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Outbreaks of Poets

Robert Crawford, 15 June 2023

The Treasuries: Poetry Anthologies and the Making of British Culture 
by Clare Bucknell.
Head of Zeus, 344 pp., £27.99, February, 978 1 80024 144 2
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... poetry anthologies could change the world. ‘If a man were permitted to make all the ballads,’ Andrew Fletcher of Saltoun wrote, ‘he need not care who should make the laws of a nation.’ But nationality still mattered: Seamus Heaney’s reaction to his inclusion in Blake Morrison and Andrew Motion’s 1982 Penguin ...

Exact Walking

Christopher Hill, 19 June 1980

Calvin and English Calvinism to 1649 
by R.T. Kendall.
Oxford, 252 pp., £12.50, February 1980, 0 19 826716 9
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... of assurance of salvation and the visibility of the elect. Young poets like Richard Crashawe (and Andrew Marvell for a short time) swung to an emotional Popery, others to the half-way house of the Laudian ‘beauty of holiness’. Liberal intellectuals like John Hales and William Chillingworth reacted towards an intellectual Socinianism. During the ...

Hard Labour

Frank Kermode: Marvell beneath the Notes, 23 October 2003

The Poems of Andrew Marvell 
edited by Nigel Smith.
Longman, 468 pp., £50, January 2003, 0 582 07770 2
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... The Longman series has a distinguished history stretching over nearly half a century. It includes Christopher Ricks’s exemplary Tennyson volume, later much enlarged to include variants from the Trinity MS, still under ban at the time of the first edition; the Milton volumes of Alastair Fowler and John Carey; and a good many others, including, more ...

Frank Kermode

Mary-Kay Wilmers: On Frank Kermode, 9 September 2010

... anthology of LRB pieces, for which Frank wrote a short introduction. In the course of it he said: Andrew O’Hagan, an echt LRB writer, displays all the best qualities of this kind of journalism: while writing about Scottish nationalism he has a go at a senior contributor, Neal Ascherson, along the way. In the same spirit Stefan Collini takes a disparaging ...

Devolution Doom

Christopher Harvie: Scotland’s crisis, and some solutions, 5 September 2002

... Gorbals Diehards took on the Bolsheviks in Huntingtower, crackhead gangs are fighting it out. Andrew O’Hagan’s threnody for Scots socialism, Our Fathers, has Hugh Bawn making his way to his dying grandfather’s Ayrshire flat through a mob of giggling, doped kids. O’Hagan himself has talked of the more general problem of reaching the chemical ...

Keep yr gob shut

Christopher Tayler: Larkin v. Amis, 20 December 2012

The Odd Couple: The Curious Friendship between Kingsley Amis and Philip Larkin 
by Richard Bradford.
Robson, 373 pp., £20, November 2012, 978 1 84954 375 0
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... edition of the poems and then in Thwaite’s Selected Letters of Philip Larkin (1992) and Andrew Motion’s Philip Larkin: A Writer’s Life (1993). In Larkin’s best poems ‘minginess of spirit’ – J.M. Coetzee’s phrase from another context – is either played for laughs or set against the poet’s ‘sun-comprehending’ side. In the life ...

They don’t say that about Idi Amin

Andrew O’Hagan: Bellow Whinges, 6 January 2011

Saul Bellow: Letters 
edited by Benjamin Taylor.
Viking, 571 pp., $35, November 2010, 978 0 670 02221 2
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... with adventure and open-heartedness. With Bellow’s letters, by the time we get to him crushing Christopher Hitchens and Edward Said under his metaphysical heel, we might feel – or I did – that we are now in the company of the brilliant novelist as Keeper of the National Stupidities. This happens in every generation, but I would sooner have avoided it ...

Colloquially Speaking

Patrick McGuinness: Poetry from Britain and Ireland after 1945, 1 April 1999

The Penguin Book of Poetry from Britain and Ireland since 1945 
edited by Simon Armitage and Robert Crawford.
Viking, 480 pp., £10.99, September 1998, 0 670 86829 9
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The Firebox: Poetry from Britain and Ireland after 1945 
edited by Sean O’Brien.
Picador, 534 pp., £16.99, October 1998, 0 330 36918 0
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... nothing happen, then the poetry anthology has no such self-effacing qualms. Blake Morrison and Andrew Motion knew this, as did the predecessor they were tussling with, A. Alvarez’s The New Poetry (which was tussling with its predecessor, Robert Conquest’s New Lines). ‘This anthology,’ they wrote in their preface to the Penguin Book of Contemporary ...

It’s great to change your mind

Christopher Ricks, 7 February 1985

Using Biography 
by William Empson.
Chatto, 259 pp., £12.95, September 1984, 0 7011 2889 5
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Seven Types of Ambiguity 
by William Empson.
Hogarth, 258 pp., £4.95, September 1984, 0 7012 0556 3
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Collected Poems 
by William Empson.
Hogarth, 119 pp., £3.95, September 1984, 0 7012 0555 5
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... least as well written as good poetry. And so is the touching vision of how it may have been that Andrew Marvell succumbed to the ague or the medication; this whole last paragraph of the hundred-page section on Marvell is instinct with a sense of what it is to make an end, whether or not betimes, whether or not Marvell was robbed even of discovering that ...

Uncuddly

Christopher Tayler: Muriel Spark’s Essays, 25 September 2014

The Golden Fleece: Essays 
by Muriel Spark, edited by Penelope Jardine.
Carcanet, 226 pp., £16.99, March 2014, 978 1 84777 251 0
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... like ‘He looked as if he would murder me and he did’ – was formulated in 1950 in a piece on Andrew Young, a Scottish-born nature poet and Anglican clergyman. The anti-humanist thinking that underpins Spark’s writing seems to have grown from a feeling that meliorative, rational-materialist enterprises were an inadequate answer to the problem of death ...

The Importance of Being Ernie

Ferdinand Mount, 5 November 2020

Ernest Bevin: Labour’s Churchill 
by Andrew Adonis.
Biteback, 352 pp., £20, July, 978 1 78590 598 8
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... but now I think, emphatically, that he was right. In fact, it isn’t possible to come away from Andrew Adonis’s crisp and affectionate Life with any other impression. Adonis is naturally more light-footed than Alan Bullock was in his three-volume masterwork on Bevin (Bullock only allotted Hitler a single, though memorable, volume), but the picture he ...

Ismism

Evan Kindley: Modernist Magazines, 23 January 2014

The Oxford Critical and Cultural History of Modernist Magazines: Volume I: Britain and Ireland 1880-1955 
edited by Peter Brooker and Andrew Thacker.
Oxford, 976 pp., £35, May 2013, 978 0 19 965429 1
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The Oxford Critical and Cultural History of Modernist Magazines: Volume II: North America 1894-1960 
edited by Peter Brooker and Andrew Thacker.
Oxford, 1088 pp., £140, July 2012, 978 0 19 965429 1
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The Oxford Critical and Cultural History of Modernist Magazines: Volume III: Europe 1880-1940 
edited by Peter Brooker, Sascha Bru, Andrew Thacker and Christian Weikop.
Oxford, 1471690 pp., £145, March 2013, 978 0 19 965958 6
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... volume of their Oxford Critical and Cultural History of Modernist Magazines, Peter Brooker and Andrew Thacker point out that the nine-year run of the Dial alone amounts to ‘around 10,500 pages of text and 1200 pages of adverts, assuming an average of 300 words per page; this equals some 3.1 million words to read … about equivalent to reading 21 books ...

‘A Naughty House’

Charles Nicholl: Shakespeare’s Landlord, 24 June 2010

... one fact which makes the case worth pursuing is the involvement of Shakespeare’s former landlord Christopher Mountjoy. There is an obvious link: like the three goldworkers, Mountjoy was French. Also like them, he lived in the Cripplegate area (though his house was within the London city walls, on respectable Silver Street, whereas the alleged fornicators ...

Mohocks

Liam McIlvanney: The House of Blackwood, 5 June 2003

The House of Blackwood: Author-Publisher Relations in the Victorian Era 
by David Finkelstein.
Pennsylvania State, 199 pp., £44.95, April 2002, 0 271 02179 9
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... the Quarterly. But for the magazine’s first twenty-five years, its mainstay was John Wilson. As Christopher North, he wrote mountains of copy. Reviews, feature articles, verses, sentimental tales of peasant life, unsentimental tales of gothic horror: he churned the stuff out in heroic bouts of scribbling that tested his physical strength as much as his ...

At Kettle’s Yard

Eleanor Birne: The Reopening, 22 March 2018

... the yellow oval in the Miró painting that hangs nearby, and the yellow of the flowers in the Christopher Wood picture opposite. On a low table in Jim’s bedroom there’s a spiral of grey and white pebbles in a perfect grading of colour and size. Everything demands to be touched, and can’t be: visiting is excruciating, in the best way. Against one ...

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