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How Molly Bloom Got Her Apostrophes

Lawrence Rainey, 19 June 1997

Ulysses 
by James Joyce, edited by Danis Rose.
Picador, 739 pp., £20, June 1997, 0 330 35229 6
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... Dignam wasn’t buried, there to re-stage the same funeral, which never took place. A man in a brown mackintosh will lurk in the background. And in Toronto, two hundred or so will stroll along the shore of Lake Ontario, but refer to it as Sandy-mount, then walk to a series of other sites within the city, each renamed after a locality in Dublin – all in ...

Diary

W.G. Runciman: You had better look out, 10 December 1998

... cheer to the rafters each time Germany scored a goal. 8 June. Spot the typo, spare the blush. John Vincent writes from the University of Bristol: ‘In your memorable diaries you quote Disraeli’s view of May 1881, a month after his death. Would that other historians had access to such primary sources!’ 14 June. Alan Bennett’s letter to the LRB about ...

Not No Longer but Not Yet

Jenny Turner: Mark Fisher’s Ghosts, 9 May 2019

k-punk: The Collected and Unpublished Writings of Mark Fisher 
edited by Darren Ambrose.
Repeater, 817 pp., £25, November 2018, 978 1 912248 28 5
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... for future projects: Red Shift, a publishing imprint, after the Alan Garner novel; an essay on John Akomfrah’s film triptych The Unfinished Conversation, featuring the memories of Stuart Hall; a book of essays about Kanye West. These interests are all evident in Fisher’s work too.The second memorial lecture was given in January by the American ...

Amigos

Christopher Ricks, 2 August 1984

The Faber Book of Parodies 
edited by Simon Brett.
Faber, 383 pp., £8.95, May 1984, 0 571 13125 5
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Lilibet: An Account in Verse of the Early Years of the Queen until the Time of her Accession 
by Her Majesty.
Blond and Briggs, 95 pp., £6.95, May 1984, 0 85634 157 6
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... Douglas Adams (hitchhiking through a galaxy of fading stars), Woody Allen, Kingsley Amis, Anon, John Aubrey, Auden and Ayckbourn. An Auden parody is called ‘Self-Congratulatory Ode ...’, but it is the purr of mutual congratulation which is deafening. ‘Parody is frequently welcomed by its victims, who recognise it as a compliment, however ...

Short Cuts

Mary Wellesley: Making Parchment, 30 August 2018

... thrown over a wooden stump with a wet thwack. It lay hair-side up, liquid dripping from its curled brown ends. The stump is a smooth-topped wooden block, which comes to just below chest height. Once there, the hair (known as the nap) is removed with a long, curved knife (called a scudder) which has wooden handles at both ends. I had a go at this and the hair ...

At the Royal Academy

James Cahill: Dalí and Duchamp, 14 December 2017

... in the 1960s and 1970s. When visiting Duchamp on holiday in Cadaqués, Richard Hamilton and John Cage would try to avoid having to meet Dalí, whose villa was close by, and their hauteur is still felt by art historians and curators: Dalí was marginalised at the Hayward Gallery’s Undercover Surrealism exhibition in 2006, and at Tate Modern’s ...

In Russell Square

Peter Campbell: Exploring Bloomsbury, 30 November 2006

... of Oriental and African Studies, a neatly lettered stone plaque attached to a nicely detailed brown brick wall reads: THE UNIVERSITY OF LONDON HEREBY RECORDS ITS SINCERE APOLOGIES THAT THE PLANS OF THIS BUILDING WERE SETTLED WITHOUT DUE CONSULTATION WITH THE RUSSELL FAMILY AND THEIR TRUSTEES AND THEREFORE WITHOUT THEIR APPROVAL OF ITS DESIGN Directly ...

Hot Air

Nicholas Penny: Robert Hughes, 7 June 2007

Things I Didn’t Know: A Memoir 
by Robert Hughes.
Harvill, 395 pp., £25, September 2006, 1 84655 014 9
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... the book becomes an entertaining scrapbook of portraits. We meet the television actress Noeline Brown, who was Hughes’s lover when he was beginning to gain some notice in Sydney as a critic, cartoonist and painter. She ‘looked and sounded rather like the young Marlene Dietrich’, but, no, she was better looking, and Dietrich herself ‘appealed mainly ...

Boys in Motion

Nicholas Penny, 23 January 2020

... the cloth had stiffened it was moved to the right light and a painting of it made in black or dark brown and white pigment on fine linen. Beautiful examples of this type of picture, with remarkable effects of relief, can be convincingly associated with sculptures by Verrocchio and with paintings by two of his pupils, Lorenzo di Credi and Leonardo. (The ...

At Tate Britain

David Craig: Mountain Art, 25 April 2002

... in the rock-leaved Bible of geology’. Those were the words of the pioneering geologist John Wesley Powell, who led the first expedition through the Grand Canyon in 1873. Thomas Moran, an experienced painter from Philadelphia, travelled with Powell, and had been to Wyoming and Montana with the US Geological and Geographical Survey two years ...

Against the Current

Paul Rogers: British Sea Power, 6 February 2020

... than Labour – they don’t have to fear accusations of defeatism and a lack of patriotism. John Major continued the trend in the 1990s even as the navy argued vigorously for two new fleet carriers to replace the three small Invincible-class ships.This was effected under Tony Blair and Gordon Brown and, after many ...

At the National Gallery

Nicholas Penny: El Greco, 4 March 2004

... John Charles Robinson​ , perhaps the greatest connoisseur Britain has ever known, was turned down on four occasions for the post of director of the National Gallery. He was thought to be too closely associated with the trade (‘little better than a dealer’), and was known to have operated with scant respect for officialdom when employed by the South Kensington museum ...

Let’s consider Kate

John Lanchester: Can we tame the banks?, 18 July 2013

... argue back, convincingly and at length, that it isn’t. Their reasoning has influenced the Brown-Vitter bill, put before the US Senate in April, which seeks to mandate an equity level of 15 per cent for banks with assets of more than $500 billion. At the same time, the Federal Reserve and Federal Deposit Insurance Corporation (which has a keen interest ...

Ave, Jeeves!

Emily Wilson: Rom(an) Com, 21 February 2008

Plautine Elements in Plautus 
by Eduard Fraenkel, translated by Tomas Drevikovsky and Frances Muecke.
Oxford, 459 pp., £79, November 2006, 0 19 924910 5
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Plautus: ‘Asinaria – The One about the Asses’ 
translated by John Henderson.
Wisconsin, 252 pp., £13.50, December 2006, 0 299 21994 1
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Terence: The Comedies 
translated by Peter Brown.
Oxford, 338 pp., £9.99, January 2008, 978 0 19 282399 1
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Terence: Comedies 
translated by Frederick Clayton.
Exeter, 290 pp., £45, January 2006, 0 85989 757 5
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... if frequently unreadable – recent study (with facing translation) of Plautus’ Asinaria by John Henderson. Henderson explores, or dances around, Plautus’ representation of power relationships between sons, fathers, women and slaves. For Henderson, Plautus is both hilariously funny (‘it’s all a gas’: ridicula res est) and a biting social ...

Fancy Dress

Peter Campbell: Millais, Burne-Jones and Leighton, 15 April 1999

Millais: Portraits 
by Peter Funnell and Malcolm Warner.
National Portrait Gallery, 224 pp., £35, February 1999, 1 85514 255 4
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John Everett Millais 
by G.H. Fleming.
Constable, 318 pp., £20, August 1998, 0 09 478560 0
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Edward Burne-Jones: Victorian Artist-Dreamer 
by Stephen Wildman and John Christian.
Abrams, 360 pp., £48, October 1998, 0 8109 6522 4
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Frederic Leighton: Antiquity, Renaissance, Modernity 
edited by Tim Barringer and Elizabeth Prettejohn.
Yale, 332 pp., £40, March 1999, 0 300 07937 0
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... In 1886 there was an exhibition at the Grosvenor Gallery of the work of John Everett Millais (Sir John, in fact: he had recently been made a baronet). There were pictures from his Pre-Raphaelite infancy, like Isabella and Christ in the Carpenter’s Shop; anecdotal ones, like My First Sermon (a child portrait in the Bubbles line); landscapes (Chill October); pictures with stories (The Proscribed Royalist) and pictures from stories (Mariana ...

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