Search Results

“... even vainly – thick volume read with the ease of a novel. Again, the range is imposing – Raymond Queneau, Roland Barthes, E.M. Cioran, Claude Lévi-Strauss, Bruno Bettelheim, Peter Gay’s Art and Act, The New Oxford Book of Christian Verse – the casual erudition much in evidence. Updike is a master at summing up careers: from the letters of ...”

“... constraints. OuLiPo (Ouvroir de Littérature Potentielle) was a literary association founded by Raymond Queneau and François Le Lionnais in 1960 and dedicated to the search for new forms of writing, mainly through the application of mathematical structures, gratuitous forms of word play, and bizarre constrictions on content. The Oulipian text aims for ...”

“... voiced on this count. While reading Twenty Months at Auschwitz by Pelagia Lewińska in 1945, Raymond Queneau noted that ‘the real meaning’ of the camps was to ‘dehumanise human beings (which was the goal proposed by Sade’s heroes)’, and found, in Sade, ‘a hallucinatory precursor of the world ruled by the Gestapo’. Later that same year ...”

“... his early forties, hadn’t been thought to be living up to his early promise. Sartre, Camus and Raymond Aron had praised his first book, a novel about Polish partisans, A European Education (1945), but he had later lost his audience, producing – among other things – an eccentric satire on racism and a Parisian rewrite of Oliver Twist. The initial ...”

“... Maud, but it remains a beginner’s effort. The Easy Life, however, reads like a novel by Duras. Raymond Queneau wrote in his reader’s report for Gallimard that although the novel was too influenced by Camus’s L’Étranger, he recommended publication, preferably after revisions. He also noted that he found the second section quite boring. It may ...”

“... reputation, bringing out new work by such established writers as Marcel Aymé, Jean Cocteau, Raymond Queneau and Antoine de Saint-Exupéry, as well as launching the careers of Simone de Beauvoir, Maurice Blanchot and Albert Camus. (He gave Camus a job that made it possible for him to live in Paris, and published L’Etranger in May 1942, followed by ...”

“... have found a lot to agree with. Another of Simenon’s unexpected intellectual affinities is with Raymond Queneau, who in the course of his studies spent a lot of time reflecting on the difference between spoken and written Greek, between the dialect of the street and the formal language. It occurred to Queneau that ...”

“... connected in cultural circles: his mother’s acquaintances included the actress Anna Karina and Raymond Queneau, who became Patrick’s maths tutor and later introduced him to Gaston Gallimard, his publisher. Neither Alberto nor Louisa appears to have had any interest in parenting, a task they farmed out to an eccentric group of women in the ...”

“... as places (Ecuador, Asia, Brazil), and whose investigations and ethnographical esprit anticipate Raymond Queneau. Not ‘works’ in any finished sense, but a chain reaction of occasions, co-ordinates of a self both extrovert and hidden, dispersed by travel or by the many voices of mescaline.As for Queneau, a few of ...”

“... just about possible to see it as some kind of Oulipo jest avant la lettre, a hundred years before Raymond Queneau actually did it. But speaking as a freelancer myself, I detect a high note of low desperation.Baudelaire’s fragments frequently look less like serious literature and more like the delusive autofiction of a long-time drug addict: a ...”

“... to win prizes in the League of Nations essay competition two years in a row, beating the young Raymond Williams the second time around. From BMB Murdoch learned, too, an admiration for the Soviet Union which the evidence of Stalin’s purges and show trials could not shake; her Soviet sympathies outlasted her pacifism by some years.It was only in ...”

“... interests to the works of the rich, bizarre and innovative French poet, novelist and playwright Raymond Roussel. In Paris, Péret contacted Roussel’s business manager, hoping to arrange a meeting with the man whom Louis Aragon called ‘the President of the Republic of Dreams’. Members of the Surrealist group, including Péret, had consistently ...”

“... likely that some of them, at least, will be critical of the role that Simone de Beauvoir played. Raymond Aron has already said that his relations changed from the day that Sartre met her. Until then Sartre liked to have him as his companion, someone with whom he could talk: once Simone de Beauvoir had taken on this role, he was no longer interested in ...”