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“... artist, Peter Ustinov). His plays were produced in the West End, by Tyrone Guthrie, Ustinov, Gielgud. He won medals for two of his children’s books, and the War Office commissioned books from him, as did Drambuie and Rio Tinto Zinc. His works were finally issued by Cape in a collected edition named after his beloved Orkney, his stories in a collected ...”

“... quality – a little like Weegee’s – at once random and composed. In one, the circus director John Ringling North dominates the right half of the frame, shouting instructions to an unseen person, while above and to the left a high-wire act has two showgirls suspended from the wheels of a bicycle: the picture frame is divided by a balancing bar carried by ...”

“... into Lorenzo’s eyes, ‘a sea-lion awaiting a fish’. He almost resented actors such as Gielgud, whose movement had no animal quality for him to catch. Like film cameras, he preferred actors with thinking bodies to those whose heads control their performances. Implicitly, this committed him to preferring a cinematic realism on the stage – in the ...”

“... a programme about literary life in Britain during the Second World War; the contributors included John Betjeman and Cyril Connolly. The show was stolen, however, by a figure in a voluminous overcoat and dark glasses, whose recollections were delivered slowly, deadpan, between puffs on a large cigar. A month later, at the age of 52, Julian Maclaren-Ross died ...”

“... of admission’ was pretty much Coward’s verdict on the playwrights who emerged in the wake of John Osborne’s Look Back in Anger (Wesker included), and largely their verdict on him. And despite a revival of interest in his early work during the Sixties (‘Dad’s renaissance’, he called it), Coward has been regarded since 1956 as being on the losing ...”

“... wearing an old pair of green corduroy trousers so it looks like a suit. It makes me remember how Gielgud used to be excited – or pretended to be – by corduroy. ‘Corduroy! My dear!’ And his eyebrows would go up as if it were some kind of statement. Which it may well once have been, but was hardly the case in 1968. 4 April. News that this year’s ...”

“... country house in which he is seated on the lawn as one of an assorted company, including John Strachey, Harold Nicolson, Peter Howard and Professor Joad, of prospective Parliamentary candidates. Three years later, when Mosley was starting to move towards Fascism, there were some letters, which are extant, in which my father sought reassurance from ...”

“... House (where I do not pee). It’s the home of the Lascelles family, an ancestor of which, John Lascelles, blew the gaffe on Catherine Howard, the king’s fifth wife, but was later culled himself in the purge of evangelicals during that dreadful monarch’s last years. I watch two of the now well-established red kites tumbling about the sky above the ...”

“... and he did that superbly. Home is so nebulous on the page that at the time I couldn’t see how Gielgud in particular would ever manage to learn the lines (or the half lines). But it was a wonderful production, as were all Lindsay’s collaborations with Storey, Home, The Contractor, The Changing Room and Life Class still not accorded their due; though the ...”

“... When​ T.S. Eliot asked John Hayward in February 1938 to act as his literary executor (‘in case some unexpected calamity cuts me down like a flower’), he told him to prevent publication of his literary remains – including ‘any letters at all of any intimacy to anybody’. ‘In fact,’ he added, ‘I have a mania for posthumous privacy ...”

“... McDowell as a convincingly bonkers young emperor, backed up by a group of A-list actors, including Gielgud and Helen Mirren, who were said to have been unaware of the soft porn enterprise in which they were involved. (Did they think that Guccione was bankrolling serious historical drama?) Much more shocking was the portrayal of Caligula in BBC Television’s ...”

“... exactly the same thing.’ In 1934, Jennings, a young artist and intellectual about town, joined John Grierson’s GPO Film Unit on a freelance basis, mainly, it seems, because he was hard up. He went on to become Britain’s most admired wartime documentary film-maker, and although his is far from a household name, his critical reputation has for decades ...”

“... sting-like-a-bee style has lost none of its panache, his witty concision is still quotable (on Gielgud in modern dress: ‘The general aspect of a tight, smart, walking umbrella’), much of his excitement outliving the occasions that produce it. But there have been other theatre critics with dapper styles and deep commitments whose names faded once their ...”

“... other consists (or did in 1971) of playgoers for whom the theatre has never been the same since John Osborne, and if they don’t like a play they leave it in droves. Indeed, it sometimes seems that their chief pleasure in going to the theatre in Brighton is in leaving it, and leaving it as noisily as possible. In Beyond the Fringe the seats were going up ...”

“... on chairs) to catch a glimpse of the speakers. The most notable is of course the 90-year-old Gielgud, black overcoat, velvet collar, a half-smile always on his lips as of someone prepared to indulge the world in its fondnesses but with his thoughts already elsewhere. Michael Denison and Judi Dench do the handbag scene from The Importance, J.G. reads from ...”