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“... published memoirs and letters. Printed pages by the ream, by the barrow and the lorry load, read, absorbed, distilled into authoritative generalisation, underpinned by tellingly quoted phrases. This vast and voracious acquaintance with the printed trace of the early modern past is on display once again in The Ends of Life. It is a much shorter book, yet ...”

“... Richard Rorty has made us familiar with the distinction between two sorts of philosophy, which he calls ‘systematic’ and (I think infelicitously) ‘edifying’. The first sticks to the central epistemological tradition, which assumes that it can deal systematically and progressively with reality; the second is essentially of the periphery, and its exponents are pragmatical opponents of the institutional tradition ...”

“... in 1938 was followed by Special Branch. Wilkinson was born in Manchester in 1891. Her father, Richard, was a devoted Methodist and teetotaller (like so many of those who founded the Labour Party), with a sense of social justice that he passed on to his precocious, rebellious daughter. The family was upwardly mobile – ...”

“... in attainments, would be T.E. Lawrence, Robert Graves, Peter Fleming (perhaps both Flemings) and Richard Hughes. It makes no difference that Lawrence was half-Irish, the Flemings mostly Scottish, and Hughes partly Welsh. The presidential or father figure of the group would be John Buchan, another Scot, whose innings was over before the younger ones started ...”

“... prefer to Gittings’s biography a later one by Michael Millgate, which is said to be (I haven’t read it) more temperate and more boring, at all events more compassionate. A second rearguard action is mounted by Peter J. Casagrande (he’s American, and thanks the General Research Fund of the University of Kansas), who shows at inordinate length in the ...”

“... elegantly demonstrates how ‘the idea of the poet’ framed literary lives from Keats onwards. Richard Helgerson’s Self-Crowned Laureates (1983) does the same for the English Renaissance. The title of The Great Pretender is triple-loaded: the hero Ben Janis is a claimant for poetic fame, a laureate hoping to crown himself. His claims, he suspects with ...”

“... well, I might as well pick up this old thing too.’ I hoped the volume was going to be Richard Bentley’s 1711 edition of Horace, which is full of his sometimes inspired and sometimes not so inspired conjectural emendations. When I got it home I found it was an English translation of Bentley’s notes on Horace’s Odes, along with ‘Notes upon ...”

“... and poor at sums. He gives the age of Olivier, born in 1907, as 39 when he achieved his triumph as Richard III in 1944. Tarquin Olivier, born in 1936, is credited with a visit at the age of seven to Notley Abbey, bought by his father in 1945. Nor has Holden checked all the stories he takes over from previous biographers. Like most of them, he tells how Olivier ...”

“... Descriptions​ of Richard Titmuss often drew on the language of otherworldliness. He was ‘the high priest of the welfare state’ according to an assessment quoted in the ODNB. His entry there considers, though judiciously rejects, his frequent characterisation as a ‘saint’; understandably, it doesn’t cite his LSE colleague Michael Oakeshott’s description of him as ‘a snake in saint’s clothing ...”

“... earthly extinction, my writings shall fare better than during my own lifetime.’ How should one read Nostradamus? The unceasing effort to decipher his verses, as if they were simply locks to be picked, has meant that they have rarely been able to be read in any way that is attentive to them as writing rather than as a ...”

“... are so quickly, so easily, free. You write down four or five objections to belief. Before you have read any atheist or sceptical philosophy you find that you have apparently invented for yourself the old objections to God – the problem of evil and suffering in the world, the senseless difficulty of faith, the cruelty of heaven and hell, the paganism of ...”

“... historical essayist, however, he has no rival, at any rate since the death of Lewis Namier. When I read one of Trevor-Roper’s essays tears of envy stand in my eyes. It is not only that his essays are models of English prose. Each has a clear theme which is gradually brought into shape. At the end, we feel there is at least one inevitable characteristic in ...”

“... by a housewife. As a way of clearing her mind, a woman makes use of a weekend when her husband, Richard, is away, to set down on paper what has been happening over the previous months. Stella, a teenager, just out of high school, comes to stay as a guest of the family. Under the eyes of his wife, Richard seduces ...”

“... of that answer. But this does not mean simply that one fears that one’s poems may not be read. For that fear blends into the fear that, even if they are read, nobody will find anything distinctive in them. The words that were marshalled to one’s command may seem merely stock items, rearranged in routine ways. One ...”

“... for the Centre Pompidou, and become famous overnight. The two – a 38-year-old Englishman called Richard Rogers and a 35-year-old Italian called Renzo Piano – design an exuberant building that delights some and outrages others: a glass box supported by a superstructure of steel and concrete, each façade a playful grid of prefabricated columns and diagonal ...”