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Two Sharp Teeth

Philip Ball: Dracula Studies, 25 October 2018

Something in the Blood: The Untold Story of Bram Stoker, the Man Who Wrote ‘Dracula’ 
by David J. Skal.
Norton, 672 pp., £15.99, October 2017, 978 1 63149 386 7
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The Cambridge Companion to ‘Dracula’ 
edited by Roger Luckhurst.
Cambridge, 219 pp., £17.99, November 2017, 978 1 316 60708 4
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The Vampire: A New History 
by Nick Groom.
Yale, 287 pp., £16.99, October 2018, 978 0 300 23223 3
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“... Certainly Stoker’s dedication earned him little affection or respect. His friend the Manx writer Hall Caine said that he had ‘never seen, nor do I expect to see, such absorption of one man’s life in the life of another.’ Stoker’s was, he went on, ‘the strongest love that man may feel for man’. One might assume from this that Stoker was a ...”

Diary

Ian Hamilton: Who will blow it?, 22 May 1997

“... all show and not much business. Early on, we’re often told, they were the constant butt of music-hall comedians (something to do, this, with George Robey who was apparently on Chelsea’s books once, as an amateur). There was even a popular ditty – ‘The day Chelsea went and won the Cup’ – which was taken to encapsulate the club’s special brand of ...”

How does one talk to these people?

Andrew O’Hagan: David Storey in the Dark, 1 July 2021

A Stinging Delight: A Memoir 
by David Storey.
Faber, 407 pp., £20, June, 978 0 571 36031 4
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“... minor characters in British literature who appear as workers, usually larger than life, like music hall artistes. Dickens, of course, could see the public entertainer in just about anybody, but he was unusual in making people expressive of their jobs, and his novels display a panorama of the gainfully employed. In his fiction, there are twelve merchants and ...”

Diary

Iain Sinclair: Thatcher in Gravesend, 9 May 2013

“... martyr of Khartoum, I left the pier and its deserted wine bars and found my way to the Old Town Hall: the political and civic centre. The big attraction was an exhibition of paintings by Duncan Grant: ‘Duncan Grant, Gravesend Artist’, that is, not the Bloomsbury wildboy. A pulsating view, down High Street and the Heritage Quarter to the Thames, having ...”

Ruin it your own way

Susan Pedersen, 4 June 2020

Tastes of Honey: The Making of Shelagh Delaney and a Cultural Revolution 
by Selina Todd.
Chatto, 304 pp., £18.99, August 2019, 978 1 78474 082 5
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A Taste of Honey 
by Shelagh Delaney.
Methuen, 112 pp., £14.44, November 2019, 978 1 350 13495 9
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“... plotline. But how to screw the girl without ending up in the new semi with the pram in the hall on the council estate at the edge of town? Women in these fictions are enticing but dangerous, knees-together honeypots bartering sex for a ring. To quote Julie Christie, who would know: ‘They exist to be disliked by the heroes.’How, then, to make sense ...”

Will to Literature

David Trotter: Modernism plc, 13 May 1999

Institutions of Modernism: Literary Elites and Public Culture 
by Lawrence Rainey.
Yale, 227 pp., £16.95, January 1999, 0 300 07050 0
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Modernism, Technology and the Body: A Cultural Study 
by Tim Armstrong.
Cambridge, 309 pp., £14.95, March 1998, 0 521 59997 0
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Body Ascendant: Modernism and the Physical Imperative 
by Harold Segel.
Johns Hopkins, 282 pp., £30, September 1998, 0 8018 5821 6
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Solid Objects: Modernism and the Test of Production 
by Douglas Mao.
Princeton, 308 pp., £32.50, November 1998, 0 691 05926 8
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“... will to literature received its fullest critical acknowledgment in the period between Richard Ellmann’s 1959 biography of Joyce and Hugh Kenner’s The Pound Era (1971). Kenner’s book, based in part on interviews with Pound, presents itself as a parting glimpse of an age of demi-gods. It marvellously exhibits, by a vivid survey of ...”

How long before Ofop steps in?

Patrick Carnegy, 16 March 2000

In House: Covent Garden, 50 Years of Opera and Ballet 
by John Tooley.
Faber, 318 pp., £25, November 1999, 9780571194155
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Never Mind the Moon: My Time at the Royal Opera House 
by Jeremy Isaacs.
Bantam, 356 pp., £20, November 1999, 0 593 04355 3
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“... the Liverpool department-store manager who’d built it up from its wartime use as a dance-hall, and then for 18 years as general director. The high point of Webster’s reign was the Georg Solti era (1961-71). Tooley presided over the rather lesser era of Colin Davis (1971-86). Things, indeed, began to fall apart when Davis’s partnerships with Peter ...”

Another Country

Adam Shatz: Visions of America, 5 February 2026

“... hyperreality in Baudrillard’s sense – something that is more real than real, a hall of mirrors in which the separation between the world and its representations dissolves? Or perhaps all of the above?The ‘rich confusion’ of American identity, as Baldwin put it, has given rise to endless attempts at definition, by foreign observers as ...”

Lady Talky

Alison Light: Lydia Lopokova, 18 December 2008

Bloomsbury Ballerina: Lydia Lopokova, Imperial Dancer and Mrs John Maynard Keynes 
by Judith Mackrell.
Weidenfeld, 476 pp., £25, April 2008, 978 0 297 84908 7
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“... his La Boutique fantasque brought André Derain’s designs to the Coliseum, then a music hall. The story of two cancan dolls who elope from a Victorian toyshop, it provided a satirical view of 19th-century mores, its human characters more like ironic cartoons and its dancing toys – Massine and Lopokova – strangely sinister as well as ...”

Is this fascism?

Daniel Trilling, 5 June 2025

Disaster Nationalism: The Downfall of Liberal Civilisation 
by Richard Seymour.
Verso, 280 pp., £20, October 2024, 978 1 80429 425 3
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“... itself. As Primo Levi wrote, ‘it happened, therefore it can happen again.’Are​ we, as Richard Seymour suggests, ‘in the early days of a new fascism’? In Disaster Nationalism, Seymour argues that in trying to understand the new far right, we have been looking in the wrong places. Parties and policy platforms, or the personalities of ...”

A Hard Dog to Keep on the Porch

Christopher Hitchens, 6 June 1996

“... Oxford 1968-9. In the evenings, after dinner in hall, groups would take shape informally in the quad. There was Richard Cobb’s lot, making for the buttery and another round of worldly banter. There was this or that sodality, taking a cigarette break or killing time before revision ...”

How to Be Tudor

Hilary Mantel: Can a King Have Friends?, 17 March 2016

Charles Brandon: Henry VIII’s Closest Friend 
by Steven Gunn.
Amberley, 304 pp., £20, October 2015, 978 1 4456 4184 3
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“... then would have swived the other sister both’. He fought for the invading Tudor forces against Richard III. Unsubstantiated legend has him as a standard-bearer at Bosworth, cut down close to the person of the man who would soon be king. Whatever the exact truth, he died a hero with a claim on the gratitude of the new regime. He did not leave much land for ...”

Darkness Audible

Nicholas Spice, 11 February 1993

Benjamin Britten 
by Humphrey Carpenter.
Faber, 680 pp., £20, September 1992, 0 571 14324 5
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“... winning was important to Britten, whether it was a game of cards or the building of a new concert hall, a tennis match or the staging of an opera. Criticism was intolerable to him. Britten had the misfortune to be born with a talent so much greater than that of his competitors that winning came fatally easily. Now this is plain to see. W.H. Auden saw it at ...”

The Olympics Scam

Iain Sinclair: The Razing of East London, 19 June 2008

“... football pitches, changing rooms erected to replace shower blocks opened in the dark ages by Wendy Richard of EastEnders. Back in the 1820s Gas Company funds were misappropriated, illegal payments made to council officials and stock accounts falsified. Now, in more enlightened times, when bureaucratic malpractice is exposed and celebrated every ...”

His Generation

Keith Gessen: A Sad Old Literary Man, 19 June 2008

Alfred Kazin: A Biography 
by Richard Cook.
Yale, 452 pp., £25, March 2008, 978 0 300 11505 5
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“... began to produce books. In the library Kazin sometimes sat across from his friend the historian Richard Hofstadter, who was also writing his first book, and their simultaneous composition was also a form of becoming. The battle Kazin had all his writers fight in On Native Grounds was a battle against an uncaring America, a vast industrial civilisation. He ...”

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