Search Results

“... follow. Even Day-Lewis was not wholly exempt from it when he received the laurels. His predecessor John Masefield had his merits, but writing good verse for occasions was not one of them. Indeed there is an interesting resemblance between the ghastly good taste of the modern tombstone – in chaste Cotswold or slate with a brief restrained inscription – and ...”

“... one man more than any other put an end to late 17th-century stalemate. ‘Lieutenant-General Lord John Churchill, Earl of Marlborough, resolved to change all that. In military history, unlike most other branches of history, the individual who by his own will and accomplishments alters the course of events still strides across the record.’ Tolstoy would have ...”

“... eat. How many of us who know that milk is pasteurised have also heard of the ingenious Irishman, John Tyndall, who in the 1870s discovered that mother bacteria are destroyed by heating food or milk, but that their offspring survive? These sturdy youngsters have had their powers of resistance much reduced, however, so that they succumb to an ensuing bout of ...”

“... masterpiece of ‘Seaton’s Aunt’. The process works another way, too. In his splendid stories John Updike creates a far more telling image of himself as a denizen of suburban America, and a participator in its ritual matings and partings, than if he had spelt it all out in the true first person, recounting his triumphs and disasters in the field of sex ...”

“... of assuming an audience ‘both universal and homogeneous’. The pamphlet was quoted recently by John Gross in an afterword to a new edition of his book The Rise and Fall of the Man of Letters.* Gross assumed a combative stance, calling his piece ‘the man of letters in a closed shop’, and speaking of the ‘cold horror’ that filled him when he ...”

“... she wouldn’t be at all disturbed or shocked. The fundamental part of his appeal, as the critic John Barber observed, ‘was both to mirror and to indulge the middle-class fear of sex’. Rattigan’s own father – their relations form another subtext in most of the plays – was a famous roué who had been eased out of the Foreign Office for ...”

“... and he opens with a marvellous one – surely his own discovery – by the Medieval chronicler John Lydgate, about a horse called Lyarde, too old now to work. They lead him to the smithy to pull off his shoon And put him to greenwood, there for to gone. The idea is echoed by Larkin, also well represented here, in his poem about race horses, ‘At ...”

“... Wittgenstein had a phrase about the ‘great heart of Beethoven’, the rider to which was that it would make no sense to talk about the ‘great heart’ of Shakespeare. So much the worse for Beethoven, might be the sentiment of a non-philosopher who did not share Wittgenstein’s passion for music. But his point has its ramifications. Like Tolstoy, whose didactic tales he revered as the best that mere literature could do, Wittgenstein was distinctly a non-Shakespearean ...”

“... On the outside of Christopher Wren’s Observatory Tower in Greenwich a ball still drops down at exactly 1 p.m. every day to indicate just what time it is. Captains in the Pool of London, the largest port in the world, used to spy it with their telescopes before they sailed, and adjust their chronometers. Ships and port have vanished, but the daily rite of time and precision is still enacted ...”

“... A Jane Austen of today is barely imaginable: but it one nonetheless imagines her, and locates her in South Africa, how would she be exercising her art? Could she find any subject other than the one Nadine Gordimer writes about? A great, even a good writer does not find his subject, it takes him over: he becomes it, and the world it has brought with it ...”

“... A story no doubt originating in Norway goes over the ground about persons of different nationality required to write an essay on elephants. The Englishman of course writes about hunting them, the French about their love-life, the Swede about elephantine manners and etiquette, the Dane about the ivory business. The Norwegian produces an essay on Norway and Norwegians ...”

“... For Tolstoy and Hemingway, as for Homer, writing about war was the natural thing. They did not exactly worship the demands of ‘hateful Ares’, as Homer calls him; but they knew that war as hell was the proper field of the heroic, and thus of narrative itself. The story of what happens in a football match today is our equivalent of yesterday’s battle; and it can be established later, as game, in the same heroic sequence ...”

“... It is likely that The Cherry Orchard was suggested by Chekhov’s story ‘A Visit to Friends’, which he did not include in the collected edition, and which concerns a family in dire financial straits (Chekhov knew them) who pin their hopes on a shrewd and successful young lawyer friend. He will marry their daughter and somehow get them out of the mess ...”

“... Who said of whom: ‘I have talent but he has genius’? Evelyn Waugh had been reading Futility, which first came out in 1922, but his favourite Gerhardie novel was to be Jazz and Jasper. This almost forgotten work appeared in 1927, two years earlier than Vile Bodies. Its author wanted to call it Doom, a title not adopted until the 1974 edition. In 1947 it made a brief appearance as My Sinful Earth, and the 1928 American edition was called Eve’s Apples, the American publisher having decided, no doubt wisely, that the word ‘jazz’ had been ‘worn threadbare’ in crossing the Atlantic ...”

“... Good writing, in prose or verse, can seem a sort of visible distillation, brandy-like, of the anima vagula blandula, the tenuous and transparent daily self that produced it. Another kind of good writing does not establish itself as involuntary personality, but as something the writer is just very, very good at doing. Such a dispossessed fluency seems available to everyone with a flair for catching a fashion ...”