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“... new kind of iconography’. Leo Castelli expanded his gallery in 1958, giving solo shows to Jasper Johns and Robert Rauschenberg. ‘Warhol must have been sick with envy,’ Gopnik writes, ‘when Castelli’s sold-out Johns show – the artist’s first solo – even lucked into getting the cover of ARTnews … and also ...”

“... action, but honourably engaged and ‘wanting nothing for himself’, and in that way just like Dr Richard Kimble, the honourable, though much more reluctantly engaged fugitive. David Janssen The series ran to 120 episodes, and was on US television from 1963 to 1967. The finale had the highest ratings of any TV show until the answer to the question of ...”

“... glanced over the commercial design in some embarrassment (at least Robert Rauschenberg and Jasper Johns had the good taste to treat their window displays as rent-money work), sidelined the films and bemoaned his supposed decline after the 1968 shooting. Along with a few other contemporaries, Koestenbaum writes against all three biases.Until recently, too, art ...”

“... semi-abstract favourite of those who don’t really like abstraction, the tasteful and inoffensive Richard Diebenkorn. For a truly major artist who goes too far in abstract reduction, an artist like Barnett Newman, who made his reputation on large-scale monochrome canvases interrupted by a single contrasting line, and accompanied his vast ‘zips’ with a ...”

“... never have been published at all had it not been for the intercession of the poet and translator Richard Howard, who was introduced to White by a friend who had met Howard at a West Village pick-up bar. Howard liked White’s manuscript, suggested revisions and eventually persuaded Random House to publish it. The publisher demanded that the ending be changed ...”

“... US who made his name as a pro-Palestinian commentator. But by the mid-1980s, he was teaching at Johns Hopkins; he’d become a fervent anti-Arab ideologue and had been taken up by the right-wing Zionist lobby (he now works for Martin Peretz and Mort Zuckerman) and the Council on Foreign Relations. He is fond of describing himself as a non-fiction Naipaul ...”

“... 1832-1852), in fluency and subtlety the equal at least of those other celebrated Ford Lectures, Richard Pares’s King George III and the Politicians. Professor Gash has yet to be honoured by a festschrift. But Edward Arnold have done him proud and served readers better by inviting him to publish this collection of pieces old and new, 15 essays and articles ...”

“... Baudelaire on Callot, Donald Hall on Munch, Hollander on Monet and dozens more, including Richard Wilbur’s exquisitely meditative imitation of a Baroque wall fountain, a poem that sounds more like the work of art it imitates than any other I know.* The painting of Howard Hodgkin is a first-rate example of the vivid muteness that resists critical ...”

“... but not radically altered by experience, animates his later studies of Giacometti and Jasper Johns. He is most at home with the art of the world he grew up in, with the painters as well as with their work. Given his belief that modern art is gesture, gesture expressing individuality, it isn’t surprising that he has no inhibitions about providing ...”

“... like Stevens, Eliot and Ashbery are frequently dropped and sometimes deployed, as well as Jasper Johns, for his painting of the United States that is and is not a map. If the book has a single thesis, it appears to be that American culture is identical with the culture of modernity. In the arts, technology and its social arrangements, America is pictured ...”

“... American citizen and, by 1897, professor of mathematics at the new University of South Dakota. Richard Pipes’s The Degaev Affair is the first book-length treatment of the extraordinary lives of Sergei Degaev: his double role as revolutionary and agent provocateur up to 1883, and his subsequent life in America, a life so utterly distinct from what ...”

“... up as the benchmark of its epoch: this too is conventional.) A gallery devoted to Rauschenberg, Johns and Twombly is so deserved that it is a surprise one did not exist before, and the presentation opens up further in rooms devoted to 1960s abstraction, Pop, Minimalism and Post-Minimalism. Some artists in this suite of spaces were not stamped with MoMA ...”

“... fiction in the English language; but it is no disrespect to Hal Gladfelder to wonder whether the Johns Hopkins press would have been quite so eager to take on an erudite study of an obscure 18th-century hack were he not renowned for having written an exceedingly dirty book. Most publishers run a mile these days from such single-author studies. They do not ...”

“... thesis on Mallarmé and Yeats still awaits full publication), and served as a teacher at Cornell, Johns Hopkins and the University of Zurich before settling at Yale in 1970. And although his earliest essays appeared in French during the 1950s (especially in Critique), they were not well-known until the Minnesota edition of Blindness and Insight ...”

“... and in which the female characters became noticeably more prominent and morally ambiguous. Glynis Johns played a gambling addict in The Weak and the Wicked, based on the prison memoirs of Joan Henry, an ex-debutante who had been caught passing a forged cheque. Muriel Box’s Street Corner was about women in the police force. The film to which she was most ...”