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“... self-conscious to be readable (‘beautiful but dumb books as clumsy in their way as the Rozetti stone’ in the punning words of Robert Carlton Brown, a maker of what on the evidence of McGann’s examples must be handmade books of exemplary jokiness). Unreadability, McGann says, can be a virtue. The poems of Emily ...”

“... and ‘in depth’ material from the usual places, using Drudge’s website as a stepping stone. He claims six million hits a month and as many as a million a day when a really hot and edgy story (like ‘Monica II’) is fresh. He has monitored up to three thousand hits in one day from the White House – which has a staff of a thousand. Despite the ...”

“... she lived in the age of ‘Haydn and Mozart and Beethoven’. I do not believe that the parallels Robert Wallace draws, in Jane Austen and Mozart (1983), between her fictional and his orchestral structures can be sustained in the detail Mr Wallace proposes, but he does indicate how small an opportunity Jane Austen had to know the composers Professor Halperin ...”

“... drawbridge and artificially-ruined keep – an enterprise vividly described not long ago in Robert Martin’s biography of the poet. Decades later, Charles’s nephew, the Poet Laureate, could pay no higher tribute to the late Prince Consort than by dedicating the first several Idylls of the King to his memory as ‘Scarce other than my king’s ideal ...”

“... Treason is not one of these hagiograms. They really talked: David Footman, Nicholas Elliott, Sir Robert Mackenzie, George Carey-Foster, Sir Frederick Warner, agents and diplomats on the security side, and a large anonymous group of Intelligence men from both branches of the service, retired and active. The reason can be guessed at. Boyle’s American ...”

“... contain huge leaps in time, which are intended to illustrate this. Her American readership is like Robert Frost’s: read by every American schoolchild, both have to be rescued from the flag-wavers with strenous reminders of their ‘dark’ seriousness and formal excellence. In Cather’s case, there is also the rich and bedeviling problem of how to frame her ...”

“... if I had body odour. According to my old Maudsley handbook Clozapine typically causes about two stone in weight gain. That is about what I put on. It also causes tachycardia and somnolence. Throughout the time I was taking it my pulse was often over a hundred at rest. I went to bed no later than 6.30 p.m. Clozapine can also cause pneumonia and in January ...”

“... to deal with a plague of poems modelled on that work, so that the mere occurrence of the words ‘stone’, ‘dust’ or ‘dry’ condemned them to the waste basket. Even among knowing readers the standing of Eliot as a poet was diminishing; the early novelty was gone. Ash Wednesday was too religious for many of them. Discussions of Eliot’s prose still ...”

“... best known architect and one of its greatest natural philosophers, experimented with everything: stone and wood, cones and domes, animals and men. He liked to depart from revered authorities. Under his hands plans for a church steeple or an academic hall would turn into a bold revision of Vitruvian schemes, the twitches of an anatomised dog into a startling ...”

“... a piece of double-entry book-keeping of the soul, or as a spiritual equivalent to the microscope Robert Hooke was using in the 1660s to count the hairs on a flea’s leg. What makes Pepys matter as a writer is the fact that he is a man totting up his sins before God, and a man out to take sexual favours and greedily sum them up, and a man who works ...”

“... where ‘the high pines bend/Seaward in slow acknowledgment of mountain wind’ and a ‘square stone’ table is ‘set with blue figs’. The poem was written in 1954, when Mathews and Saint Phalle were living in the coastal village of Deià in Mallorca. There they had their second child and they asked Robert Graves to ...”

“... Well, I could never write a verse, ­– could you?Let’s to the Prado and make the most of time.Robert Browning, ‘How It Strikes a Contemporary’The world has an established place for poems about paintings – sometimes you wonder if there was ever a poet who didn’t write one – but, oddly, the poem-painting relationship doesn’t seem to be reversible ...”

“... urging a jellyfish to grit its teeth and dig in its heels.’ In his 1951 campaign to ‘liquidate Stone’ (the young historian Lawrence Stone), he composed what was later described as ‘one of the most vitriolic attacks ever made by one historian on another’. Victims constantly used the word ‘malicious’ about his ...”

“... that was it. A stock vision of undergraduates then (gleaned from movies like A Yank at Oxford with Robert Taylor) was of a young man in dressing-gown and slippers, a towel round his neck en route for the distant baths. I didn’t run to a dressing-gown and slippers either: ‘Nobody’ll mind if you just wear your raincoat,’ my mother reassuringly said. I ...”

“... analysis of the hero: the camera would delve like a shovel or coax as a sculptor chips a block of stone to find the lurking image. He had been instructed in the value of deep focus by his cameraman, Gregg Toland, whose name he placed beside his own on the last card of the closing credits. Citizen Kane was talked of before it appeared, and admired by those who ...”