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“... of the legend. Robert Escarpit feels that Byron has not mattered much to Frenchmen, except to Jules Verne and himself. But in Poland he has meant a great deal, as a model Romantic nationalist: indeed, you catch the 19th-century poet Adam Mickiewicz and the 20th-century scholar Professor Windakiewicz wondering if in some sense he was a Pole. In ...”

“... theory; while its craftily alluring subtitle ‘An Adventure History of Paris’ seems to hint at Jules Verne (not that he is mentioned), and more widely at pace, narrative, readability. The virtues of fiction are evoked from the beginning, and practised throughout. Hazan’s approach is psychogeographical and political: the ‘invention’ of his title ...”

“... in his diaries. ‘I’m sort of an inveterate autodidact, a do-it-yourself guy, a sort of Jules Verne.’ Guattari resented ‘being strapped onto Gilles’, and felt ‘overcoded’ by the ‘perfection that he brought to the most unlikely book’. What he really wanted to do was ‘say stupid shit. Barf out the fucking-around-o-maniacal schizo ...”

“... campaigns for each new production or publication. He hoped to become as popular as Pierre Loti or Jules Verne and was dismayed when his lavishly presented work encountered only ‘an almost totally hostile incomprehension’. Janet records the young Roussel predicting that his glory would one day outshine that of Victor Hugo or Napoleon, that he felt ...”

“... which inaugurates the standard narrative of the history of science fiction, to the detriment of Jules Verne or that other increasingly popular recent candidate, Mary Shelley’s Frankenstein (1818). But where did the genre come from? My own hypothesis is a very general one: namely, that the late 19th-century invention of SF correlates to Walter ...”

“... when all kinds of anxiously ludic homages to the autonomous powers of the word were springing up. Jules Verne, one of Roussel’s favourite writers, secreted verbal enigmas throughout his writing, as did Poe, another influence; the period before the First World War also saw the emergence of such disparate but related phenomena as the ...”

“... his companion wrote of Mendelssohn on that choppy August day in 1829). Turner, Wordsworth and Jules Verne followed. Tourists inspired by the Romantic movement and the novels of Walter Scott began to make an important contribution to steamboat revenues, though, as the marine historian Andrew Clark notes, ‘it was the enthusiastically reported visit ...”