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“... What​ was it like growing up in black and white?’ was a question I asked my mother once. Until that moment her memories of childhood, so much more engrossing than any bedtime story, had unspooled in my head in perfect greyscale. (They do still, in childish defiance of the facts.) It wasn’t as if I’d seen many photographs of her as a girl – I still haven’t – but simply that the past, as I had perceived it, was defined by an absence of colour ...”

“... to mean many things apart from indissoluble union, but even (or especially) on this reading Edmund White finds the image ‘chilling’, and George Painter has this to say: If [Mme Proust’s] words were given their full, terrible meaning they would imply a mystic union with her son more valid than her marriage, in an alien faith, to his father. But their ...”

“... the chance to speak in an unmediated first person fulfilled a more urgent necessity. It allowed Michael Herr, on assignment in Vietnam for Esquire and Rolling Stone, to write about his own terror and confusion as he drifted through the war zone, and it allowed Joan Didion, in The White Album, to weave details of her ...”

“... a sexual relationship with an English teacher that began when she was 13, wrote online that ‘a white woman has written a book that fictionalises a story many people have survived and the book is receiving tremendous backing and promotion.’ Ortiz described ‘eerie story similarities’ between My Dark Vanessa and Excavation, but stopped short of accusing ...”

“... her flat so she could watch Neil Jordan’s biopic about the nationalist politician and guerrilla Michael Collins. In the closing sequence, Collins’s fiancée, Kitty, buys her wedding dress, Michael is assassinated by anti-Treatyites in the wilds of County Cork, and Sinead O’Connor sings ‘She Moves through the ...”

“... especially but not exclusively in the South, have understood freedom as an entitlement limited to white people. Cowie argues that ‘white freedom’ has long entailed the power to dominate others, especially non-whites, without interference from the national government. The fear that ...”

“... foreground whom at first we barely notice: a typical Poussin figure, half-asleep on the ground, white-haired and a little overweight: as if death, if we’re lucky, will be a long weary half-consciousness of water still flowing (the figure is a river god holding a jar whose contents spill through his fingers) and a shelf of grass. Death is everywhere at ...”

“... an unspeakable wilderness swinging a crookhandled stick for all weapon with two bull-dogs, Paddy (white) and Biddy (brindle) at his heels and a Loanda boy carrying a bundle for all company. A few months afterwards it so happened that I saw him come out again, a little leaner, a little browner, with his stick, dogs and Loanda boy, and quietly serene as though ...”

“... thoughts and fantastic reveries and exquisite passions. Set it for a moment beside one of those white Greek goddesses or beautiful women of antiquity, and how would they be troubled by this beauty, into which the soul with all its maladies has passed. For Pater, physical lust and spiritual ambition are opposites. The other exception is Kate Moss. Consider ...”

“... sort of plot and the two men were buried alongside each other and their graves marked by plain white marble slabs bearing just their names and dates. Family photographs show both graves strewn with wreaths and flowers and Alfred’s headstone has an ornate wire frame fixed behind it, covered with more flowers. Amelia and Albert were the only mourners at ...”

“... when Parliament was sitting, I believe there might have been a different gut reaction. Once Michael Foot had struck an attitude, ‘loyalty to Michael’ became an element in a situation where the notion of actual gunfire in the South Atlantic was surrealist fantasy. People had some vague scenario, at worst, of a ...”

“... The Rise of the Colored Empires by this man Goddard? … The idea is if we don’t look out the white race will be – will be utterly submerged.’ ‘Tom’s getting very profound,’ his wife Daisy remarks. Buchanan carries on: ‘This fellow has worked out the whole thing. It’s up to us, who are the dominant race, to watch out or these other races ...”

“... narrator’s mother, the painter Aurora Zogoiby. She herself is a dazzling character, prematurely white-haired, beautiful, fearless, limitlessly talented – ‘Listen: she was the light of our lives, the excitement of our imaginations, the beloved of our dreams. We loved her even as she destroyed us’ – but she is not as memorable or as complicated as her ...”

“... themselves to Shavian relics, such as cuttings from GBS’s beard. ‘Cut a wisp off the nearest white dog,’ Shaw advised, ‘it will do just as well.’ In his disenchantment with the human species, it was sometimes amusing for Shaw to observe the animated quarrels of his acolytes. Loewenstein, a stout, dark middle-aged man with a homely if forceful ...”

“... but in recompense discovered such splendid lands, while we have suffered to discover only ruinous white deserts – and still, you know, it had to be ... The Grand-Dad is slightly longer and quite a bit trickier. The year is 1816. A French aristocrat who miraculously escaped the guillotine in 1792 returns to visit his family home and shelters with some ...”