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Bypass Variegated

Rosemary Hill: Osbert Lancaster, 21 January 2016

Osbert Lancaster’s Cartoons, Columns and Curlicues: ‘Pillar to Post’, ‘Homes Sweet Homes’, ‘Drayneflete Revealed’ 
by Osbert Lancaster.
Pimpernel, 304 pp., £40, October 2015, 978 1 910258 37 8
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... volume, the liftshaft, was published by Faber in 1937. He has been unhelpfully influenced by T.S. Eliot: Delenda est Carthago! (ses bains de mer, ses plages fleuries, And Dido on her lilo à sa proie attachée) Tudor Lancaster was famous by the time Drayneflete appeared and had been since 1939, when he invented the pocket (as distinct from the ...

Even Uglier

Terry Eagleton: Music Hall, 20 December 2012

My Old Man: A Personal History of Music Hall 
by John Major.
Harper, 363 pp., £20, September 2012, 978 0 00 745013 8
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... minstrel, and put it to use in his own public readings, though without the burned cork. T.S. Eliot revered Marie Lloyd, and the present queen’s grandmother, the hatchet-faced Queen Mary, was an improbable fan of Albert Chevalier’s East End knees-up ‘Knocked ’em in the Old Kent Road’. Walter Sickert was obsessed with music hall, and Rudyard ...

Gaslight and Fog

John Pemble: Sherlock Holmes, 26 January 2012

The Ascent of the Detective: Police Sleuths in Victorian and Edwardian England 
by Haia Shpayer-Makov.
Oxford, 429 pp., £30, September 2011, 978 0 19 957740 8
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... in trays of second-hand pulp, but haunts the libraries, loos and luggage of people like T.S. Eliot, Ronald Knox, Eric Newby, Vladimir Nabokov and Umberto Eco. He even made it into Edmund Wilson’s bedroom. Although Holmes is a private detective, he’s frequently consulted by Scotland Yard and repeatedly succeeds where it fails. This leads Haia ...

The Undesired Result

Gillian Darley: Betjeman’s bêtes noires, 31 March 2005

Betjeman: The Bonus of Laughter 
by Bevis Hillier.
Murray, 744 pp., £25, October 2004, 0 7195 6495 6
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... of them were oblivious of their importance to him. Some, such as his Highgate schoolmaster T.S. Eliot and his Oxford nemesis C.S. Lewis, had been in post since his youth, but new figures continually joined them. One was Nikolaus Pevsner, who by some quirk of mandarin humour was knighted the same year as Betjeman. Hillier struggles, unconvincingly, to find ...

Dream Leaps

Tessa Hadley: Alice Munro, 25 January 2007

The View from Castle Rock 
by Alice Munro.
Chatto, 349 pp., £15.99, November 2006, 0 7011 7989 9
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... the light of the scruples of history? And how do readers judge whether it works, when they can’t test it against the ‘truth’? This is on board ship in 1818 (Agnes is James Laidlaw’s daughter-in-law, about to give birth): ‘You should go and say farewell to your native land and the last farewell to your mother and father for you will not be seeing ...

Drowned in Eau de Vie

Modris Eksteins: New, Fast and Modern, 21 February 2008

Modernism: The Lure of Heresy from Baudelaire to Beckett and Beyond 
by Peter Gay.
Heinemann, 610 pp., £20, November 2007, 978 0 434 01044 8
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... But Gay makes no mention of this accumulating literature. While he points, in discussing T.S. Eliot, to the self-contradictory nature of a good deal of the modern impulse, he is not willing to go on to acknowledge that political modern and cultural modern had a symbiotic relationship. Though Hitler read little, he did highlight a passage in a 1923 book by ...

Sink or Skim

Michael Wood: ‘The Alexandria Quartet’, 1 January 2009

Justine 
by Lawrence Durrell.
Folio Society, 203 pp., £19.95, January 2009
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Balthazar 
by Lawrence Durrell.
Folio Society, 198 pp., £19.95, January 2009
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Mountolive 
by Lawrence Durrell.
Folio Society, 263 pp., £19.95, January 2009
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Clea 
by Lawrence Durrell.
Folio Society, 241 pp., £19.95, January 2009
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... to use a medium as precisely as possible, but knowing fully its basic imprecision? A hopeless task, but none the less rewarding for being hopeless.’ This is good Modernist doctrine, and a whole slew of writers and critics from Mallarmé to Adorno would certainly sign the manifesto. But the proposition doesn’t describe what happens in Durrell’s ...
... gnarled paws and a voice like a buttock. He has been reading Homer and got some ideas. He doesn’t so much tell me his ideas as carve me with them. Cy is a Special Level Donor. He’ll up the annual donation by half if they get artists doing some real art not just bullshit brushstrokes.GilesCy’s son is deaf. He brings him to the dinner to perform ...

Kipling and Modernism

Craig Raine, 6 August 1992

... But the mere uncounted folk Of whose life and death is none Report or lamentation. When T.S. Eliot, in the course of an essay of fine advocacy, identifies, as a weakness, Kipling’s lack of ‘inner compulsion’, the absence of a Figure in the Carpet, he overlooks Kipling’s uncommon fascination with the common man and the common woman – his ...

Condy’s Fluid

P.N. Furbank, 25 October 1990

A War Imagined: The First World War and English Culture 
by Samuel Hynes.
Bodley Head, 514 pp., £20, October 1990, 0 370 30451 9
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Killing in Verse and Prose, and Other Essays 
by Paul Fussell.
Bellew, 294 pp., £9.95, October 1990, 0 947792 55 4
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... and rubbish (including cast-off language) that threatened the living. It was in 1930 that T.S. Eliot wrote in Criterion, with cold common sense: ‘Perhaps the most significant thing about the War is its insignificance; and it is this insignificance which makes it so acutely tragic. Perhaps fear of war is now rather an incentive, than a preventive, of ...

Upstaging

Paul Driver, 19 August 1993

Shining Brow 
by Paul Muldoon.
Faber, 86 pp., £5.99, February 1993, 0 571 16789 6
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... The writing and presentation of a verse play is fraught with traditional dangers of the kind T.S. Eliot encountered and Auden described when he wrote that Eliot took ‘the only possible line. Except at a few unusual moments, he kept the style Drab.’ Raine, in his preface to The Electrification, showed that he was ...

Between centuries

Frank Kermode, 11 January 1990

In the Nineties 
by John Stokes.
Harvester, 199 pp., £17.50, September 1989, 0 7450 0604 3
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Olivia Shakespear and W.B. Yeats 
by John Harwood.
Macmillan, 218 pp., £35, January 1990, 0 333 42518 9
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Letters to the New Island 
by W.B. Yeats, edited by George Bornstein and Hugh Witemeyer.
Macmillan, 200 pp., £45, November 1989, 0 333 43878 7
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The Letters of Ezra Pound to Margaret Anderson: The ‘Little Review’ Correspondence 
edited by Thomas Scott, Melvin Friedman and Jackson Bryer.
Faber, 368 pp., £30, July 1989, 0 571 14099 8
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Ezra Pound and Margaret Cravens: A Tragic Friendship, 1910-1912 
edited by Omar Pound and Robert Spoo.
Duke, 181 pp., £20.75, January 1989, 0 8223 0862 2
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Postcards from the End of the World: An Investigation into the Mind of Fin-de-Siècle Vienna 
by Larry Wolff.
Collins, 275 pp., £15, January 1990, 0 00 215171 5
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Rites of Spring: The Great War and the Birth of the Modern Age 
by Modris Eksteins.
Bantam, 396 pp., £14.95, September 1989, 0 593 01862 1
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Esprit de Corps: The Art of the Parisian Avant-Garde and the First World War, 1916-1925 
by Kenneth Silver.
Thames and Hudson, 506 pp., £32, October 1989, 0 500 23567 8
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... his qualities of discernment and generosity (he wanted to make a magazine where he himself, Eliot, Joyce and Wyndham Lewis could appear regularly – an annexe to the Vortex – but was determined to accept anything that had quality). Much of the detail lacks interest, however, and it is hard to avoid the ungrateful reflection that, since the fine ...

Et in Alhambra ego

D.A.N. Jones, 5 June 1986

Agate: A Biography 
by James Harding.
Methuen, 238 pp., £12.95, April 1986, 0 413 58090 3
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Subsequent Performances 
by Jonathan Miller.
Faber, 253 pp., £15, April 1986, 0 571 13133 6
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... Chekhov and Ibsen, the only foreigners established in the British dramatic repertoire. The task of the actors is to assist Miller’s interpretation. He is not much pleased by the performances he saw in his youth, nor by reports of older performances: he has always been concerned to reject what he calls ‘traditional’ conceptions of the roles, and ...

The Road to Sligo

Tom Paulin, 17 May 1984

Poetry and Metamorphosis 
by Charles Tomlinson.
Cambridge, 97 pp., £9.95, March 1983, 0 521 24848 5
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Translations 
by Charles Tomlinson.
Oxford, 120 pp., £7.95, October 1983, 0 19 211958 3
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Conversation with the Prince 
by Tadeusz Rozewicz, translated by Adam Czerniawski.
Anvil, 206 pp., £4.95, March 1982, 0 85646 079 6
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Passions and Impressions 
by Pablo Neruda, translated by Margaret Sayers Peden.
Farrar, Straus/Faber, 396 pp., £16.50, October 1983, 0 571 12054 7
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An Empty Room 
by Leopold Staff, translated by Adam Czerniawski.
Bloodaxe, 64 pp., £3.25, March 1983, 0 906427 52 5
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... aggression. Not all translators, however, have followed Dryden and Joyce in seeing their task as a contribution to the formation of a national ‘conscience’ (Joyce’s special definition of the word is not in the OED). When Ezra Pound set out to purify the English language in his Cathay volume of translations from the Chinese, he created a ...

Grandfather Emerson

Harold Bloom, 7 April 1994

Poetry and Pragmatism 
by Richard Poirier.
Faber, 228 pp., £20, November 1992, 0 571 16617 2
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... York, the South or the West. It has often been said that Isabel Archer is an imitation of George Eliot’s Dorothea Brooke, but it is apparent from all the novels of James which have no resemblance to Middlemarch, and from their Emersonian echoes, that The Portrait of a Lady could have brought the theme of aspiration to the point it does without the help of ...

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