havens’ and at Europe’s powerlessness to stop the madness, Nato found a cathartic release in air strikes. With the benefit of an ambiguously worded UN mandate, it bombed Serbian armour and ...”

“... Tiepolo,’ Svetlana Alpers and Michael Baxandall write, ‘is not a difficult painter. He is accessible and easy to like.’ Well, up to a point. For example, while I did not find the Tiepolos in the Royal Academy’s exhibition of 18th-century Venetian art ‘difficult’ in any obvious way, I did not find them ‘easy to like’ either ...”

“... of a scholarly conspiracy, hinted at in the text, has recently been trumpeted by the journalists Michael Baigent and Richard Leigh in The Dead Sea Scrolls Deception, which is largely a popularisation of Robert Eisenman’s theories. Unsurprisingly, Baigent and Leigh contribute an effusive blurb to this book. Eisenman for his part has been putting himself ...”

“... Michael Walzer is one of America’s leading social critics, an editor of the magazine Dissent and the author of such books of political philosophy as Spheres of Justice, a systematic discussion of the nature of justice in society. In The Company of Critics he steps back from the activity of social criticism to reflect on the work of a number of other 20th-century social critics ...”

“... and nobs that he owned newspapers to make political propaganda. The life which Anne Chisholm and Michael Davie have written begins with a piece of elegant writing, like a dream sequence. It is an unpublished piece written by Davie as a very young Observer reporter. It incorporates Raymond, Beaverbrook’s camp valet who would stamp his foot and ...”

“... The tenth and central chapter of Michael Slater’s biography is entitled ‘Jerrold, Dickens, Thackeray’. This, as Slater reminds us (often), is the company his contemporaries expected Douglas Jerrold to keep. Some partisans might even have thought Slater right to put him first. Dickens and Thackeray were pall-bearers at Jerrold’s funeral and, according to their contemporary David Masson, ‘the three do form a triad so that it is hardly possible to discuss the merits of any one of them without referring to the other two ...”

“... fishermen found another body washed up on a sandbank. It was identified as that of Atabong Michael Atembe, aged 32, also from Cameroon.The boat had sunk about 250 kilometres up the coast, near the state border with Oaxaca. I went there on a quad bike driven by a local teenager. The sand was littered with clothing. I made an inventory: a pair of ...”

“... strength of the right in Canada and Australia. This is the notion of the Anglosphere. It’s a white English-speaking male preoccupation, founded in a selective view of history that portrays war as inevitable, noble and glorious, where Britain and the majority white countries of its former empire repeatedly come together ...”

“... tanned Jean-Paul Belmondo, glimpsed in a Paris café, ‘looks like a crème brûlée with white hair’), and he has a good ear for speech patterns, so that we do consistently seem to hear Kubrick speaking (‘Freddie? Can you talk?’ ‘You’re stopping work for Christmas?’ ‘Think that was about the Holocaust?’ – Kubrick is asking about ...”

“... is of middle height, spare of figure, with severe, sharp-cut, well-complexioned face, with thin white hair and white Edwardian moustache and dark black eyebrows. In profile the head is remarkably elongated at the back. He wore a very dark-grey suit, with stiff upstanding collar folded right round the throat, and long ...”

“... curse be on you! . . . Spirits of the grave, I come! But the curse of Metamora stays with the white man! I die! My wife! My queen! My Nahmeokee! Falls and dies; a tableau is formed. Drums and trumpet sound a retreat till curtain. Slow curtain. This was a very different style of acting, and indeed of being, from that of William Charles Macready ...”

“... as the police were fumbling with handcuffs. It was this spectacle – more than the shooting of Michael Brown in Ferguson, Missouri, after a violent altercation – that set off the demonstrations which continue in many American cities to protest against the mistreatment and killing of citizens with impunity. The Senate Select Committee report on CIA ...”

“... outlines last. Thus, while a Lichtenstein might look industrially ready-made, it is actually, as Michael Lobel demonstrates in his careful study, a layering of mechanical reproduction (comic), handwork (drawing), mechanical reproduction again (projector) and handwork again (tracing and painting), to the point where distinctions between hand and machine are ...”