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Misbehavin’

Susannah Clapp, 23 July 1987

A Life with Alan: The Diary of A.J.P. Taylor’s Wife, Eva, from 1978 to 1985 
by Eva Haraszti Taylor.
Hamish Hamilton, 250 pp., £14.95, June 1987, 0 241 12118 3
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The Painted Banquet: My Life and Loves 
by Jocelyn Rickards.
Weidenfeld, 172 pp., £14.95, May 1987, 0 297 79119 2
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The Beaverbrook Girl 
by Janet Aitken Kidd.
Collins, 240 pp., £12.95, May 1987, 0 00 217602 5
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... line – of the ‘very flat, Norfolk’ variety – in encapsulating personality. She found Ian Fleming ‘rather boring’, the future King Edward VIII a man of ‘wide-ranging interests’, and Norman Mailer, who married her elder daughter, ‘dynamic’ Her attendance at the 1936 Olympics enables her to tell us that Hitler had clammy hands, and ...

The Rupert Trunk

Christopher Tayler: Alan Hollinghurst, 28 July 2011

The Stranger’s Child 
by Alan Hollinghurst.
Picador, 565 pp., £20, June 2011, 978 0 330 48324 7
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... a need to publicise. In Keepers of the Flame: Literary Estates and the Rise of Biography (1992), Ian Hamilton quotes Brooke’s Rugby and Cambridge friend Geoffrey Keynes on the underlying causes of the Eddie-Ranee stand-off: Brooke’s unmanly physical beauty was often taken as an indication that he was probably a homosexual … It had, of course, been far ...

Flame-Broiled Whopper

Theo Tait: Salman Rushdie, 6 October 2005

Shalimar the Clown 
by Salman Rushdie.
Cape, 398 pp., £17.99, September 2005, 0 224 06161 5
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... childhood, of his own family stories (‘autobiography re-experienced as fairytale’, as Ian Hamilton put it). The exaggerations and magical touches are rooted in the characters and the story. Shame (1983), a savage satire about Pakistan, is a less personal and less peopled work, with a clear political message at its heart. But both, although baggy ...

The Undesired Result

Gillian Darley: Betjeman’s bêtes noires, 31 March 2005

Betjeman: The Bonus of Laughter 
by Bevis Hillier.
Murray, 744 pp., £25, October 2004, 0 7195 6495 6
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... Wilson (whom he once used to trump the BBC’s religious broadcasting department in a turf war), Ian Fleming and John Osborne. The bishop of Southwark, Mervyn Stockwood, surrounded by Arab boys, camp churchmen and Beverley Nichols, takes the credit for widening Betjeman’s horizons, leading him and Elizabeth Cavendish regularly abroad in a group that ...

Hush-Hush Boom-Boom

Charles Glass: Spymasters, 12 August 2021

The Quiet Americans: Four CIA Spies at the Dawn of the Cold War – A Tragedy in Three Acts 
by Scott Anderson.
Picador, 576 pp., £20, February, 978 1 5290 4247 4
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... Alexander Cockburn​ blamed Ian Fleming for the creation of the CIA. Without Fleming, Cockburn wrote on the fiftieth anniversary of the first James Bond novel, ‘the Cold War would have ended in the early 1960s. We would have had no Vietnam, no Nixon, no Reagan and no Star Wars ...

When the Mediterranean Was Blue

John Bayley, 23 March 1995

Cyril Connolly: A Nostalgic Life 
by Clive Fisher.
Macmillan, 304 pp., £20, March 1995, 0 333 57813 9
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... in a fossil or the bark of a tree.’ Another late jewel in his crown was the little fantasy on Ian Fleming, ‘Bond Strikes Camp’, whose humour has the subtle approval and understanding of all first-class parody. Connolly’s writing was hero-worshipped at this time by the up and coming young Ken Tynan, who referred to his idol as the Supreme ...
Friends of Promise: Cyril Connolly and the World of ‘Horizon’ 
by Michael Shelden.
Hamish Hamilton, 254 pp., £15.95, February 1989, 0 241 12647 9
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Coastwise Lights 
by Alan Ross.
Collins Harvill, 254 pp., £12.95, June 1988, 0 00 271767 0
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William Plomer 
by Peter Alexander.
Oxford, 397 pp., £25, March 1989, 0 19 212243 6
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... a conoisseur’s pleasure in high life as well as in the seamy side, becoming a close friend of Ian Fleming, with whom he worked in the war on Naval Intelligence. Each of them, as Alexander remarks, ‘was a great collector of characters’. Perhaps because he was an outsider from South Africa, Plomer suffered from none of the social anxieties that ...

Outrageous Game

Frank Kermode: Ishiguro’s Nightmares, 21 April 2005

Never Let Me Go 
by Kazuo Ishiguro.
Faber, 263 pp., £16.99, March 2005, 0 571 22411 3
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... it did, as if the detective’s story were as ‘real’ as the Japanese attack on Shanghai. In an Ian Fleming-like coup de théâtre a trusted uncle turns out to be the head of an opium smuggling organisation. A close childhood friend, now a wounded soldier in the invading army, is met and cared for. Since the climax of the action occurs during the ...

Madly Excited

John Bayley, 1 June 1989

The Life of Graham Greene. Vol. I: 1904-1939 
by Norman Sherry.
Cape, 783 pp., £16.95, April 1989, 0 224 02654 2
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... with the Grub Street Mephistopheles: he stays the same whatever he writes. A Greene, though, or an Ian Fleming, may have to become what he writes, exemplify his own formula, with results that affect himself and others. Interestingly, unlike the cases of Shakespeare or Pushkin, the work of Greene or Fleming, and its ...

Kinsfolk

D.A.N. Jones, 12 July 1990

A Sort of Clowning: Life and Times, 1940-59 
by Richard Hoggart.
Chatto, 225 pp., £14.95, June 1990, 0 7011 3607 3
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Tilting at Don Quixote 
by Nicholas Wollaston.
Deutsch, 314 pp., £14.95, June 1990, 0 233 98551 4
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Finger Lickin’ Good: A Kentucky Childhood 
by Paul Levy.
Chatto, 202 pp., £13.95, May 1990, 0 7011 3521 2
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How Many Miles to Babylon? 
by Adewale Maja-Pearce.
Heinemann, 154 pp., £13.95, June 1990, 0 434 44172 4
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... and removed his quotation from ‘the sex-and-violence literature’ of James Hadley Chase and Ian Fleming: he substituted writing of his own, not guying these offensive writers, but carefully imitating them, in pastiches which few recognised to be imitation – since Hoggart’s point was, partly, that such writers have power and skill. Hoggart is an ...

There are some limits Marlowes just won’t cross

Christopher Tayler: Banville’s Marlowe, 3 April 2014

The Black-Eyed Blonde 
by Benjamin Black.
Mantle, 320 pp., £16.99, February 2014, 978 1 4472 3668 9
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... of one of Chandler’s plots make the twist ending foreseeable, it’s preceded by an unexpected, Ian Fleming-like sequence with a turn from a violent butler. Banville has some fun giving Clare an Irish background. ‘Look at that, now,’ her mother, a perfume magnate whose Protestant husband died nastily for Michael Collins, says of a cup of ...

Michael Gove recommends …

Robert Hanks: Dennis Wheatley, 20 January 2011

The Devil Is a Gentleman: The Life and Times of Dennis Wheatley 
by Phil Baker.
Dedalus, 699 pp., £25, October 2009, 978 1 903517 75 8
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... a reputation in Whitehall as a generous luncheon host and found a new circle of friends, including Ian Fleming and at least one duke (Bond’s enthusiasm for luxury brands seems to owe something to Wheatley’s style). He proudly related that the king, a professed fan of his fiction, had asked to see a copy of every report he wrote: all in all, a good ...

Candle Moments

Andrew O’Hagan: Norman Lewis’s Inventions, 25 September 2008

Semi-Invisible Man: The Life of Norman Lewis 
by Julian Evans.
Cape, 792 pp., £25, June 2008, 978 0 224 07275 5
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... but slowly over a period of time’. Evans then quotes from a letter Lewis afterwards wrote to Ian Fleming, who as an editor (or, as he preferred, ‘foreign manager’) on the Sunday Times had sent Lewis to Cuba. ‘There was something biblical about the meeting with Hemingway,’ Lewis wrote, like having the old sermon on the vanities shoved down ...

The road is still open

David Wootton: Turpin Hero?, 3 February 2005

Dick Turpin: The Myth of the English Highwayman 
by James Sharpe.
Profile, 258 pp., £8.99, January 2005, 1 86197 418 3
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... had been executed in 1831, however, and none of Ainsworth’s readers took up his invitation. Ian Fleming had been a secret agent, and was in part his own model for Bond. Ainsworth, the eldest son of a wealthy Manchester lawyer, had spent his childhood reading about highwaymen, but was no highwayman himself, though he had Turpin’s contempt for ...

Constable’s Weather

David Sylvester, 29 August 1991

... described by the selector-cataloguers of his panoramic exhibition at the Tate, Leslie Parris and Ian Fleming-Williams, as ‘for later generations the very epitome of Romantic landscape painting’. It was the most derelict, most desolate scene Constable ever pictured, with its ruined pair of towers set beside an endless flat expanse of land and sea and ...

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