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“... How this pale dawn light floods in from the skyline.How it seems almost at times to fail as if it mightfall back to midnight’s deep blue-black: as if it should.I am given over to dreams that say what’s mine is mine.I dreamt I was at this window and here I am:not dreaming, or so I think, though something stays.Dream has its flow, pain its own song to sing ...”

“... When Wyndham Lewis described the Men of 1914 as a ‘youth racket’ invented by Ezra Pound, he presumably didn’t mean to be complimentary. Pound, however, might be said to have had the last laugh, since it is now customary to regard the whole of American literature as a gigantic youth racket ...”

“... is held to have had a devastating and irreversible impact on a postwar theatre scene dominated by winsome drawing-room comedies and witless country-house whodunnits. At the time, the play and its message were anatomised in leading articles, discussed by school debating societies, and worried at in the pulpit. In ...”

“... Sculpture need not be a bronze statue of a town councillor or a marble figure of a goddess, respectfully plinthed in gallery or plaza; or a curvaceous wooden form strung like a harp which we gaze at in dumbfounded silence. These days, it may well be a drystone wall winding between trees before burying its end in a lake, like the great Norse serpent for ever drinking the world’s waters dry ...”

“... said, were likely to choke on them. To spare them from ruin, and society from being despoiled by dynastic wealth, he argued for a nearly 100 per cent tax rate on large estates. ‘Looking at the usual result of enormous sums conferred upon legatees,’ he wrote in the Gospel of Wealth, ‘the thoughtful man must shortly say: “I would as soon leave to my ...”

“... south in Kirkby and Walsall Punks with spiky Mohicans, Skins in thick-soled Doc Martins, Pose to be snapped in grainy photos. The choice could be epic or lyric, It could be tabloid or graffito. The antique options chose me Not in the study this morning But nearly a century past When my ...”

“... to the government’s briefing notes, to deal with ‘highly disruptive protests’, such as those by Insulate Britain and Extinction Rebellion, and against HS2. It will resuscitate clauses from the Police, Crime, Sentencing and Courts Bill that were rejected by the Lords, such as the criminalisation of ‘locking ...”

“... I took an instant dislike to him. I was then a rather priggish Bevanite, and I was shocked by his politics. I was even more shocked by his manner. He seemed to typify what I most disliked about the Southern English mandarinate. He had a cut-glass accent. He was insufferably sure of himself. He was appallingly and ...”

“... returning to it in pitch darkness: stumbling along the towpath, trying to fit a key into a lock by touch, feeling my way from one end of the boat to the other to reach the main battery switch. Because I have dogs, one of which has to be kept on a lead because he would catch sleeping waterfowl if he could, I have to ...”

“... his Collected Poems, Geoffrey Hill concentrates our attention on one of the central problems posed by Pound’s poetry and explored by his own. Beauty is no absolute guarantee of truth or morality; art may illuminate or corrupt. As David Perkins points out in Modernism and After, Pound is ...”

“... of political science that what happens in election campaigns doesn’t make any real difference. By the time the formal campaigning starts the voters pretty much know where they stand. They then have to wait patiently (or impatiently) for a few weeks while politicians and journalists get their knickers in a twist over imagined gaffes and surges, swings and ...”

“... in the Mail, thinks the way to understand Damian McBride’s relationship to Gordon Brown is by analogy with the Third Reich. McBride didn’t need to take direct orders from his boss because he already understood the violence that Brown wished on his enemies. The underling was working towards the Führer. Alastair Campbell, speaking on Andrew Neil’s ...”

“... lifted her glass, the bracelets rattled on her wrist. ‘Listen to that,’ she said, ‘I must be dead.’ At once a piercing white light shone out from her mouth and all within its range was marble and bone. Voices died. Hands locked in a gesture. Our ships were white, the sea was white, a white gull pitched out of the sky and landed on the table ...”

“... In 1972, Routledge and Kegan Paul published The Victorian City: Images and Realities, edited by H.J. Dyos and Michael Wolff, a Wagnerian epic in which history went to town in exuberant, zestful and flamboyant fashion. Understandably, the two volumes won immediate and widespread acclaim as a tour de force of entrepreneurial inspiration and editorial skill: ‘a study in superlatives’ was the response of one ecstatic reviewer ...”

“... decisions taken at the Wembley conference in January, but even if it does the Party will still be committed to an electoral college of some sort, and the leadership will still be even more obviously in thrall to an incompetent and unpopular trade-union movement than it used to be in ...”