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“... Ulysses S. Grant, for Logan Pearsall Smith, Frederick Prokosch, Edith Wharton, Leonardo Sciascia, Thomas LovePeacock and Henry Miller: ‘If he often sounded like the village idiot, that was because, like Whitman, he was the rest of the village as well.’ But alongside the blessings, kicks and curses is a running ...”

“... or not with the exclusion of common factuality. The two are not necessarily related. Consider Thomas LovePeacock. There the ordinary stuff of life is swept away to make room for abstract speculation. That, and just that, is the joke. It tickles our funny-bone to meet the denizens of Nightmare Abbey – young ...”

“... the idea of a seat, and appropriate a whole country to the mansion’, as his contemporary Thomas Whately put it. Brown was attacked as a result, directly by Cowper in The Task and implicitly by Goldsmith in The Deserted Village. Yet his life also tells the opposite story of the considerable social mobility available to the educated Georgian ...”

“... is no longer there except as an intuition or perhaps a fiction: Shelley charms the star into what Thomas Hardy – a great admirer though a very different sort of poet – once called ‘existlessness’. And, to add to the sense of abstraction, this is a metaphor for a metaphor, since Shelley is likening the dwindling star to the soaring skylark, a bird ...”

“... At one point in Thomas Peacock’s satire Melincourt, the heroine Anthelia offers a spirited sketch of the character traits which she looks for in a prospective husband. ‘I would require him to be free in all his thoughts, true in all his words, generous in all his actions – ardent in friendship, enthusiastic in love, disinterested in both … the champion of the feeble, the firm opponent of the powerful oppressor – not to be enervated by luxury, nor corrupted by avarice, nor intimidated by tyranny, nor enthralled by superstition – more desirous to distribute wealth than to possess it, to disseminate liberty than to appropriate power, to cheer the heart of sorrow than to dazzle the eyes of folly ...”

“... The recent (2000) Vintage Classics edition seemed as good a bet as any: it has a nice picture of a peacock swanking on the cover, and costs only £6.99. Loving, first published in 1945, is concerned with the lives of the servants in an Anglo-Irish country house during World War Two. Mrs Tennant, the mistress of the house, is away in London for much of the ...”

“... art. His own life, or his life recalled, was his principal theme, and Proust, with whom he fell in love during his first year at college, his principal model. The considerable archive he donated to the Olin Library at Washington University in St Louis includes not only drafts of poems and letters but notebooks, calendars, guest books, along with more than ...”

“... admirers have ranged from Virginia Woolf to Derek Walcott, from Robert Frost to W.H. Auden, from Thomas Hardy to T.S. Eliot, not to speak of confrères such as Edward Thomas, Rupert Brooke and Henry Newbolt. Ezra Pound, although savage in his denunciation of the use of idioms or phrases such as ‘dim lands of ...”

“... than her own Felix, who ‘loved that old and documented splendour with something of the love of the lion for its tamer – that sweat-tarnished spangled enigma that, in bringing the beast to heel, had somehow turned towards him a face like his own ...’ The extravagant manner easily slips into the ridiculous: ‘And I do not permit you to suffer ...”

“... years, returns to the fishing village from which he had fled under suspicion of having murdered Thomas Pole. Nearly everyone believes him guilty, since the two young men had been seen to quarrel. Both had been drinking heavily for a fortnight, and when Pole was found ‘with his head crushed under a fearful blow’ Doull took fright and bolted from the ...”

“... like the Lawrence who talks to Hilda and sees birds and is physically restful and wrote The White Peacock, he doesn’t know why; but I do not like the deaf impercipient fanatic who has nosed over his own little sexual round until he believes that there is no other path for others to take, he sometimes interests & sometimes frightens & angers me, but in the ...”

“... readers on the poetry scene, what is proper to it. But Walter de la Mare’s line ‘Who said, “Peacock Pie”?’ is not just appropriate to a poem for children. It is a real question, just as this, from Stevie Smith, is real information: Cool and plain Cool and plain Was the message of love on the window pane. Soft and ...”

“... about editorial method: John Worthen, one of the three editors of the Cambridge Women in Love, describes his approach in D.H. Lawrence in the Modern World and defends it in Essays in Criticism (April 1989). Yet, as H.M. Daleski points out in the same collection, Joyce has effectively eclipsed Lawrence as the representative or iconic 20th-century ...”

“... Its predecessor, Wolf Hall, the first part of what will be a trilogy of novels about the life of Thomas Cromwell, carried the burden of beginning and perhaps also of containing too much history.* In it Thomas Cromwell frees Henry VIII from his marriage to Katherine of Aragon, engineers his union with Anne Boleyn by ...”

“... anti-talent for it (the Oscars, the primaries, the hearings, the trials, Shirley Temple, Clarence Thomas, Andrea Dworkin, Al Sharpton, Ronald Reagan, Jimmy Swaggart). Whereas, over here, maleness itself has become an embarrassment. Male consciousness, male pride, male rage – we don’t want to hear about it. This of course is the very diffidence and ...”