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Shatost

John Bayley, 16 June 1983

Dostoevsky and ‘The Idiot’: Author, Narrator and Reader 
by Robin Feuer Miller.
Harvard, 296 pp., £16, October 1981, 0 674 21490 0
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Dostoevsky 
by John Jones.
Oxford, 365 pp., £15, May 1983, 9780198126454
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New Essays on Dostoyevsky 
edited by Malcolm Jones and Garth Terry.
Cambridge, 252 pp., £25, March 1983, 0 521 24890 6
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The Art of Dostoevsky: Deliriums and Nocturnes 
by Robert Louis Jackson.
Princeton, 380 pp., £17.60, January 1982, 0 691 06484 9
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... symptom of a terminal disease), and novelists have tried hard – and in the case of someone like Virginia Woolf all too obviously – to avoid creating the novel’s all too solid artificial worlds. Dostoevsky does not appear to try; his genius just seems to make it happen that way. But in fact he tried very hard indeed. No novelist is more ...

Here comes Amy

Christopher Reid, 17 April 1986

What the light was like 
by Amy Clampitt.
Faber, 110 pp., £4, February 1986, 0 571 13814 4
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Facing Nature 
by John Updike.
Deutsch, 110 pp., £9.95, January 1986, 0 233 97798 8
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Nero 
by Jeremy Reed.
Cape, 128 pp., £4.95, November 1985, 0 224 02346 2
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V. 
by Tony Harrison.
Bloodaxe, 36 pp., £8.95, December 1985, 0 906427 98 3
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Dramatic Verse: 1973-1985 
by Tony Harrison.
Bloodaxe, 448 pp., £20, December 1985, 0 906427 81 9
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Sky Ray Lolly 
by Fiona Pitt-Kethley.
Chatto, 64 pp., £3.95, April 1986, 0 7011 3046 6
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The Tower of Glass 
by Fiona Pitt-Kethley.
Mariscat, £3, September 1985, 0 946588 07 4
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Making cocoa for Kingsley Amis 
by Wendy Cope.
Faber, 65 pp., £7.95, March 1986, 0 571 13977 9
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... intended by such a description: think, rather, of the impetuous, supercharged narrative manner of Virginia Woolf, or the cumulative music of Henry James. Where syntax and the overall shaping of a sentence are concerned, Clampitt can match both these supreme artists in the way she reflects the state of an enquiring or apprehending mind by means of the ...

Making It

Melissa Benn: New Feminism?, 5 February 1998

Different for Girls: How Culture Creates Women 
by Joan Smith.
Chatto, 176 pp., £10.99, September 1997, 9780701165123
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The New Feminism 
by Natasha Walter.
Little, Brown, 278 pp., £17.50, January 1998, 0 316 88234 8
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A Century of Women: The History of Women in Britain and the United States 
by Sheila Rowbotham.
Penguin, 752 pp., £20, June 1997, 0 670 87420 5
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... but description will surely remain the foundation of the most intelligent feminist writing. From Virginia Woolf to Andrea Dworkin, the power has always come from the detail. Naomi Wolf is far more readable and interesting on her anxiety at first receiving a substantial pay cheque or on what her pregnant belly told her about the abortion issue than she ...

A Lot to Be Said

Stefan Collini: Literary Criticism, 2 November 2017

Literary Criticism: A Concise Political History 
by Joseph North.
Harvard, 272 pp., £31.95, May 2017, 978 0 674 96773 1
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... North excludes all non-academic criticism, so despite his title we hear nothing of such critics as Virginia Woolf and Cyril Connolly in Britain or Edmund Wilson and Malcolm Cowley in the US. ‘There is much to be said … about the history of the idea of “criticism” before its entry into the university,’ he concedes in a footnote. ‘Naturally I ...

Out of the Gothic

Tom Shippey, 5 February 1987

Trillion Year Spree: The History of Science Fiction 
by Brian Aldiss and David Wingrove.
Gollancz, 511 pp., £15, October 1986, 0 575 03942 6
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Eon 
by Greg Bear.
Gollancz, 504 pp., £10.95, October 1986, 0 575 03861 6
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The Hitchhiker’s Guide to the Galaxy: A Trilogy in Four Parts 
by Douglas Adams.
Heinemann, 590 pp., £9.95, September 1986, 0 434 00920 2
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Humpty Dumpty in Oakland 
by Philip K. Dick.
Gollancz, 199 pp., £9.95, October 1986, 0 575 03875 6
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The Watcher 
by Jane Palmer.
Women’s Press, 177 pp., £2.50, September 1986, 0 7043 4038 0
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I, Vampire 
by Jody Scott.
Women’s Press, 206 pp., £2.50, September 1986, 0 7043 4036 4
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... and a business as a Famous Donor Sperm collector, to galactic war and resurrection by an avatar of Virginia Woolf. Sometimes, one has to say, Science Fiction just seems too crowded. Too many people have had too many ideas, and now they come too cheap. Just the same, two things in which the genre has become pre-eminent have been the creation of archetypes ...

Later, Not Now

Christopher L. Brown: Histories of Emancipation, 15 July 2021

Murder on the Middle Passage: The Trial of Captain Kimber 
by Nicholas Rogers.
Boydell, 267 pp., £16.99, April 2020, 978 1 78327 482 6
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The Interest: How the British Establishment Resisted the Abolition of Slavery 
by Michael Taylor.
Bodley Head, 382 pp., £20, November 2020, 978 1 84792 571 8
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... The scale of what the abolitionists were up against is only now becoming clear. To paraphrase Virginia Woolf, opposition to anti-slavery may turn out to be more interesting than anti-slavery itself.The voyage of the Recovery provides Nicholas Rogers with his subject in Murder on the Middle Passage. The torture and murder of the unnamed girl off the ...

Time, Gentlemen, Please

David Cannadine, 19 July 1984

The Culture of Time and Space 1880-1918 
by Stephen Kern.
Weidenfeld, 372 pp., £16.50, October 1983, 0 297 78341 6
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Revolution in Time: Clocks and the Making of the Modern World 
by David Landes.
Harvard, 482 pp., £17, January 1984, 0 674 76800 0
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... of the future. Philosophers debated the nature and duration of what we experience as ‘now’; Virginia Woolf explored in her novels heightened moments of the extended present; and the cinema ‘thickened’ the present into slow time, by prising open and expanding particular moments and events. The present ceased to be ephemeral and ...

You gu gu and I gu gu

Andrew O’Hagan: Vaslav Nijinsky, 20 July 2000

The Diary of Vaslav Nijinsky 
edited by Joan Acocella and Kyril Fitzylon.
Allen Lane, 312 pp., £20, August 1999, 0 7139 9354 5
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Rites of Spring: The Great War and the Birth of the Modern Age 
by Modris Eksteins.
Macmillan, 396 pp., £12, May 2000, 0 333 76622 9
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... It has become fairly orthodox to observe – as everyone observes when talking about Schumann or Virginia Woolf or Van Gogh – that Nijinsky’s madness was not unattached to his genius. His choreography is a study in grace and brutality, in his ‘madness’ he invented modern dance, his mind is a set-text in the Jungian analysis of personality, he ...

Dealing with Disappointment

Adam Phillips: Bertrand Russell, 8 March 2001

Bertrand Russell 1921-70: The Ghost of Madness 
by Ray Monk.
Cape, 574 pp., £25, October 2000, 0 224 05172 5
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... the other that the solution was simple, since all we had to do was to behave rationally.’ When Virginia Woolf noted in her diary that Russell was ‘brilliant of course; perfectly outspoken; familiar . . . His adventures with his wives diminish his importance,’ she was also saying something about certain connections in her own mind that ...

How good is it?

Diarmaid MacCulloch: Inside the KJB, 3 February 2011

The Holy Bible: King James Version, 1611 Text 
edited by Gordon Campbell.
Oxford, 1552 pp., £50, October 2010, 978 0 19 955760 8
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Bible: The Story of the King James Version 1611-2011 
by Gordon Campbell.
Oxford, 354 pp., £16.99, October 2010, 978 0 19 955759 2
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The King James Bible: A Short History from Tyndale to Today 
by David Norton.
Cambridge, 218 pp., £14.99, January 2011, 978 0 521 61688 1
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The King James Bible after 400 Years: Literary, Linguistic and Cultural Influences 
edited by Hannibal Hamlin and Norman Jones.
Cambridge, 364 pp., £25, December 2010, 978 0 521 76827 6
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Begat: The King James Bible and the English Language 
by David Crystal.
Oxford, 327 pp., £14.99, September 2010, 978 0 19 958585 4
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... biblical message. In a variety of guises and moods, one can hear the KJB resonating in the work of Virginia Woolf, William Faulkner, Toni Morrison. One of the most interesting and perceptive essayists is R.S. Sugirtharajah, even though his postcolonial scrutiny of the KJB takes surprisingly bitter sideswipes at a rather good recent history of 1611 by Adam ...

Resurrecting the Tudors

John Pemble: James Anthony Froude, 23 May 2013

James Anthony Froude: An Intellectual Biography of a Victorian Prophet 
by Ciaran Brady.
Oxford, 500 pp., £45, May 2013, 978 0 19 966803 8
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... be open in every biography worth a publisher’s advance. The subjects of Victorian biography, as Virginia Woolf put it, had been ‘like the wax figures now preserved in Westminster Abbey, that were carried in funeral processions through the street’. Froude’s Carlyle blew open the citadel of privacy. It encouraged public speculation about what Jane ...

In a Right State

Hilary Mantel: ‘In a Right State’, 18 February 2016

... my own bags, I slipped on my own mopping. I went to a fantasy dinner party with General Custer and Virginia Woolf, and I never came home again, or else when I came home they’d moved it.It must be dawn soon, if it weren’t winter. I get my gloves on – or perhaps somebody else’s, you get your fingers mixed up at my age – and I make my way to the ...
... than usual, so that the section can plausibly be revealed, later on, to have been written by the Virginia Woolf-loving Briony Tallis; yet he must also please those readers who want his usual effects – tight plotting, withheld revelations, dark secrets, turning points. Martin Amis is right to consider this long passage McEwan’s best piece of ...

From the Inside out

Jacqueline Rose: Eimear McBride, 22 September 2016

The Lesser Bohemians 
by Eimear McBride.
Faber, 313 pp., £16.99, September 2016, 978 0 571 32785 0
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... Why? Because the child’s still dead.’ There are of course traces of dimly remembered abuse in Virginia Woolf, ghostly visions in corridors, shadows that fall across the page. The woman speaker of Beckett’s Not I is haunted by some ugly, not quite spoken event. And something that’s never named happens to May Sinclair’s young Harriet Frean down ...

Put a fist through it

Harriet Baker: The Hampstead Modernists, 8 October 2020

Circles and Squares: The Lives and Art of the Hampstead Modernists 
by Caroline Maclean.
Bloomsbury, 296 pp., £30, April, 978 1 4088 8969 5
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The See-Through House: My Father in Full Colour 
by Shelley Klein.
Chatto, 271 pp., £16.99, April, 978 1 78474 310 9
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... where ‘the hard chairs, the skimpy wine, & the very nice sensible conversation’ left Virginia Woolf cold but where, as Geoffrey Grigson remembered, one might bump into Braque … or Jean Hélion from Paris, or Eliot gayer than his reputation, actually singing ‘Frankie and Johnny’. The exodus from Hitler’s Reich having begun, one ...

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