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“... On a green hill​ above a lake in my local park in Leeds, there is a handsome stone structure. The Barrans Fountain was built by the Victorian clothing manufacturer Sir John Barran, once also the city’s mayor. He must have been a man with ambition. A building he constructed in the city centre is Moorish and beautiful, a small glimpse of Granada in the middle of West Yorkshire, though it was nothing more grand than a warehouse ...”

“... so appeared to float above glass curtain walls. It was expensively decorated, with partitions of green Tinian marble, etched glass and golden onyx that could be illuminated from within. They divided the floor like a De Stijl painting, and the interiors were sparsely furnished with thick black carpet, red drapes and Mies’s now ubiquitous Barcelona ...”

“... her: “John Peel – what? You mean the dead disc jockey?” And then I said: “Don’t you mean Robert Peel? Cos if it was John Peel, we’d all be known as Johnnies.”’ This gets a really good laugh and Jim, who is cut from rather rougher cloth than the officers from the serious and organised crime squad, develops his theme. ‘I mean, speaking of ...”

“... Lord Percy in Blackadder, whose alchemical pursuits engender not gold but a nugget of purest ‘green’, Morton had made some ‘black’.Successful alchemists tend to be fictional. Paulo Coelho’s novel The Alchemist (1988) is a meditation on following your dream. His alchemist really can turn lead into gold, using the fabled philosopher’s stone: an ...”

“... of brilliant achievement in painting’ – in the secure hands of William Orpen, Laura Knight and Robert Anning Bell. (Now that Modernism is orthodoxy, we forget how marginal its initial hold was.) When, after the war and a period of personal troubles, Sickert returned to the critical fray, he had become the genial, roguish grandfather of art, indulgently ...”

“... In April​ 1970, Robert Lowell and Elizabeth Hardwick – both aged 53, married for 21 years – had just been on holiday together in Italy with their 13-year-old daughter, Harriet. Hardwick and Harriet had come home to New York, where Hardwick taught at Barnard College; Lowell had gone to Oxford to take up a fellowship at All Souls ...”

“... than others, however much we may protest that they are merely different? For instance, does Robert Lowell’s Life Studies intrigue us more than, say, Tony Harrison’s family reminiscences in Continuous? If so, is it because Lowell’s technique is more sophisticated and fluid than Harrison’s vigorously clanking sonnet sequence in which the rhymes ...”

“... Putting on again joyously the hateful harness’. That is how Robert Pinget’s diffident and slightly dotty narrator, Monsieur Songe, describes the process of taking up his pen yet again, and adding one more to an already considerable cavalcade of novels.* Then he crosses out the word ‘hateful’. And then he crosses out the word ‘harness ...”

“... family, so Clancy was doubly betrayed while hardly acknowledged – he grew up with Jimmy Cagney, Robert Mitchum and Clark Gable as his ‘movie fathers’. From an early age he developed what he calls a ‘star astigmatism’. R.D. Laing later told him he had ‘the makings of a first-class schizophrenic’. His problem, he admits, was ‘slipp[ing] onto the ...”

“... ears, bit her, punched her in the face, and almost broke her legs by kicking her furiously.’Even Robert Lowell got carried away. In his long sonnet sequence ‘History’, he imagines one of Mary’s famous flights by night across Scotland on horseback as happening by car:We roared off hell-wheel and scattered the soft mob;happily only one man splashed the ...”

“... Writing in 1842 to his friend Alfred Domett, who had emigrated to New Zealand, Robert Browning enclosed ‘Tennyson’s new vol. and, alas, the old with it – that is what he calls old’. Browning was referring to the two-volume Poems of 1842, whose first volume consisted of heavily revised versions of poems published in 1830 and 1832 ...”

“... Castle – a nightly feast in August as the military tattoo concludes its parade. In his boyhood, Robert Louis Stevenson would sometimes be surprised while walking in the New Town to ‘see a perspective of a mile or more of falling street, and beyond that woods and villas, and a blue arm of sea, and the hills upon the further side’. I stopped at the corner ...”

“... progress, or advancing in one area and merely shoring up in another. At King’s Cross the old green and taupe tiles on the platform are chipped and falling off the walls. At Great Portland Street, the squat brick alcoves of the original line have scrubbed up nicely, but sit incongruously with the beige metal panels around the entrance. Everyone on the ...”

“... having read Auden’s City Without Walls, Grigson wrote an Epistle in which he excelled himself: Green pillows of cress In the brook which begins us You celebrate too; And up from your verses, Though many Forget them, stinking Ogres not read them, Blest by high priests Stiff generals not Stoop to reject them, Rises an odour Of essence, I say, of Ripeness and ...”

“... not come back. In the first poem in My Alexandria, ‘Demolition’, Doty invokes the ghost of Robert Lowell: many of the poems take their bearings from Lowell’s clotted diction, from what Doty calls his ‘ruthless energy’, from Lowell’s interest in burning the poem onto the page, heaping on adjectives to fuel the fire, invoking the Old ...”