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Gesture as Language

David Trotter, 30 January 1992

A Cultural History of Gestures: From Antiquity to the Present 
edited by Jan Bremmer and Herman Roodenburg.
Polity, 220 pp., £35, December 1991, 0 7456 0786 1
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The New Oxford Book of 17th-Century Verse 
by Alastair Fowler.
Oxford, 830 pp., £25, November 1991, 0 19 214164 3
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... in this sad knot,’ we can feel that Ferdinand, too, really does have a lot on his mind. As does Marcus, in Titus Andronicus, when he thinks about the brutal injury done to Titus and Lavinia, his arms folded in a ‘sorrow-wreathen knot’. But in the end it is the precariousness of gesture which interests Shakespeare. Titus has to point out to ...

Tired of Giving in

Eric Foner: Rosa Parks, 10 May 2001

Mine Eyes Have Seen the Glory: The Life of Rosa Parks 
by Douglas Brinkley.
Weidenfeld, 248 pp., £12.99, January 2001, 0 297 60708 1
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... match between subject and author make the series distinctive. The ‘concept’, as its editor James Atlas explained to me a few years ago, is to produce books that airline passengers can read on a flight from New York to San Francisco and finish before they reach the Golden Gate. Given the entertainment options available at 35,000 feet this is not an ...

Anxious Pleasures

James Wood: Thomas Hardy, 4 January 2007

Thomas Hardy: The Time-Torn Man 
by Claire Tomalin.
Viking, 486 pp., £25, October 2006, 0 670 91512 2
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... and then harden around us as the lost hours progress and we feel their unfreedom accrete. Henry James was snooty about Hardy, but I wonder how James would have done, if given as a kind of literary test a cow’s udder to describe? Admirably, no doubt, with his usual lyrical paradox of oddly precise euphemism, but ...

Mr Lion, Mr Cock and Mr Cat

Roger Lonsdale, 5 April 1990

A Form of Sound Words: The Religious Poetry of Christopher Smart 
by Harriet Guest.
Oxford, 293 pp., £35, October 1989, 0 19 811744 2
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... post-Smartian Seatonian to have arrested his attention previously was The Ascension (1780) by one James Atkins, which he defiantly published after failing to win the prize – ‘for several Reasons’, as one of the judges had grimly told him, which no doubt included his whimsical theology and misguided decision to write in seven-syllable blank ...

Both Ends of the Tub

Thomas Karshan: Nicholson Baker, 24 July 2003

A Box of Matches 
by Nicholson Baker.
Chatto, 178 pp., £10, February 2003, 0 7011 7402 1
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... for a five-dollar bill.’ Having counted out the pennies, and taken along an anthology of William James for company, Baker was forced to wait at the counter as the manager counted out every penny, ‘while dozens of well-off, exhausted East Siders curled their lips at my somewhat pathetic miserliness’: I reeled to the violently yellow ...

Good Fibs

Andrew O’Hagan: Truman Capote, 2 April 1998

Truman Capote: In which Various Friends, Enemies, Acquaintances and Detractors Recall His Turbulent Career 
by George Plimpton.
Picador, 498 pp., £20, February 1998, 0 330 36871 0
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... as much as it does the world of Capote. And that is one of the book’s strengths: Plimpton, like James Boswell, is an enthusiast for the world he is conjuring; he knows it well, knows all the figures in the carpet; the people are for the most part his acquaintances too, and his way of arranging their words is bent by his own understanding of how it all ...

Unmuscular Legs

E.S. Turner, 22 August 1996

The Dictionary of National Biography 1986-1990 
edited by C.S. Nicholls.
Oxford, 607 pp., £50, June 1996, 0 19 865212 7
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... Honourable Artillery Company, was a devout Christian who launched the Hammer House of Horror (Sir James Carreras). All demonstrated that a spell in uniform, as the sovereign’s trusty and well-beloved, never cramped a creative talent, and perhaps that a creative talent never cramped a military one. The singularity of their careers has earned them a place ...

In His White Uniform

Rosemary Hill: Accidental Gods, 10 February 2022

Accidental Gods: On Men Unwittingly Turned Divine 
by Anna Della Subin.
Granta, 462 pp., £20, January 2022, 978 1 78378 501 8
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... his earlier given name, Ras Tafari, offensive, and did not consider himself to be Black. Meanwhile Marcus Garvey, who accepted Haile Selassie’s own account of his lineage as a descendant of Solomon and so considered him to be Jewish, discounted him as an ally in the struggle for Black liberation. Despite this, Garvey was taken up by the religion as a ...

Saints on Sundays, Devils All the Week After

Patrick Collinson: London Burnings, 19 September 2002

The Antichrist’s Lewd Hat: Protestants, Papists and Players in Post-Reformation England 
by Peter Lake and Michael Questier.
Yale, 731 pp., £30, February 2002, 0 300 08884 1
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... twice. But he was sufficiently streetwise in the ways of the Court to make it, eventually, with James I, and in the ways of the street to write Bartholomew Fair (a chapter on this play, along with The Alchemist, and another on Measure for Measure, is the prize which awaits us inside all the wrappings, at the end of this pass-the-parcel of a book). Like the ...

Little Bastard

Patrick Collinson: Learning to be Queen, 6 July 2000

Elizabeth: Apprenticeship 
by David Starkey.
Chatto, 339 pp., £20, April 2000, 0 7011 6939 7
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Elizabeth I: Collected Works 
edited by Leah Marcus and Janel Mueller.
Chicago, 436 pp., £25, September 2000, 0 226 50464 6
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... Elizabeth and admiration for Gloriana have never before had anything like the resource provided by Marcus, Mueller and Rose in their Elizabeth I: Collected Works, which consists of all the full-length speeches, prayers and poems, as preserved in reasonably reliable texts, and a generous selection of her letters. The letters take us from the most important she ...

Fog has no memory

Jonathan Meades: Postwar Colour(lessness), 19 July 2018

The Tiger in the Smoke: Art and Culture in Postwar Britain 
by Lynda Nead.
Yale, 416 pp., £35, October 2017, 978 0 300 21460 4
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... to Nead: ‘The fogs of the 1950s were different … from the fogs of Conan Doyle and Henry James. They drew on the accumulated meanings of the Victorian fogs, but they were also distinctively modern.’ This is, at best, questionable, quasi-anthropomorphic, ascribing to fogs memory and mimetic capacities. Nead goes on to grant meaning to other ...

See you in hell, punk

Thomas Jones: Kai su, Brutus, 6 December 2018

Brutus: The Noble Conspirator 
by Kathryn Tempest.
Yale, 314 pp., £25, October 2017, 978 0 300 18009 1
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... catch a glimpse, flickering in and out of focus, of the elusive face of a historical human being. Marcus Junius Brutus was born sometime between 85 and 78 bc, into a family that traced its ancestry back to the legendary Lucius Junius Brutus who had supposedly expelled the last king of Rome, Tarquinius Superbus, in 510 bc, and served as one of the first ...

A Snack before I Die

James Wood, 21 August 1997

Anton Chekhov: A Life 
by Donald Rayfield.
HarperCollins, 674 pp., £25, June 1997, 0 00 255503 4
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... complacent Dr Ragin in ‘Ward 6’, who lectures his abused patients at the local asylum about Marcus Aurelius and the importance of stoicism, and in the fatuous priest in ‘In the Ravine’ who, at dinner, comforts a woman who has lost her baby while pointing at her with ‘a fork with a pickled mushroom on the end of it’. Yet the son did not abandon ...

Laugh as long as you can

James Davidson: Roman Jokes, 16 July 2015

Laughter in Ancient Rome: On Joking, Tickling and Cracking Up 
by Mary Beard.
California, 319 pp., £19.95, June 2014, 978 0 520 27716 8
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... dispel our misgivings. She begins in autumn 192 AD, when the emperor Commodus, megalomaniac son of Marcus Aurelius, is beginning seriously to lose it. He has subjected the people and senate of Rome to two weeks of compulsory entertainment, mostly involving the slaughter of a great number of animals in the Colosseum. At one point in this Blutfest, we are told ...

At the Queen’s Gallery, Edinburgh

Tom Crewe: Roger Fenton, 16 November 2017

... a photo of it is included in the exhibition, taken at the insistence of Fenton’s chief assistant Marcus Sparling, ‘as there was a possibility of a stop being put … to the further travels of both the vehicle and its driver’. It is a heroic image, in its way: Sparling, in the driver’s seat, seems half-proud of the absurdity of his situation. The van ...

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