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“... well as exceptional. O’Connor was still hankering for a partnership of classes in 1848, but as John Belchem says, writing (in somewhat eccentric English) of the fateful year, middle-class opinion was firmly behind the government and its repressive tactics. We may credit revolutionary happenings abroad with a decisive influence: by inspiring Chartists with ...”

“... clarity of seeing, an acknowledgment that this is what painting is. Just as the young John Richardson, visiting Braque’s studio for the first time, felt that he had arrived ‘at the very heart of painting’. But these apparently quiet artists often turn out to have been more far-sighted and more radical than we assume. Corot, for example, once ...”

“... opinion, he simply saw himself as being above the ‘rules of the game’. The incomparable John Vincent has his own interpretation of the supposed liberalism of Mosley’s early days: ‘There were no depths of idealism to which he would not stoop in his attempt to find a winning formula for controlling the post-war mind.’ Inflamed by the ...”

“... Miners in the Snow​ (1880) was Vincent van Gogh’s first pictorial declaration of intent. Unable to hold down work in the family picture trade or as a preacher, he was persuaded by his brother Theo to turn his energies to drawing, and after some copying exercises he came up with this sheet. A large – roughly A2 – and scruffy affair, worked mostly in graphite with touches of wash and chalk, it is currently on show at the exhibition Van Gogh and Britain at Tate Britain (until 11 August ...”

“... There’s a scene in Tarantino’s Pulp Fiction in which John Travolta’s character, a hitman called Vincent Vega, who has escorted his boss’s wife home after an evening out, returns from the bathroom to find her unconscious on the floor. Mia (Uma Thurman) has taken a bag of heroin from his jacket pocket and, mistaking the white powder for cocaine, snorted a line and collapsed ...”

“... were attaching their styles and their ambitions. In a lengthy but highly readable biography, Vincent Brome has some interesting things to say about Priestley’s own reaction to the attitude towards him taken by the highbrows. Like many deeply religious men, Lewis had a kind of basic and inexpugnable innocence which seems to have left him wholly ...”

“... are also more than usually absurd. Look at those silly clips of Paddy Ashdown playing hopscotch or John Major on his knees in a day-nursery or Tony Blair in his Newcastle soccer-strip. Who do these people think they’re fooling? Why don’t they treat us as grown-ups? What’s happened to the issues? To this, the politicians might retort: where did those ...”

“... a crowd at St Paul’s Cathedral like a captured king. There it was the subject of a sermon by John Hilsey, bishop of Rochester, who denounced the ‘great adolatrie’ of the monks of Boxley and the ‘abuses … of engines’ before encouraging his audience to break the Rood into pieces and burn it.How much of this context can be applied to the ...”

“... be altered to follow not what actually happened, but what ought to have done. Surely (in Ragtime) John Pierpont Morgan might have invited Henry Ford to lunch to talk about reincarnation; and why wouldn’t the anarchist Emma Goldman have given a full-body massage to the society divorcée Evelyn Nesbit (accompanied by a lecture on sexual politics)? These lines ...”

“... art is by no means uniform. ‘Tear up and burn as much as possible,’ she said to her husband, John Middleton Murry, who, with his own publishing interests at heart and a sensibility that favoured a wife leaving a certain kind of literary legacy behind her, did nothing of the kind: so her output can sometimes look sketchy or inconsequential, sometimes ...”

“... value even to more obscure items such as the Irish writer Thomas Amory’s picaresque Life of John Buncle and The Triumphs of God’s Revenge against the Crying and Execrable Sin of Murder, a popular collection of tales of murder and revenge by the 17th-century Exeter merchant whom Coleridge called ‘honest Murthereo-Maniacal ...”

“... was a poet and associate editor of Poetry magazine; as a girl, Mitchell met T.S. Eliot, Edna St Vincent Millay, Dylan Thomas, Ezra Pound and others. The exhibition opens with works from the 1950s, including Hemlock (named after a line from a Wallace Stevens poem) and Evenings on 73rd Street, both a mass of densely worked strokes against a nimbus of white ...”

“... 2007 book, Regret the Error, Craig Silverman says Ross was humiliated after a profile of Edna St Vincent Millay implied the poet’s father might be dead and said ‘her mother appears to remember little of her own biography.’ Millay’s mother wrote a letter: ‘both of these parents,’ she said, ‘are living, and in full possession of their ...”

“... a wan light on pews reserved for the use of MPs in St Margaret’s, Westminster, are untypical of John Piper. Normally, his stained glass seethes, particularly in Coventry Cathedral, where a Piper sunburst behind the boulder that serves as a font irradiates a great wall of clunky fenestration. In Westminster though, in a building studded with fanciful ...”

“... At the start​ of the war, John Piper – who had made his name as an avatar of high abstraction in the mode of Braque and Mondrian, his paintings hanging among the Giacomettis and Calders in the seminal 1936 show Abstract and Concrete – was struggling to get by. His pictures weren’t really selling, and he was living on the £3 10s a week he still got from his mother ...”