Search Results

“... One of the aims of anthropology,’ Richard Rudgley says, ‘is to understand the self by way of the other.’ Are we to take it that if the Koryaks of Siberia had a high old time on the fly-agaric – or on the recycled urine of a fly-agaric consumer – we too should stock up on magic mushrooms? Rudgley maintains that humans have ‘a universal need for liberation from the restrictions of mundane existence, satisfied by experiencing altered states of consciousness ...”

“... century. The drawings are gathered together in The Four Books on Architecture (Robert Tavernor and Richard Schofield’s 1997 translation is the most recent), which are still a source for modern architects. Palladio’s origins may explain his books’ directness. He worked with his hands – he was a stone carver until he ...”

“... include the late Bee Gee Robin Gibb, the mobile phone baron John Caudwell and the pornographer Richard Desmond: their name liveth for evermore all right, prominently, in a niche on the western side of the structure. The memorial to the 55,573 nameless dead airmen of Bomber Command and its few thousand survivors has evidently been squatted by fiscally ...”

“... life, the old man gave them to the soul to protect its feet whilst crossing the thorny moor. Richard Blakeborough, Wit, Character, Folklore and Customs of the North Riding of Yorkshire (1911) I was back walking on Lothersdale Moor, through ling, blackthorn and blips of sheepshit, over dry-stone walls and up ...”

“... for Richard ScottAll night preparing: the pelts oiled, blades whetted, the flaneschecked for truth and sharpness, set loose enoughthere in the quiver, before the dawn, before the Becoming.To hunt the stag with honour, Father said, you mustchange your shape and nature: assume his form.Latching on the headpiece, the skullcap with its horns,I walked soft into the morning, alert, changed:no longer man but hart, red deer, fiadh, stag ...”

“... more so because it alters so much as the winds and currents urge and reposition the four types of stone that compose the spit. Now it resembles the tail of a ray or skate, now it’s a sea-tangle head, now it’s a hand whose forefinger points westward. Sometimes it settles down as the head of a bear with an eye and snout that look east in July, west in the ...”

“... stands aside from the general course of imaginative fiction. It is probably meant to do so. Robert Stone is also engaged with political disaster. His earlier novel Dog Soldiers was about the legacy of corruption left to America by the Vietnam War. In A Flag for Sunrise the theme is American incursion into the Third World. The scene is the small corrupt Central ...”

“... curiously apposite to his expedition. For trailing him out of Egypt came not only the Rosetta Stone, but a young professor from the Muséum d’Histoire Naturelle in Paris: Etienne Geoffroy St-Hilaire, a man whose mind was torrid with details and with the desire to find the laws governing them. The British took the Rosetta ...”

“... latest anti-hero suffers from too much information, and not nearly enough fame, money or sex. Richard Tull, a ‘charisma bypass’, lives on the obscure margins of the literary world. The author of a clutch of difficult novels with hopeless titles like Aforethought and Untitled, he works as a shamefaced employee of a vanity publisher, edits the aptly ...”

“... With a temporary piece at the Grand Palais in Paris that also combines simplicity and grandeur, Richard Serra anticipates a late style of his own. Just a year ago a retrospective at the Museum of Modern Art charted the rigorous development of Serra’s sculptural language, from a direct engagement with rubber and lead in his early pieces to an elaborate ...”

“... as he was to the antiquities, though not in a way that pleased everyone: as his fellow traveller Richard Chandler wrote in the journals he published a decade after their return to England, ‘several of the Turks murmured, and some threatened, because he overlooked their houses; obliging them to confine or remove the women, to prevent their being seen from ...”

“... of the mass of the population. No one can read Quaife’s book and still believe that. Lawrence Stone could surely not have written as he did in his Family, Sex and Marriage in England 1500-1800 if he had had that knowledge of the really telling evidence which Quaife thinks he should have had. The other error which he attacks is the idea that the triumph of ...”

“... of a man regarded as one of the most unreal, isolated and timeless figures of the Victorian era. Richard Burton arrived in the Adriatic port in 1873 as Britain’s consul. He had pretty much seen everything. He had visited sacred centres from Benares to Salt Lake City, with a pilgrimage to Mecca in between; he had trekked thousands of miles into central ...”

“... by modern society. The one way round indissolubility was flight. The cases recorded by Lawrence Stone in his magisterial Family, Sex and Marriage suggest that flight was often seen by the abandoned partner as giving them the right to remarry. But in spite of the mobility of English rural society from the Middle Ages on, life was not easy for the fugitive ...”

“... The​ retrospective of Richard Estes’s work (until 8 February) is dazzling in more than one sense. From the late 1960s, when he established his mature style, his paintings of New York make use of hard, reflective surfaces like plate-glass shop windows, car bonnets, fenders and windscreens to fragment, distort and multiply images, replicating something of the visual complexity, speed and energy of the city streets ...”