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“... way things are all manner of discontinuous instrumentalities, and one of these is the aphorism. So John Gross’s Oxford Book of Aphorisms might, if properly used, be less a book to nod over than a neo-philosophical catena, an instance of the edifying that ousts the epistemological. As a matter of fact, it contains some strong anti-systematic ...”

“... more recent Erics – Ambler, Sykes, Shipton, Heffer – oozed shame when signing their names. John Betjeman, in Summoned by Bells, agonises over Farrar’s ‘mawkish’ and ‘oh-so-melodious’ book through which runs a schoolboy sense of impending ‘Doom! Shivering Doom!’ The doom which Betjeman and his contemporaries at Marlborough dreaded was no ...”

“... of form and language, blurred distinctions between the real and imaginary, time now and time then. John Barth has written about Barthelme’s ‘nonlinear narration, sportive form and cohabitation of radical fantasy with quotidian detail’. Along with those traits, Brautigan shares with Barthelme his extreme minimalism, the deft placement, or misplacement, of ...”

“... it adversity, that such beauty does exist.’ Baraka made the observation in his liner notes to John Coltrane’s album Live at Birdland, which includes ‘Alabama’, an elegy for the four girls murdered in the 1963 Birmingham Church bombing.I thought of Baraka’s words at New York’s Riverside Church last Saturday, at the funeral of the alto saxophonist ...”

“... By 1963​ , John Cage had become an unlikely celebrity. Anyone who knew anything about music – who had perhaps followed the perplexed reviews in the New York Times – could tell you how he had managed to transform the piano into a one-man percussion ensemble by wedging nails, bolts and erasers between its strings; or how he had – ‘and you’re never gonna believe this’ – somehow composed silent music ...”

“... of Class Theory, both Marxist and other, are greater than they are here prepared to admit. Raymond Williams has recently complained that in the whole range of contemporary discussion of this concept and the controversy that surrounds it three basic ‘meanings of class can be seen in operation, usually without clear distinction ... (i) group ...”

“... Recovery, a rope cinched tightly around her right ankle. She is defenceless and exposed. Captain John Kimber seems to be taking pleasure in her pain. He is corpulent, grotesque. We do not know the girl’s name. Nor did the crew who watched or assisted in her torture. They called one of her fellow captives Venus, which of course had no meaning in the village ...”

“... In 1940, after she’d gained the admiration of Marianne Moore and William Carlos Williams, and had had nearly thirty of her poems published in literary journals or book collections, Elizabeth Bishop, then 28, admitted in a letter to Moore: ‘I scarcely know why I persist at all. It is really fantastic to place so much on the fact that I have written a half-dozen phrases that I can still bear to reread without too much embarrassment ...”

“... feel, blush for it. Mostly they contradict it. The style of interesting poets like Peter Didsbury, John Ash, Pauline Stainer and one of the editors, Michael Hulse, is not particularly ‘democratic’, but playfully enigmatic and donnish. There is a tendency to think aloud with a somewhat creaky jauntiness, as if the poets were sharing secrets with their ...”

“... of mind’, it must be a broad category indeed to contain two such different representatives as John Henry Newman and James Fitzjames Stephen. They shared a distrust of reform and democracy, a love of England, and a penchant for getting into controversy in print. Otherwise, they strike one as chalk and cheese, or ‘dog and fish’, as Newman put it, à ...”

“... after all, interesting in their own right. The plot sometimes creaks, though no more loudly than John Spurling’s The Ragged End or Ben Elton’s eco-farce Stark. These books try for the global range and include by reference and implication huge volumes of contemporary history. Stories which bring in two world wars or the coming eco-crisis or the sunset of ...”

“... situation now is very different. At the age of 78, and with the possible exception of John Adams, Glass can be regarded as the most famous – certainly the most successful – of all the composers who emerged from the minimalist revolution of the 1960s. Perhaps because he shed the technical apparatus of such iconic pieces as Reich’s Drumming ...”

“... has now disappeared to be replaced by another, this time by the succeeding general editors, John Barnard and Paul Hammond. They claim fidelity to Bateson except where he has come to seem fallible. For instance, he insisted on modernising spelling and punctuation; but why modernise Browning, and why meddle with Marvell’s punctuation, which is important ...”

“... You don’t hate us in Scotland, Master?’ said Professor John Stuart Blackie, the Teuto-Gaelic classicist, to Jowett of Balliol. ‘We never think of you at all,’ came the lapidary reply. Drafting a sketch for a BBC radio programme on devolution, I was rung by Professor Phil Williams, a colleague at Aberystwyth who is also Plaid Cymru’s spokesman on energy ...”

“... taking his first job at Amherst College in 1917. Pound, Eliot, Wallace Stevens, William Carlos Williams, Marianne Moore, Hart Crane all lived by other means; though it’s worth pointing out that the poetry and criticism of Eliot in particular, and to a lesser extent of Pound, played a significant role in shaping the curriculum and methodologies these ...”