Search Results

“... Edmund Blunden, L.A.G. Strong and Arthur Bryant; in came A.L. Rowse, Maurice Richardson, Peter Quennell and Nancy Mitford. More important, it was Connolly who introduced Astor to Orwell, who became his friend and mentor, and whose literary style he so admired that new arrivals on the paper were greeted by a circular on green paper setting out ...”

“... Durcan’s Going home to Russia, coming two years after The Berlin Wall Café contains 48 poems; Peter Redgrove’s In the Hall of the Saurians, one year after its predecessor, has 34; Norman MacCaig’s Voice-over, three years on from his Collected Poems, has 58; Cat’s Whisker by Philip Gross (three years on) 41; Jouissance by William Scammell (two ...”

“... a whiff of Mr Scott’s attempts to merge the Guardian with the Astor Times and later with the Thomson Times. It was long after the event that I learned how Richard Scott, Laurance’s cousin and the chairman of the Scott Trust, flew to London from Washington on what my old employers would have called a ‘mercy mission’ to save us from being sold into ...”

“... Number 188, to the west of St Dunstan’s Church, opposite Ye Olde Cock Tavern, and in an echo of Peter Blayney’s central themes (the business of books, and the Reformation), close to the publishers D.C. Thomson (the Beano, the Dandy, Scotland’s Sunday Post) and the Protestant Truth Society. The printer Richard Pynson ...”

“... admit that, while telling a good story, his biography offers little close reading of the poems. Peter Levi’s Tennyson is particularly strong in this department; ‘Poetry is what makes him mysterious,’ he tells us. Levi’s long first section, ‘The Birth of the Poet’, is an illuminating investigation of Tennyson’s childhood reading, and its ...”

“... of the game (to be bent, broken and ignored) and the ferocity of the play remained the same. Roy Thomson, benign among proprietors, has come and gone, picking up a peerage in the process. So has Victor Matthews, moving from building-site to Fleet Street and out again in less than ten years. The free or cut-price offers of dictionaries and flower-pots in the ...”

“... bombing coverage among other matters. More recently, the BBC precipitately withdrew a programme on Peter Wright’s book Spycatcher. Self-censorship has replaced censorship from outside – where the issues at least tend to become known. Self-censorship operates in the dark. Self-censorship also signals a loss of political courage, and lowers the threshold of ...”

“... have struggled to turn a profit; many have ended up at one point or another in unscrupulous hands. Peter Cook’s venture, the Establishment, was taken over by gangsters in 1963; in 1972 John Aspinall sold the Clermont to Playboy as its main London casino. In 1976, George Marks, a jovial Canadian-American property developer with a silver Rolls-Royce, offered ...”

“... poems recall the ‘loco-descriptive’ poetry of mid-18th-century Britain, best known from James Thomson’s The Seasons. As Dr Johnson demonstrated, you can cut every other line from The Seasons without appreciable loss. The culprits in Doty, as in Thomson, are monotony of tone and monotony of structure. Doty favours ...”

“... Swinburne against Eliot’s complaint that his vocabulary was imprecise, Veronica Forrest-Thomson remarked on his semantic ‘oscillations’, where the same word is introduced and then redefined several times within the same poem, without quite settling down in one context. This is the semiotic equivalent, and both find their myth in the late poem ...”

“... because of the tonal structure as much as for any other reason. ‘It seems astonishing,’ writes Peter Gradenwitz after offering his readers a ponderous analysis of West Side Story, ‘and may even perhaps appear unnecessary to regular show-business habitués, that it is possible to dissect and analyse the music of a Broadway show in the same way as a ...”

“... Rumens, Medbh McGuckian, Penelope Shuttle and others. Geoffrey Hill, Dannie Abse, Denise Levertov, Peter Red-grove, U.A. Fanthorpe, Gillian Clarke, Eiléan Ní Chuilleanáin, Elaine Feinstein are all variously represented, opening out the Sixties, Seventies and Eighties as a time of diversity and imaginative enterprise. One poet who appears in neither ...”

“... made it to the senior secondary that year. The other was a quiet, red-haired girl called Jean Thomson and she was also put in the lowest grade, in her case 1G. Our parents were working-class and when I read in Todd’s book that ‘working-class children were likely to find themselves relegated to the lowest streams of grammar schools, regardless of their ...”

“... himself socially acceptable and financially viable. ‘If one gets a man like J.J.’ – J.J. Thomson, then Cavendish Professor of Physics – ‘to back one up,’ he wrote to his fiancée in New Zealand, ‘one is pretty safe to get any position.’ Little did he know Cambridge! Three years later, when his scholarship expired, he applied for the chair ...”

“... about his second film, Le Petit Soldat, he invoked Welles’s The Lady From Shanghai, which David Thomson has seen as ‘deconstructing’ film noir. Une femme est une femme reminded him of Lubitsch’s supposed ‘failure’, Design For Living, and Richard Quine’s decidedly minor My Sister Eileen. Godard treated Hollywood as a kind of conceptual property ...”