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“... of assurance of salvation and the visibility of the elect. Young poets like Richard Crashawe (and Andrew Marvell for a short time) swung to an emotional Popery, others to the half-way house of the Laudian ‘beauty of holiness’. Liberal intellectuals like John Hales and William Chillingworth reacted towards an intellectual Socinianism. During the ...”

“... The Longman series has a distinguished history stretching over nearly half a century. It includes Christopher Ricks’s exemplary Tennyson volume, later much enlarged to include variants from the Trinity MS, still under ban at the time of the first edition; the Milton volumes of Alastair Fowler and John Carey; and a good many others, including, more ...”

“... anthology of LRB pieces, for which Frank wrote a short introduction. In the course of it he said: Andrew O’Hagan, an echt LRB writer, displays all the best qualities of this kind of journalism: while writing about Scottish nationalism he has a go at a senior contributor, Neal Ascherson, along the way. In the same spirit Stefan Collini takes a disparaging ...”

“... Gorbals Diehards took on the Bolsheviks in Huntingtower, crackhead gangs are fighting it out. Andrew O’Hagan’s threnody for Scots socialism, Our Fathers, has Hugh Bawn making his way to his dying grandfather’s Ayrshire flat through a mob of giggling, doped kids. O’Hagan himself has talked of the more general problem of reaching the chemical ...”

“... edition of the poems and then in Thwaite’s Selected Letters of Philip Larkin (1992) and Andrew Motion’s Philip Larkin: A Writer’s Life (1993). In Larkin’s best poems ‘minginess of spirit’ – J.M. Coetzee’s phrase from another context – is either played for laughs or set against the poet’s ‘sun-comprehending’ side. In the life ...”

“... nothing happen, then the poetry anthology has no such self-effacing qualms. Blake Morrison and Andrew Motion knew this, as did the predecessor they were tussling with, A. Alvarez’s The New Poetry (which was tussling with its predecessor, Robert Conquest’s New Lines). ‘This anthology,’ they wrote in their preface to the Penguin Book of Contemporary ...”

“... with adventure and open-heartedness. With Bellow’s letters, by the time we get to him crushing Christopher Hitchens and Edward Said under his metaphysical heel, we might feel – or I did – that we are now in the company of the brilliant novelist as Keeper of the National Stupidities. This happens in every generation, but I would sooner have avoided it ...”

“... least as well written as good poetry. And so is the touching vision of how it may have been that Andrew Marvell succumbed to the ague or the medication; this whole last paragraph of the hundred-page section on Marvell is instinct with a sense of what it is to make an end, whether or not betimes, whether or not Marvell was robbed even of discovering that ...”

“... like ‘He looked as if he would murder me and he did’ – was formulated in 1950 in a piece on Andrew Young, a Scottish-born nature poet and Anglican clergyman. The anti-humanist thinking that underpins Spark’s writing seems to have grown from a feeling that meliorative, rational-materialist enterprises were an inadequate answer to the problem of death ...”

“... but now I think, emphatically, that he was right. In fact, it isn’t possible to come away from Andrew Adonis’s crisp and affectionate Life with any other impression. Adonis is naturally more light-footed than Alan Bullock was in his three-volume masterwork on Bevin (Bullock only allotted Hitler a single, though memorable, volume), but the picture he ...”

“... volume of their Oxford Critical and Cultural History of Modernist Magazines, Peter Brooker and Andrew Thacker point out that the nine-year run of the Dial alone amounts to ‘around 10,500 pages of text and 1200 pages of adverts, assuming an average of 300 words per page; this equals some 3.1 million words to read … about equivalent to reading 21 books ...”

“... one fact which makes the case worth pursuing is the involvement of Shakespeare’s former landlord Christopher Mountjoy. There is an obvious link: like the three goldworkers, Mountjoy was French. Also like them, he lived in the Cripplegate area (though his house was within the London city walls, on respectable Silver Street, whereas the alleged fornicators ...”

“... the Quarterly. But for the magazine’s first twenty-five years, its mainstay was John Wilson. As Christopher North, he wrote mountains of copy. Reviews, feature articles, verses, sentimental tales of peasant life, unsentimental tales of gothic horror: he churned the stuff out in heroic bouts of scribbling that tested his physical strength as much as his ...”

“... the yellow oval in the Miró painting that hangs nearby, and the yellow of the flowers in the Christopher Wood picture opposite. On a low table in Jim’s bedroom there’s a spiral of grey and white pebbles in a perfect grading of colour and size. Everything demands to be touched, and can’t be: visiting is excruciating, in the best way. Against one ...”

“... these contrasts, which he does mostly in passing, Brown should really give a tip of the chapeau to Andrew Gamble’s earlier work on the ‘free economy-strong state’ calculus. (His book has no index or bibliography.) Brown’s critique is underlaid with strict moral sense. You cannot, he seems to say, eat the seed corn and hope to prosper. Without thrift ...”