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“... informal networks and shared expectations, a regime was only ever a few steps away from disaster. Robert Cecil knew only too well how much work was required to keep the country stable. He had grown up in the shadow of his famous father, William Cecil, Lord Burghley, who was for forty years the bedrock of Elizabeth I’s government, and learned his complicated ...”

“... Here was a then-regular sodality, consisting at different times of Kingsley Amis, Bernard Levin, Robert Conquest, Anthony Powell, Russell Lewis and assorted others, and calling itself with heavy and definite self-mockery ‘Bertorelli’s Blackshirts’. The conversational scheme was simple (I think it had evolved from a once-famous letter to the Times ...”

“... My dear Lady Olliffe,’ Robert Browning wrote in March 1877: I have just been reading my old friend Miss Martineau’s protest against the publication – and indeed, retention – of all correspondence. Here, now, is a sample of mine: be assured I shall never demand it again, from any apprehension that hereafter the friendliness in it may be at variance with whatever feeling I please to entertain thirty years hence ...”

“... geometric shapes that swung like chain mail as you walked. I sat in the chair while behind me Robert, the senior stylist, cast his professional eye over me, lifting hanks of my long hair with a comb and letting them drop, flicking sections this way and that to see how they fell, examining its possibilities. Finally, he pocketed his comb and with a sigh ...”

“... history, political argument was argument about the past: about precedents and about pedigrees. Sir Robert Cotton, an antiquary in politics, is a perfect focus for a study of the connections between antiquarian research and political conflict. History, an anchor in the choppy seas of political and social change, became to monarchs and parliaments alike the ...”

“... Robert Altman’s Short Cuts is a long, loose-looking movie, but the looseness is an effect, carefully worked for. Plenty of themes recur throughout – insecurity, chance, rage, damage, the long, bruising war between men and women – and although there are fourteen or fifteen stories here (based on extrapolated from ten stories by Raymond Carver – the handouts and the introduction solemnly say nine stories and a poem, but the so-called poem is also a prose narrative), they are intricately stitched together, like a miniaturised Comédie humaine set in Los Angeles ...”

“... the Road’ (original typescript, 1951) Jack Kerouac, ‘The Slouch Hat’ (c.1960) John Cohen, ‘Robert Frank, Alfred Leslie, Gregory Corso’ (1959) Wallace Berman, Untitled (Allen Ginsberg, c.1960)PreviousNext These names belong to the original small group of friends who met in New York in the early 1940s. Within ten years Ginsberg had moved to San ...”

“... also writing his Life of Wittgenstein; these days he doesn’t need to work in a bookshop. Not so Robert Topping, for 12 years the manager of Waterstone’s in Manchester, who was sacked in June for selling too diverse a range of books. Will Self took up the cause to have him reinstated, but at the time of writing, the manager of the shop in question is ...”

“... Ibsen wrote them is a warning against reading the art too readily from the life, and one that Robert Ferguson has not heeded. For him, the life is the only way to support his thesis, which is that the great plays aren’t great at all, and that after Ibsen’s first success, Peer Gynt (written at Casamicciola, Ischia, in 1867), it all went horribly ...”

“... they were tussling with, A. Alvarez’s The New Poetry (which was tussling with its predecessor, Robert Conquest’s New Lines). ‘This anthology,’ they wrote in their preface to the Penguin Book of Contemporary British Poetry, ‘is intended to be didactic as well as representative.’ Though the things anthologies make happen may be confined to ...”

“... back-lit, his dishevelled white hair glowing like a saintly halo. Or the gaunt stick-figure of Robert Oppenheimer in his last years, hair close-cropped – a starving Buddha, worn down by political persecution and the atomic scientist’s ‘knowledge of sin’. Even now, the cover of A Brief History of Time sets a tiny, and almost literally ...”

“... No walnuts, no Enlightenment, it seems. For, as Robert Darnton tells us in his epic chronicle of the Life and Times of the quarto edition of the Encyclopédie, it was nuts and resin from the Midi together with Paris turpentine and linseed oil which made the ink (six monstrous 250-livre barrels) which primed the type which printed the 36 million sheets which comprised the quarto which lowered the price which Spread the Word which overthrew superstition which disarmed the Old Regime and inaugurated the rationalist millennium ...”

“... Home,’ Mary suggests in Robert Frost’s 1914 poem ‘The Death of the Hired Man’, ‘is the place where, when you have to go there,/They have to take you in.’ To which her husband, Warren, replies: ‘I should have called it/Something you somehow haven’t to deserve.’ Home is Marilynne Robinson’s third novel; published four years after Gilead and 27 years after her astonishing debut, Housekeeping, it explores with unsparing precision and the most delicate subtlety the implications of Frost’s rival definitions of the idea of home ...”

“... a history of the Economic Section up to 1961, and the other the first instalment of the diaries of Robert Hall, who was head of the Economic Section from 1947, throw a good deal of light on these questions. Both authors of the history worked in the Section, Alec Cairncross briefly in 1940-41, and again as its head after 1961, and Nita Watts from 1941 to ...”

“... Is Robert Lowell Better than Noel Coward, Howard? W.H. Auden’s little poem has passed into the folk memory without, so far as we know, ever having seen print. The editor in question is Howard Moss, who runs the poetry in the New Yorker ...”