At Tate Britain
Peter Campbell: How We Are, 5 July 2007
“... interior does that), as is the paparazzi in-your-face flash snapshooting used by Paul Reas and Martin Parr. Photography now builds on its own history. In the exhibition you see the influence on later pictures of William Eggleston’s prints of penetratingly ordinary American things and places, which released art photography from puritanical black and white ... ”