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“... period, many of which are based on Heidegger’s readings of the poetry of Hölderlin, Rilke and Georg Trakl. All the same, he does quote abundantly from Heidegger’s philosophical writings, and his comments on these quotations are closely related to the biography. The strength of the book lies in the presentation of a life against the background of all ...”

“... of the mass-produced commodity, the becoming-abstract of capitalist life, as variously explored by Georg Simmel, György Lukács and Alfred Sohn-Rethel. After Greenberg (not to mention Theodor Adorno), we often think of abstraction as a withdrawal from the modern world, almost a safehouse for art, but the converse is just as true: the modern world became too ...”

“... world, logically enough, is unnatural, and its unreality resembles fiction.’ He reminds us that Georg Lukács considered the novel the great form of what Lukács called ‘transcendental homelessness’. I am not an exile, but it is sometimes hard to shake the ‘unreality’ Said speaks of. I watch my children grow up as Americans in the same way that I ...”

“... incidentally, Katia confirms that the character of Naphta in The Magic Mountain was based on Georg Lukács.) Similarly, in Doctor Faustus, Pfeiffering, the place where Leverkuhn becomes a recluse, which is dealt with so lovingly and in such careful detail, and the family who looked after him, the Schweigestills, are all based on moments in the life of ...”

“... on an old-school idea of modernity: Max Weber on ‘the disenchantment’ of a rationalised world, Georg Simmel on the ‘indifference’ of a money economy, and Lukács on the ‘homelessness’ of the modern novel. Clark sees a ‘no-whereness’ in Cézanne too: ‘Modernity is loss of world. Cézanne is the painter who makes that cliché draw blood.’ Yet ...”

“... artfulness – a ‘failure’ that is the key to its weird success. In a strikingly harsh phrase, Georg Lukács referred to Faust as a poem of ‘capital running with blood’. Something similar could be said of Roussel’s last major piece of writing. (He carefully mentions a detail from Goethe’s epic in Nouvelles Impressions.) Even at its most intricately ...”

“... this rigidity that the Marxist modernists set out to loosen up.The figures under discussion are Georg Lukács, Ernst Bloch, Brecht and Benjamin, Adorno selbst and Adorno-Horkheimer – Dialectic of Enlightenment, she says at one point, is ‘the most incredible book’. The Frankfurt School is given its historical background: the First World War and the ...”

“... manuscript of Geist der Utopie as early as 1916 (thanks to his friend and Bloch’s former teacher Georg Simmel). At that stage the manuscript probably still lacked its apostrophes to Marx. By 1924 and the first publication of the essay ‘On the Mathematical and the Dialectical Character of Music’, Bloch had evolved his idiosyncratic version of Marxism, and ...”

“... important essays – notably ‘On Lyric Poetry and Society’, ‘Extorted Reconciliation: On Georg Lukács’s Realism in Our Time’, ‘Commitment’, ‘Trying to Understand Endgame’ and several pieces on Walter Benjamin – already exist in English and have had a significant impact on the reception of Adorno’s ideas. But the collection as a whole ...”

“... collection. Activism comes in different forms. None was more overt than the course followed by Georg Forster. Born in 1754, Forster accompanied James Cook on his second voyage and wrote an account of the trip in 1777 that found an enthusiastic response in Britain and Germany. After posts in Kassel and Vilna as a professor of natural sciences, he became ...”

“... they were certainly part of a more general European movement, exemplified in the writings of Lukacs, Gramsci and Ernst Bloch, which saved Marxism from the deadening effect of Soviet-style historical materialism by a more imaginative and selective reading of the texts: this was the milieu in which Finley received his early training, when employed at ...”

“... is based on the German collection, Herzlichst Ihre Rosa (‘Warmly yours, Rosa’), edited by Georg Adler and Annelies Laschitza, published in 1989, which consisted of 190 letters from the first five volumes of the Gesammelte Briefe. From the sixth volume of the Briefe, the English edition adds a further 40. In addition to photographs, the German edition ...”